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Legacy was cleared up. The Prestons were like a second family to him and he couldn’t abandon them now. “There’s no way I can make it. I’ve got too much work to do.”

      “That’s what you always say,” Noah replied. “I think you should try to have some fun for a change and the reunion sounds like a blast.”

      He checked his watch, realizing he didn’t have much time left to bid. “I’m at a charity auction right now and while I wouldn’t exactly call it fun, I do need to bid on something.” Carter scanned the multitude of items on display. “I’m trying to decide between a set of Limoges china, an authentic silk kimono, and an old saddlebag that was used on the pony express. Which one do you think I should bid on?”

      “Can’t you just fly to Chicago for the weekend?” Noah persisted. “I’d like to talk to you about something….”

      That’s when Carter saw it.

      His heart skipped a beat as he stared at a breathtaking portrait of Leopold’s Legacy. Or rather a bay horse that looked like Leopold’s Legacy’s identical twin. The stallion in the painting had the same clover-shaped star on its forehead and the same unique flaxen color in its tail.

      But there was something more.

      The artist had captured the same spirit that Carter saw in Leopold’s Legacy. The majestic stallion in the painting had his head turned toward the sun, the light gleaming off the powerful muscles in his neck and shoulders.

      Carter couldn’t believe this was just a coincidence. The horse in the painting wasn’t Leopold’s Legacy, but it looked as if they might have the same bloodline and very possibly the same sire.

      “Carter?” Impatience laced Noah’s voice. “Are you still there?”

      “I’m sorry,” he said, barely able to think, much less talk coherently. “I’ve got to go.”

      “All right, but call me back. I really need to talk to you.”

      “Okay,” Carter said, barely comprehending his brother’s words as he slipped the cell phone back into his pocket. He was too fascinated by the portrait and the possibility it presented.

      Carter watched a man wearing a ten-gallon hat make a bid on the painting. The silent auction was ending soon and he didn’t have time to waste.

      “Only fifteen minutes left, sir,” said a middle-aged woman with a name tag that proclaimed her as Shirley Biden. “So make your bid count.”

      Carter picked up the pencil and a bidding slip from the table. “What can you tell me about this painting?”

      “It’s called Picture of Perfection,” she replied. “That’s the name of the horse, too. If you’re the top bidder, I’ve arranged it so you not only win the painting, but get an opportunity to meet the artist.”

      He stared at the painting, his gut telling him that Picture of Perfection might hold the key to his search for Leopold’s Legacy’s true sire. At the very least, it could be a first step toward solving the mystery that plagued Quest Stables.

      “Ten minutes, sir,” Shirley said cheerfully.

      Although Carter had been asked to bid on an item for Quest Stables, he’d find something else for them. He scribbled down a figure that would make his accountant drop him as a client, but he wanted this painting for himself.

      He signed his name to the bid, then handed it to the woman. Her eyebrows shot up when she looked at the number. “Thank you very much, sir. And good luck.”

      Carter placed another bid on the vintage leather saddlebag for the Preston family, knowing how much matriarch Jenna Preston liked antiques. Then he paced the ballroom, waiting for the silent auction to end.

      He found himself wondering about the identity of Picture of Perfection’s dam as well as when and where she had been bred. Artificial insemination was forbidden by the Jockey Association and the International Thoroughbred Racing Federation, which meant Thoroughbreds had to be conceived the old-fashioned way. He and Brent Preston, Andrew’s brother and Quest’s head breeder, had actually watched the breeding between Apollo’s Ice and Courtin’ Cristy at Angelina Stud Farm. That’s what made the DNA results for Leopold’s Legacy so incomprehensible.

      Carter declined the offer of a second glass of champagne from a passing waiter, wanting to keep a clear head. He needed information about Picture of Perfection such as breeding date, birth date and genealogical data before he could make any solid determinations. Anything that might point him toward a possible connection with Leopold’s Legacy.

      Carter found himself standing in front of the portrait, staring at the horse. There was no denying the talent of the artist. The horse looked as if it could leap off the canvas at any moment. He read the artist’s signature at the bottom left corner.

      G. Cameron.

      He wondered if Mr. Cameron had any of the answers he sought. Not likely, but he could probably lead Carter to the owner of the horse.

      The chime of bells sounded in the ballroom, signaling the end of the auction. Carter tensed as the director of the charity took the stage. He was a robust man with a full mustache and beard. Carter recognized him as one of the bigwigs at the Del Mar racetrack.

      “First, I want to thank each and every one of you for your generous contributions this evening. With your support, we can make a difference in the lives of so many people.”

      Carter didn’t begrudge the money he’d bid on the painting. If he won, at least he knew it was going to a good cause. During college, he’d spent his summers working at a horse camp for disabled kids. That’s when he’d developed a love for horses. He’d seen the way they reacted to the children, exhibiting a gentleness that had amazed him.

      The director signaled the band for a drumroll, then beamed at the crowd gathered around the stage. “And now it’s the time we’ve all been waiting for—the winners of tonight’s auction.”

      Carter tensed, wondering if he should have placed a higher bid. He had no experience with the art world. Perhaps the painting was worth three times the amount he had bid. Maybe he should have kept Noah on the line and asked his opinion.

      His brother had taken a couple of art appreciation classes along with some other courses that Carter had considered pretty worthless for an economics major. Not that Noah ever listened to his advice. However, now Carter saw that there might be some value to them.

      “The high bid of the evening is for the lovely horse portrait by local up-and-coming artist Gillian Cameron of Robards Farm.”

      Gillian?

      For some reason, Carter had just assumed the artist was a man, since the sport of horse racing tended to be dominated by men. That was slowly changing and Quest Stables jockey Melanie Preston was proof of it. She could definitely hold her own with any man on the racetrack.

      “And the winner is….”

      The director paused for dramatic effect and Carter felt as though he might burst out of his skin.

      “Dr. Carter Phillips.”

      The crowd applauded as he released a deep sigh of relief. He’d bid high enough after all and won the painting.

      The director moved onto the next item on his list and Carter forced himself to pay attention until he heard that the Prestons had won the vintage saddlebag.

      Shirley approached him, her face wreathed with a smile. She reminded him of his favorite aunt back in Chicago.

      “Congratulations, Dr. Phillips,” she gushed. “I could see how much you liked that portrait.”

      “Thank you.”

      She turned toward the painting and clasped her hands together in delight. “Picture of Perfection is such a beautiful horse. I’ve actually seen him run in some California races this summer. He’s very fast and causing quite a sensation around here.”

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