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      CONTENTS

       COVER

       TITLE PAGE

COPYRIGHT

INTRODUCTION

FOREWORD

       PART

      I DEATH OF HENRY KINDER

       Helen Simpson

      II CONSTANCE KENT

       John Rhode

      III THE CASE OF ADELAIDE BARTLETT

       Margaret Cole

       IV AN IMPRESSION OF THE LANDRU CASE

       E. R. Punshon

       BIBLIOGRAPHY

       V THE MURDER OF JULIA WALLACE

       Dorothy L. Sayers

       VI THE RATTENBURY CASE

       Francis Iles

      DEDICATION

      VII A NEW ZEALAND TRAGEDY

       Freeman Wills Crofts

       KEEP READING

       OTHER BOOKS BY

       NOTES

       ABOUT THE PUBLISHER

INTRODUCTION

      BY MARTIN EDWARDS

      THE DETECTION CLUB was established in 1930 thanks to the initiative and drive of Anthony Berkeley, who wanted to create a social network of the leading detective novelists of the day. Berkeley was fascinated by criminology, as were many of his colleagues, and discussion about real life murder cases was a feature of Detection Club meetings. The prospect of playing detective themselves enthralled Club members, and they loved to discover and debate new angles on famous crimes, whether or not they had officially been “solved”.

      The Club funded its dinners, and the cost of renting premises at 31 Gerrard Street, Soho, through ventures such as the “round-robin” mysteries Behind the Screen and The Scoop, and the collectively produced novels The Floating Admiral and Ask a Policeman. The Club’s leading lights were restless innovators in their fiction, and they liked to avoid repeating themselves. Given their shared interest in true crime (one illustration among many is the fact that the macabre Crumbles bungalow murder of 1924 provided raw material for The Scoop), it was almost inevitable that they should decided to put together a book of essays about intriguing cases. The highly successful result was The Anatomy of Murder, published in 1936.

      Nobody is named as editor of the book, but it seems that Helen Simpson took on the job of liaising with the publishers and collating the essays, as well as writing one herself. The short Foreword reflects an ambitious approach characteristic of the Club’s projects. The writers were not content simply to recount the facts of their cases. They aimed to add value by including new information, making use of modern investigative techniques, or by seeking to examine the psychology of the characters in the story.

      In “Death of Henry Kinder”, Simpson re-examined a nineteenth century case in which “the assassin had at one time some notion of dressing the part, and purchased a red Crimean shirt, on which bloodstains would not be conspicuous; but the crime itself was committed … in the ordinary sombre undress of a dentist.” Kinder lived in Sydney, and the essay begins with a short discussion about crime in Australia. Helen de Guerry Simpson was herself born in Sydney in 1897, 32 years after Kinder met his end. Her father was a solicitor, her grandfather a French marquis, and after her parents separated, she and her mother moved to Europe. She attended Oxford University, and was a co-founder of the Oxford Women’s Dramatic Society, but was sent down for breaking university rules which banned male and female students from acting together. She became a prolific author, producing poetry, plays, translations and short stories as well as novels such as Acquittal, and contributed dialogue to Hitchcock’s film Sabotage. In 1927 she married fellow Australian Denis Browne, a surgeon whose uncle wrote Robbery under Arms, using the pen-name Rolf Boldrewood, name-checked in the first sentence of “Death of Henry Kinder”.

      Simpson’s major contribution to detective fiction was the three books she co-wrote with Clemence Dane, also a Detection Club member. The first, Enter Sir John, was filmed by Alfred Hitchcock as Murder! Writing solo, she produced in 1931 an unusual and eccentric crime novel, Vantage Striker (re-titled The Prime Minister is Dead when published in the US), and achieved both commercial success and literary acclaim with her non-criminous novel Boomerang in 1932. Sarabande for Dead Lovers and Under Capricorn were filmed, the former by Ealing Studios and the latter by Hitchcock. Simpson’s talents and interests were extraordinarily wide-ranging, and included riding, music, cooking and collecting antiques. She was adopted as Liberal Parliamentary candidate for the Isle of Wight in 1938, but cancer cut her life short, much to the distress of her close friend, Dorothy L. Sayers, who said, “I have never met anybody who equalled her in vivid personality and in the intense interest she brought into her contacts with people and things”.

      Just as an essay about a

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