LITMIR.BIZ

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when they finally did hug goodbye.

      The book had a drawing on the cover. Two Indians sitting in a tepee. Cathy was into all that kind of stuff, too, lately, stories about Native Americans or slave uprisings in Haiti, stories with ghosts or magical occurrences. Della liked some better than others.

      She packed the book in a box of odds and ends that hadn’t been taped shut yet.

      And then what happened to it? She shipped the box down to Florida with all the others. It turned out there wasn’t room for all their belongings in their one-bedroom at the hunting lodge, so they had to put them in storage. The resort went bust a year later. Soon Dick made Della move to Miami, and then to Daytona, and finally up to Hilton Head as he tried to make a go of other ventures. Only after he died, while Della was going through the bankruptcy, was she forced to open up the storage facility and sell off their furniture. Going through the boxes she’d shipped to Florida almost a decade before, she cut open the box of odds and ends and Two Old Women fell out.

      The book is a retelling of an old Athabascan legend, which the author, Velma Wallis, heard growing up as a child. A legend handed down “from mothers to daughters” that told the story of the two old women of the title, Ch’idzigyaak and Sa’, who are left behind by their tribe during a time of famine.

      Left behind to die, in other words. As was the custom.

      Except the two old women don’t die. Out in the woods, they get to talking. Didn’t they used to know how to hunt and fish and forage for food? Couldn’t they do that again? And so that’s what they do, they relearn everything they knew as younger people, they hunt for prey and they go ice-fishing, and at one point they hide out from cannibals who pass through the territory. All kinds of stuff.

      One drawing in the book showed the two women trekking across the Alaskan tundra. In hooded parkas and sealskin boots, they drag sleds behind them, the woman in front slightly less stooped than the other. The caption read: Our tribes have gone in search of food, in the land our grandfathers told us about, far over the mountains. But we have been judged unfit to follow them, because we walk with sticks, and are slow.

      Certain passages stood out, like one with Ch’idzigyaak speaking:

       “I know that you are sure of our survival. You are younger.” She could not help but smile bitterly at her remark, for just yesterday they both had been judged too old to live with the young.

      “It’s just like the two of us,” Della said, when she finally read the book and called Cathy. “One’s younger than the other, but they’re both in the same fix.”

      It started out as a joke. It was amusing to compare their own situations, in suburban Detroit and rural New Hampshire, with the existential plight of the old Inuit women. But the correspondences felt real, too. Della moved to Contoocook to be closer to Robbie but, two years later, Robbie moved to New York, leaving her stranded in the woods. Cathy’s bookstore closed. She started a pie-baking business out of her home. Clark retired and spent all day in front of the TV, entranced by pretty weather ladies on the news. Buxom, in snug, brightly colored dresses, they undulated before the weather maps, as though mimicking the storm fronts. All four of Cathy’s sons had left Detroit. They lived far away, on the other side of the mountains.

      There was one illustration in the book that Della and Cathy particularly liked. It showed Ch’idzigyaak in the act of throwing a hatchet, while Sa’ looked on. The caption read, Perhaps if we see a squirrel, we can kill it with our hatchets, as we did when we were young.

      That became their motto. Whenever one of them was feeling downhearted, or needed to deal with a problem, the other would call and say, “It’s hatchet time.”

      Take charge, they meant. Don’t mope.

      That was another quality they shared with the Inuit women. The tribe didn’t leave Ch’idzigyaak and Sa’ behind only because they were old. It was also because they were complainers. Always moaning about their aches and pains.

      Husbands were often of the opinion that wives complained too much. But that was a complaint in itself. A way men had of shutting women up. Still, Della and Cathy knew that some of their unhappiness was their own fault. They let things fester, got into black moods, sulked. Even if their husbands asked what was wrong, they wouldn’t say. Their victimization felt too pleasurable. Relief would require no longer being themselves.

      What was it about complaining that felt so good? You and your fellow sufferer emerging from a thorough session as if from a spa bath, refreshed and tingling?

      Over the years Della and Cathy have forgotten about Two Old Women for long stretches. Then one of them will reread it, regain her enthusiasm, and get the other to reread it, too. The book isn’t in the same category as the detective stories and mysteries they consume. It’s closer to a manual for living. The book inspires them. They won’t stand to hear it maligned by their snobby sons. But now there’s no need to defend it. Two million copies sold! Anniversary editions! Proof enough of their sound judgment.

      When Cathy arrives at Wyndham Falls the next morning, she can feel snow in the air. The temperature has dropped and there’s that stillness, no wind, all the birds in hiding.

      She used to love such ominous quiet, as a girl, in Michigan. It promised school cancellations, time at home with her mother, the building of snow forts on the lawn. Even now, at seventy, big storms excite her. But her expectation now has a dark wish at its center, a desire for self-annihilation, almost, or cleansing. Sometimes, thinking about climate change, the world ending in cataclysms, Cathy says to herself, “Oh, just get it over with. We deserve it. Wipe the slate clean and start over.”

      Della is dressed and ready to go. Cathy tells her she looks nice but can’t refrain from adding, “You have to tell the hairdresser not to use crème rinse, Della. Your hair’s too fine. Crème rinse flattens it down.”

      “You try telling that lady anything,” Della says, as she pushes her walker down the hall. “She doesn’t listen.”

      “Then get Bennett to take you to a salon.”

      “Oh, sure. Fat chance.”

      As they come outside, Cathy makes a note to e-mail Bennett. He might not understand how a little thing like that—getting her hair done—can lift a woman’s spirits.

      It’s slow going with Della’s walker. She has to navigate along the sidewalk and down the curb to the parking lot. At the car, Cathy helps her into the passenger seat and then takes the walker around to put it in the trunk. It takes a while to figure out how to collapse it and flip up the seat.

      A minute later, they’re on their way. Della leans forward in her seat, alertly scanning the road and giving Cathy directions.

      “You know your way around already,” Cathy says approvingly.

      “Yeah,” Della says. “Maybe those pills are working.”

      Cathy would prefer to get the frames somewhere nice, a Pottery Barn or Crate & Barrel, but Della directs her to a Goodwill in a nearby strip mall. In the parking lot, Cathy performs the same operation in reverse, unfolding the walker and bringing it around so that Della can hoist herself to her feet. Once she gets going, she moves at a good clip.

      By the time they get inside the store, it’s like old times. They move through the shiny-floored, fluorescently lit space as eagle-eyed as if on a scavenger hunt. Seeing a section of glassware, Della says, “Hey, I need some good new drinking glasses,” and they divert their operation.

      The picture frames are way in the back of the store. Halfway there, the linoleum gives way to bare concrete. “I have to be careful about the floor in here,” Della says. “It’s sort of lippity.”

      Cathy takes her arm. When they reach the aisle, she says, “Just stay here, Della. Let me look.”

      As usual with secondhand merchandise, the problem is finding a matching set.

      Nothing’s organized. Cathy flips through frame after frame, all of

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