LITMIR.BIZ

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She feels nothing, or about as much as the mortuary paragraph of the newspapers, for the dead man; and I have Ambrose Mallard's look at her and St. Ombre talking together, before he left the tent to cross the fields. Borrow, beg, or steal for money to play for her! and not a glimpse of the winning post.

      St. Ombre 's a cool player; that 's at the bottom of the story. He's cool because play doesn't bite him, as it did Ambrose. I should say the other passion has never bitten him. And he's alive and presentable; Ambrose under a sheet, with Chummy Potts to watch. Chummy cried like a brat in the street for his lost mammy. I left him crying and sobbing. They have their feelings, these "children of vapour," as you call them. But how did I fall into the line with a set I despised? She had my opinion of her gamblers, and retorted that young Cressett's turn for the fling is my doing. I can't swear it's not. There's one of my sins. What's to wipe them out! She has a tender feeling for the boy; confessed she wanted governing. Why; she's young, in a way. She has that particular vice of play. She might be managed. Here's a lesson for her! Don't you think she might? The right man,—the man she can respect, fancy incorruptible! He must let her see he has an eye for tricks. She's not responsible for—his mad passion was the cause, cause of everything he did. The kind of woman to send the shaft. You called her "Diana seated." You said, "She doesn't hunt, she sits and lets fly her arrow." Well, she showed feeling for young Cressett, and her hit at me was an answer. It struck me on the mouth. But she's an eternal anxiety. A man she respects! A man to govern her!'

      Fleetwood hurried his paces. 'I couldn't have allowed poor Ambrose. Besides, he had not a chance—never had in anything. It wants a head, wants the man who can say no to her. "The Reveller's Aurora," you called her. She has her beauty, yes. She respects you. I should be relieved —a load off me! Tell her, all debts paid; fifty thousand invested, in her name and her husband's. Tell her, speak it, there's my consent—if only the man to govern her! She has it from me, but repeat it, as from me. That sum and her portion would make a fair income for the two. Relieved? By heaven, what a relief! Go early. Coach to Esslemont at eleven. Do my work there. I haven't to repeat my directions. I shall present myself two days after. I wish Lady Fleetwood to do the part of hostess at Calesford. Tell her I depute you to kiss my son for me. Now I leave you. Good-night. I shan't sleep. I remember your saying, "bad visions come under the eyelids." I shall keep mine open and read—read her father's book of the Maxims; I generally find two or three at a dip to stimulate. No wonder she venerates him. That sort of progenitor is your "permanent aristocracy." Hard enemy. She must have some of her mother in her, too. Abuse me to her, admit the justice of reproaches, but say, reason, good feeling—I needn't grind at it. Say I respect her. Advise her to swallow the injury—not intended for insult. I don't believe anything higher than respect can be offered to a woman. No defence of me to her, but I'll tell you, that when I undertook to keep my word with her, I plainly said—never mind; good-night. If we meet in the morning, let this business rest until it 's done. I must drive to help poor Chums and see about the Inquest.'

      Fleetwood nodded from the doorway. Gower was left with humming ears.

      CHAPTER XL

      RECORD OF MINOR INCIDENTS

      They went to their beds doomed to lie and roam as the solitaries of a sleepless night. They met next day like a couple emerging from sirocco deserts, indisposed for conversation or even short companionship, much of the night's dry turmoil in their heads. Each would have preferred the sight of an enemy; and it was hardly concealed by them, for they inclined to regard one another as the author of their infernal passage through the drear night's wilderness.

      Fleetwood was the civiller; his immediate prospective duties being clear, however abhorrent. But he had inflicted a monstrous disturbance on the man he meant in his rash, decisive way to elevate, if not benefit. Gower's imagination, foreign to his desires and his projects, was playing juggler's tricks with him, dramatizing upon hypotheses, which mounted in stages and could pretend to be soberly conceivable, assuming that the earl's wild hints overnight were a credible basis. He transported himself to his first view of the Countess Livia, the fountain of similes born of his prostrate adoration, close upon the invasion and capture of him by the combined liqueurs in the giddy Batlen lights; and joining the Arabian magic in his breast at the time with the more magical reality now proposed as a sequel to it, he entered the land where dreams confess they are outstripped by revelations.

