LITMIR.BIZ

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can’t pause or save it. Every key I touch, every icon and menu is nonfunctional and the recording rolls on but nothing changes. The only movement I’ve detected so far are the subtle shifts of light from the edges of the closed slatted blinds.

      It was a sunny day but there must have been clouds or the light would be steady. It’s as if the dorm room is on a dimmer switch, bright then not as bright. Clouds moving across the sun I deduce as Hyde and the trooper hover near the mahogany staircase, loudly voicing opinions, making comments and gossiping as if they think I’m obtuse or as dead as the woman on the floor.

      “If she asks I don’t think we tell her.” Hyde has stayed on the subject of Amanda Gilbert’s anticipated arrival in Boston. “The air being turned off is a detail we want to keep away from her and for sure keep out of the media.”

      “It’s the only thing weird about this. You know that gives me a bad feeling.”

      It’s certainly not the only thing weird about this, I think but don’t verbalize.

      “That’s right and it starts a shit storm of rumors and conspiracy theories that end up all over the Internet.”

      “Except sometimes perps turn off the air-conditioning, turn on the heat, do whatever to make a place hot so they can speed up decomp. To disguise the correct time of death so they can create an alibi and screw up evidence, isn’t that true, Doc?” The state trooper with his Massachusetts accent addresses me directly, his r’s sounding like w’s when he’s not coughing.

      “Heat escalates decomposition,” I reply without looking up. “Cold slows it down,” I add as I realize what it means that the dorm room walls in the video are eggshell white.

      When Lucy first started staying at Washington Dorm the walls in her room were beige. Later they were repainted. I recalculate my timeline. The video was taken in 1996. Maybe 1997.

      “Dunkin’s got pretty good breakfast sandwiches. Would you like something to eat, ma’am?” The trooper in his blue and gray is talking to me again, sixtyish with a belly and he doesn’t look well, his face wasted with dark circles under his eyes.

      I have no idea what he’s doing at the scene, what useful purpose he might possibly serve. Besides that he sounds quite ill. But it wasn’t up to me who to invite, and I glance down at Chanel Gilbert’s battered dead face, at her bloody nude body with its greenish discoloration and bloating in the abdominal area from bacteria and gases proliferating in her gut due to putrefaction.

      The housekeeper told the police she didn’t touch the body or even get close, and I don’t doubt that Chanel Gilbert is exactly as she was found, her black silk bathrobe open, her breasts and genitals exposed. I’ve long since lost the impulse to cover a dead person’s nudity unless the scene is in a public place. I won’t change anything about the position of the body until I’m certain everyone is done with photographs and it’s time to pouch it and transport it to the CFC. That will be soon enough. Very soon as a matter of fact.

      I’m sorry, I wish I could say to her as I scan puddles of blood that are a viscous dark red and drying black around the edges. Something urgent has come up. I have to leave but I’ll be back, I’d tell her if I could, and I’m vaguely aware of how loud the flies have gotten inside the foyer. With doors opening and shutting as cops come in and out of the house, flies have invaded, shimmering like drops of gasoline, alighting and crawling, looking for wounds and other orifices to lay their eggs.

      My attention snaps back to the display of my phone. The image is the same. Lucy’s empty dorm room as seconds tick by. Two hundred and eighty-nine. Three hundred and ten. Now almost six minutes and there must be something coming. Who sent this to me? Not my niece. There would be no reason on earth. And why would she do it now? Why after so many years? I have a feeling I know the answer. I don’t want it to be true.

      Dear God don’t let me be right. But I am. I’d have to be in total denial not to put two and two together.

      “They have vegetarian sandwiches if that’s your thing,” one of the cops is saying to me.

      “No thanks.” I keep waiting as I watch, and then I sense something else.

      Hyde is pointing his phone at me. He’s taking a photograph.

      “You’re not going to do something with that,” I say without looking up.

      “I thought I’d tweet it after I Facebook it and post it on Instagram. Just kidding. You checking out a movie on your phone?”

      I glance up long enough to catch him staring at me. He has that glint in his eyes, the same mischievous gleam he gets when he’s about to spitball another lamebrain quip.

      “I don’t blame you for entertaining yourself,” he says. “It’s kinda dead in here.”

      “I can’t do that. I’m too old-school,” the trooper says. “I need a decent size screen if I’m watching a movie.”

      “My wife reads books on her phone.”

      “Me too. But only when I’m driving.”

      “Ha-ha. You’re a real comedian, Hyde.”

      “Do you think it’s worth stringing in here? Hey Doc?”

      I realize another Cambridge cop has appeared. He starts in about how to handle the blood evidence. I don’t know his name. Thinning gray hair, a mustache, short and squat, what they call a fireplug build. He doesn’t work for investigations but I’ve seen him on the Ivy League streets of Cambridge pulling people, writing tickets. One more nonessential who shouldn’t be here but it’s not for me to order cops off the scene. The body and any associated biological evidence are my jurisdiction but nothing else is. Technically.

      Yes technically. Because in the main I decide what are my business and my responsibility. It’s rare I get an argument. Overall my working relationship with law enforcement is collaborative and most times they’re more than happy for me to take care of whatever I want. They almost never question me. Or at least they didn’t used to second-guess hardly anything I decided. That might be different now. I might be getting a taste of how things have changed in two short months.

      “In this blood spatter class I went to they said you should string everything because you’re going to get asked in court,” the cop with thinning gray hair is saying. “If you testify that you didn’t bother with it? It looks bad to the jury. What they call the list of NO questions. The defense attorney goes through all these questions he’s sure you’ll answer no to, and it makes you look like you didn’t do your job. It makes you look incompetent.”

      “Especially if the jurors watch CSI.”

      “No shit.”

      “What’s wrong with CSI? You don’t got a magic box in that field case of yours?”

      This continues and I barely listen. I let them know that stringing would be a waste of time.

      “I figured as much. Marino doesn’t see the point,” one of the cops replies.

       I’m so glad Marino says it. That must make it true.

      “We could bring in the total station if you want. Just reminding you we have that capability,” the trooper says to me, and then he goes on to explain about TSTs, about electronic theodolites with electronic distance meters although he doesn’t use words like that.

      I know your capabilities better than you do and have handled more death scenes than you’ll ever dream of.

      “Thanks but it’s not necessary,” I answer without so much as a glance at the hieroglyphics of dark bloodstains under and around the body.

      I’ve already translated what I’m seeing, and using segments of string or sophisticated surveying instruments to map and connect blood streaks, swipes, sprays, splashes and droplets would offer nothing new. The area of impact is the floor under and around the body plain and simple. Chanel

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