LITMIR.BIZ

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as if to see the compass more clearly, and tugged sharply at Miss Nevil’s fur cloak. It was quite evident his lament could not be sung before Lieutenant Orso.

      “What were you singing, Paolo France?” said Orso. “Was it a ballata or a vocero? Mademoiselle understands you, and would like to hear the end.”

      “I have forgotten it, Ors’ Anton’,” said the sailor.

      And instantly he began a hymn to the Virgin, at the top of his voice.

      Miss Lydia listened absent-mindedly to the hymn, and did not press the singer any further—though she was quite resolved, in her own mind, to find out the meaning of the riddle later. But her maid, who, being a Florentine, could not understand the Corsican dialect any better than her mistress, was as eager as Miss Lydia for information, and, turning to Orso, before the English lady could warn her by a nudge, she said: “Captain what does giving the rimbecco mean?”

      “The rimbecco!” said Orso. “Why, it’s the most deadly insult that can be offered to a Corsican. It means reproaching him with not having avenged his wrong. Who mentioned the rimbecco to you?”

      “Yesterday, at Marseilles,” replied Miss Lydia hurriedly, “the captain of the schooner used the word.”

      “And whom was he talking about?” inquired Orso eagerly.

      “Oh, he was telling us some odd story about the time—yes, I think it was about Vannina d’Ornano.”

      “I suppose, mademoiselle, that Vannina’s death has not inspired you with any great love for our national hero, the brave Sampiero?”

      “But do you think his conduct was so very heroic?”

      “The excuse for his crime lies in the savage customs of the period. And then Sampiero was waging deadly war against the Genoese. What confidence could his fellow-countrymen have felt in him if he had not punished his wife, who tried to treat with Genoa?”

      “Vannina,” said the sailor, “had started off without her husband’s leave. Sampiero did quite right to wring her neck!”

      “But,” said Miss Lydia, “it was to save her husband, it was out of love for him, that she was going to ask his pardon from the Genoese.”

      “To ask his pardon was to degrade him!” exclaimed Orso.

      “And then to kill her himself!” said Miss Lydia. “What a monster he must have been!”

      “You know she begged as a favour that she might die by his hand. What about Othello, mademoiselle, do you look on him, too, as a monster?”

      “There is a difference; he was jealous. Sampiero was only vain!”

      “And after all is not jealousy a kind of vanity? It is the vanity of love; will you not excuse it on account of its motive?”

      Miss Lydia looked at him with an air of great dignity, and turning to the sailor, inquired when the schooner would reach port.

      “The day after to-morrow,” said he, “if the wind holds.”

      “I wish Ajaccio were in sight already, for I am sick of this ship.” She rose, took her maid’s arm, and walked a few paces on the deck. Orso stood motionless beside the helm, not knowing whether he had better walk beside her, or end a conversation which seemed displeasing to her.

      “Blood of the Madonna, what a handsome girl!” said the sailor. “If every flea in my bed were like her, I shouldn’t complain of their biting me!”

      Miss Lydia may possibly have overheard this artless praise of her beauty and been startled by it; for she went below almost immediately. Shortly after Orso also retired. As soon as he had left the deck the maid reappeared, and, having cross-questioned the sailor, carried back the following information to her mistress. The ballata which had been broken off on Orso’s appearance had been composed on the occasion of the death of his father, Colonel della Rebbia, who had been murdered two years previously. The sailor had no doubt at all that Orso was coming back to Corsica per fare la vendetta, such was his expression, and he affirmed that before long there would be fresh meat to be seen in the village of Pietranera. This national expression, being interpreted, meant that Signor Orso proposed to murder two or three individuals suspected of having assassinated his father—individuals who had, indeed, been prosecuted on that account, but had come out of the trial as white as snow, for they were hand and glove with the judges, lawyers, prefect, and gendarmes.

      “There is no justice in Corsica,” added the sailor, “and I put much more faith in a good gun than in a judge of the Royal Court. If a man has an enemy he must choose one of the three S’s.” (A national expression meaning schioppetto, stiletto, strada—that is, gun, dagger, or flight.)

      These interesting pieces of information wrought a notable change in Miss Lydia’s manner and feeling with regard to Lieutenant della Rebbia. From that moment he became a person of importance in the romantic Englishwoman’s eyes.

      His careless air, his frank and good humour, which had at first impressed her so unfavourably, now seemed to her an additional merit, as being proofs of the deep dissimulation of a strong nature, which will not allow any inner feeling to appear upon the surface. Orso seemed to her a sort of Fieschi, who hid mighty designs under an appearance of frivolity, and, though it is less noble to kill a few rascals than to free one’s country, still a fine deed of vengeance is a fine thing, and besides, women are rather glad to find their hero is not a politician. Then Miss Nevil remarked for the first time that the young lieutenant had large eyes, white teeth, an elegant figure, that he was well-educated, and possessed the habits of good society. During the following day she talked to him frequently, and found his conversation interesting. He was asked many questions about his own country, and described it well. Corsica, which he had left when young, to go first to college, and then to the Ecole militaire, had remained in his imagination surrounded with poetic associations. When he talked of its mountains, its forests, and the quaint customs of its inhabitants he grew eager and animated. As may be imagined, the word vengeance occurred more than once in the stories he told—for it is impossible to speak of the Corsicans without either attacking or justifying their proverbial passion. Orso somewhat surprised Miss Nevil by his general condemnation of the undying hatreds nursed by his fellow-countrymen. As regarded the peasants, however, he endeavoured to excuse them, and claimed that the vendetta is the poor man’s duel. “So true is this,” he said, “that no assassination takes place till a formal challenge has been delivered. ‘Be on your guard yourself, I am on mine!’ are the sacramental words exchanged, from time immemorial, between two enemies, before they begin to lie in wait for each other. There are more assassinations among us,” he added, “than anywhere else. But you will never discover an ignoble cause for any of these crimes. We have many murderers, it is true, but not a single thief.”

      When he spoke about vengeance and murder Miss Lydia looked at him closely, but she could not detect the slightest trace of emotion on his features. As she had made up her mind, however, that he possessed sufficient strength of mind to be able to hide his thoughts from every eye (her own, of course, excepted), she continued in her firm belief that Colonel della Rebbia’s shade would not have to wait long for the atonement it claimed.

      The schooner was already within sight of Corsica. The captain pointed out the principal features of the coast, and, though all of these were absolutely unknown to Miss Lydia, she found a certain pleasure in hearing their names; nothing is more tiresome than an anonymous landscape. From time to time the colonel’s telescope revealed to her the form of some islander clad in brown cloth, armed with a long gun, bestriding a small horse, and galloping down steep slopes. In each of these Miss Lydia believed she beheld either a brigand or a son going forth to avenge his father’s death. But Orso always declared it was some peaceful denizen of a neighbouring village travelling on business, and that he carried a gun less from necessity than because it was the fashion, just as no dandy ever takes a walk without an elegant cane. Though a gun is a less noble and poetic weapon than a stiletto, Miss Lydia thought it much more stylish for a man than any cane, and she remembered that all Lord Byron’s heroes died by a bullet, and not by the classic poniard.

      After

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