      Yet it startled him to hear the earl say: 'You'll get audience at ten; I've arranged; make the most of the situation to her. I refuse to help. I foresee it 's the only way of solving this precious puzzle. You do me and every one of us a service past paying. Not a man of her set worth. . . . She—but you'll stop it; no one else can. Of course, you've had your breakfast. Off, and walk yourself into a talkative mood, as you tell me you do.'

      'One of the things I do when I've nobody to hear,' said Gower, speculating whether the black sprite in this young nobleman was for sending him as a rod to scourge the lady: an ingenious device, that smelt of mediaeval Courts and tickled his humour.

      'Will she listen?' he said gravely.

      'She will listen; she has not to learn you admire. You admit she has helped to trim and polish, and the rest. She declares you're incorruptible. There's the ground open. I fling no single sovereign more into that quicksand, and I want not one word further on the subject. I follow you to Esslemont. Pray, go.'

      Fleetwood pushed into the hall. A footman was ordered to pack and deposit Mr. Woodseer's portmanteau at the coach-office.

      'The principal point is to make sure we have all the obligations,' Gower said.

      'You know the principal point,' said the earl. 'Relieve me.'

      He faced to the opening street door. Lord Feltre stood in the framing of it—a welcome sight. The 'monastic man of fashion,' of Gower's phrase for him, entered, crooning condolences, with a stretched waxen hand for his friend, a partial nod for Nature's worshipper—inefficient at any serious issue of our human affairs, as the earl would now discover.

      Gower left the two young noblemen to their greetings. Happily for him, philosophy, in the present instance, after a round of profundities, turned her lantern upon the comic aspect of his errand. Considering the Countess Livia, and himself, and the tyrant, who benevolently and providentially, or sardonically, hurled them to their interview, the situation was comic, certainly, in the sense of its being an illumination of this life's odd developments. For thus had things come about, that if it were possible even to think of the lady's condescending, he, thanks to the fair one he would see before evening, was armed and proof against his old infatuation or any renewal of it. And he had been taught to read through the beautiful twilighted woman, as if she were burnt paper held at the fire consuming her. His hopes hung elsewhere. Nevertheless, an intellectual demon-imp very lively in his head urged him to speculate on such a contest between them, and weigh the engaging forces. Difficulties were perceived, the scornful laughter on her side was plainly heard; but his feeling of savage mastery, far from beaten down, swelled so as to become irritable for the trial; and when he was near her house he held a review of every personal disadvantage he could summon, incited by an array of limping deficiencies that flattered their arrogant leader with ideas of the power he had in spite of them.

      In fact, his emancipation from sentiment inspired the genial mood to tease. Women, having to encounter a male adept at the weapon for the purpose, must be either voluble or supportingly proud to keep the skin from shrinking: which is a commencement of the retrogression; and that has frequently been the beginning of a rout. Now the Countess Livia was a lady of queenly pose and the servitorial conventional speech likely at a push to prove beggarly. When once on a common platform with a man of agile tongue instigated by his intellectual demon to pursue inquiries into her moral resources, after a ruthless exposure of the wrecked material, she would have to be, after the various fashions, defiant, if she was to hold her own against pressure; and seeing, as she must, the road of prudence point to conciliation, it was calculable that she would take it. Hence a string of possible events, astounding to mankind, but equally calculable, should one care to give imagination headway. Gower looked signally Captain Abrane's 'fiddler' while he waited at Livia's house door. A studious intimacy with such a lady was rather like the exposure of the silver moon to the astronomer's telescope.

      The Dame will have nought of an interview and colloquy not found mentioned

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