LITMIR.BIZ

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he spoke the foreign tongue.

      Mention of Lord Fleetwood set Sir Meeson harping again on his alarms, in consideration of the vagabond object of the young lord had roamed away with.

      ‘You forget that Russett has gypsy in him: Welsh! it’s about the same,’ said Livia. ‘He can take excellent care of himself and his purse.’

      ‘Countess, he is a good six days overdue.’

      ‘He will be in time for the ball at the Schloss.’

      Sir Meeson Corby produced an aspect of the word ‘if,’ so perkily, that the dejected Captain Abrane laughed outright and gave him double reason to fret for Lord Fleetwood’s arrival, by saying: ‘If he hangs off much longer, I shall have to come on you for another fifty.’

      Our two pedestrians out of Salzburg were standing up in the night of cloud and pines above the glittering pool, having made their way along the path from the hill anciently dedicated to the god Mercury; and at the moment when Sir Meeson put forth his frilled wrists to say: ‘If you had seen his hands—the creature Fleetwood trotted off alone with!—you’d be a bit anxious too’; the young lord called his comrade to gaze underneath them: ‘There they are, hard at it, at their play!—it’s the word used for the filthiest gutter scramble.’

      They had come to know something of one another’s humours; which are taken by young men for their characters; and should the humours please, they are friends, until further humours develop, trying these nascent conservatives hard to suit them to their moods as well as the accustomed. Lord Fleetwood had discovered in his companion, besides the spirit of independence and the powers of thought impressed on him by Woodseer’s precocious flashes, a broad playfulness, that trenched on buffoonery; it astonished, amused, and relieved him, loosening the spell of reverence cast over him by one who could so wonderfully illumine his brain. Prone to admire and bend the knee where he admired, he chafed at subjection, unless he had the particular spell constantly renewed. A tone in him once or twice of late, different from the comrade’s, had warned Woodseer to be guarded.

      Susceptible, however, of the extreme contrast between the gamblers below and Nature’s lover beside him, Fleetwood returned to his enthusiasm without thinking it a bondage.

      ‘I shall never forget the walk we ‘ve had. I have to thank you for the noblest of pleasures. You ‘ve taught me—well, a thousand things; the things money can’t buy. What mornings they were! And the dead-tired nights! Under the rock and up to see the snowy peak pink in a gap of thick mist. You were right: it made a crimsoning colour shine like a new idea. Up in those mountains one walks with the divinities, you said. It’s perfectly true. I shall remember I did. I have a treasure for life! Now I understand where you get your ideas. The life we lead down there is hoggish. You have chosen the right. You’re right, over and over again, when you say, the dirty sweaters are nearer the angels for cleanliness than my Lord and Lady Sybarite out of a bath, in chemical scents. A man who thinks, loathes their High Society. I went through Juvenal at college. But you—to be sure, you add example—make me feel the contempt of it more. I am everlastingly indebted to you. Yes, I won’t forget: you preach against the despising of anything.

      This was pleasant in Woodseer’s ears, inasmuch as it established the young nobleman as the pupil of his philosophy for the conduct of life; and to fortify him, he replied:

      ‘Set your mind on the beauty, and there’ll be no room for comparisons. Most of them are unjust, precious few instructive. In this case, they spoil both pictures: and that scene down there rather hooks me; though I prefer the Dachstein in the wane of the afterglow. You called it Carinthia.’

      ‘I did: the beautiful Gorgon, haggard Venus—if she is to be a girl!’ Fleetwood rejoined. ‘She looked burnt out—a spectre.’

      ‘One of the admirably damned,’ said Woodseer, and he murmured with enjoyment: ‘Between the lights—that ‘s the beauty and the tragedy of Purgatory!’

      His comrade fell in with the pictured idea: ‘You hit it:—not what you called the “sublimely milky,” and not squalid as you’ll see the faces of the gambling women at the tables below. Oblige me—may I beg?—don’t clap names on the mountains we’ve seen. It stamps guide-book on them, English tourist, horrors. We’ll moralize over the crowds at the tables down there. On the whole, it’s a fairish game: you know the odds against you, as you don’t on the Turf or the Bourse. Have your fling; but don’t get bitten. There’s a virus. I’m not open to it. Others are.’

      Hereupon Woodseer, wishing to have his individuality recognised in the universality it consented to, remarked on an exchequer that could not afford to lose, and a disposition free of the craving to win.

      These were, no doubt, good reasons for abstaining, and they were grand morality. They were, at the same time, customary phrases of the unfleshed in folly. They struck Fleetwood with a curious reminder of the puking inexperienced, whom he had seen subsequently plunge suicidally. He had a sharp vision of the attractive forces of the game; and his elemental nature exulted in siding with the stronger against a pretender to the superhuman. For Woodseer had spoken a trifle loftily, as quite above temptation. To see a forewarned philosopher lured to try the swim on those tides, pulled along the current, and caught by the undertug of the lasher, would be fun.

      ‘We’ll drop down on them, find our hotel, and have a look at what they’re doing,’ he said, and stepped.

      Woodseer would gladly have remained. The starlit black ridges about him and the dragon’s mouth yawing underneath were an opposition of spiritual and mundane; innocent, noxious; exciting to the youthful philosopher. He had to follow, and so rapidly in the darkness that he stumbled and fell on an arm; a small matter.

      Bed-chambers awaited them at the hotel, none of the party: and Fleetwood’s man-servant was absent.

      ‘Gambling, the rascal!’ he said. Woodseer heard the first note of the place in that.

      His leader was washed, neatly dressed, and knocking at his door very soon, impatient to be off, and he flung a promise of ‘supper presently’ to one whose modest purse had fallen into a debate with this lordly hostelry, counting that a supper and a night there would do for it. They hurried on to the line of promenaders, a river of cross-currents by the side of seated groups; and the willowy swish of silken dresses, feminine perfumery, cigar-smoke, chatter, laughter, told of pleasure reigning.

      Fleetwood scanned the groups. He had seen enough in a moment and his face blackened. A darting waiter was called to him.

      He said to Woodseer, savagely, as it sounded: ‘You shall have something to joint your bones!’ What cause of wrath he had was past a guess: a wolf at his vitals bit him, hardening his handsome features.

      The waiter darted back, bearing a tray and tall glasses filled each with piled parti-coloured liqueurs, on the top of which an egg-yolk swam. Fleetwood gave example. Swallowing your egg, the fiery-velvet triune behind slips after it, in an easy milky way, like a princess’s train on a state-march, and you are completely, transformed, very agreeably; you have become a merry demon. ‘Well, yes, it’s next to magic,’ he replied to Woodseer’s astonished snigger after the draught, and explained, that it was a famous Viennese four-of-the-morning panacea, the revellers’ electrical restorer. ‘Now you can hold on for an hour or two, and then we’ll sup. At Rome?’

      ‘Ay! Druids to-morrow!’ cried the philosopher bewitched.

      He found himself bowing to a most heavenly lady, composed of day and night in her colouring, but more of night, where the western edge has become a pale steel blade. Men were around her, forming a semi-circle. The world of men and women was mere timber and leafage to this flower of her sex, glory of her kind. How he behaved in her presence, he knew not; he was beyond self-criticism or conscious reflection; simply the engine of the commixed three liqueurs, with parlous fine thoughts, and a sense of steaming into the infinite.

      To leave her was to have her as a moon in the heavens and to think of her creatively. A swarm of images rushed about her and away, took lustre and shade. She was a miracle of greyness, her eyes translucently grey, a dark-haired queen of the twilights; and his heart sprang into his brain to picture the novel beauty; language became a flushed Bacchanal

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