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Diana of the Crossways. Complete. George Meredith
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Автор произведения George Meredith
Жанр Зарубежная классика
Издательство Public Domain
His exhibition of his enemy Lord Dannisburgh, is of the class of noble portraits we see swinging over inn-portals, grossly unlike in likeness. The possibility of the man’s doing or saying this and that adumbrates the improbability: he had something of the character capable of it, too much good sense for the performance. We would think so, and still the shadow is round our thoughts. Lord Dannisburgh was a man of ministerial tact, official ability, Pagan morality; an excellent general manager, if no genius in statecraft. But he was careless of social opinion, unbuttoned, and a laugher. We know that he could be chivalrous toward women, notwithstanding the perplexities he brought on them, and this the Dorset-Diary does not show.
His chronicle is less mischievous as regards Mrs. Warwick than the paragraphs of Perry Wilkinson, a gossip presenting an image of perpetual chatter, like the waxen-faced street advertizements of light and easy dentistry. He has no belief, no disbelief; names the pro-party and the con; recites the case, and discreetly, over-discreetly; and pictures the trial, tells the list of witnesses, records the verdict: so the case went, and some thought one thing, some another thing: only it is reported for positive that a miniature of the incriminated lady was cleverly smuggled over to the jury, and juries sitting upon these eases, ever since their bedazzlement by Phryne, as you know.... And then he relates an anecdote of the husband, said to have been not a bad fellow before he married his Diana; and the naming of the Goddess reminds him that the second person in the indictment is now everywhere called ‘The elderly shepherd’;—but immediately after the bridal bells this husband became sour and insupportable, and either she had the trick of putting him publicly in the wrong, or he lost all shame in playing the churlish domestic tyrant. The instances are incredible of a gentleman. Perry Wilkinson gives us two or three; one on the authority of a personal friend who witnessed the scene; at the Warwick whist-table, where the fair Diana would let loose her silvery laugh in the intervals. She was hardly out of her teens, and should have been dancing instead of fastened to a table. A difference of fifteen years in the ages of the wedded pair accounts poorly for the husband’s conduct, however solemn a business the game of whist. We read that he burst out at last, with bitter mimicry, ‘yang—yang—yang!’ and killed the bright laugh, shot it dead. She had outraged the decorum of the square-table only while the cards were making. Perhaps her too-dead ensuing silence, as of one striving to bring back the throbs to a slain bird in her bosom, allowed the gap between the wedded pair to be visible, for it was dated back to prophecy as soon as the trumpet proclaimed it.
But a multiplication of similar instances, which can serve no other purpose than that of an apology, is a miserable vindication of innocence. The more we have of them the darker the inference. In delicate situations the chatterer is noxious. Mrs. Warwick had numerous apologists. Those trusting to her perfect rectitude were rarer. The liberty she allowed herself in speech and action must have been trying to her defenders in a land like ours; for here, and able to throw its shadow on our giddy upper-circle, the rigour of the game of life, relaxed though it may sometimes appear, would satisfy the staidest whist-player. She did not wish it the reverse, even when claiming a space for laughter: ‘the breath of her soul,’ as she called it, and as it may be felt in the early youth of a lively nature. She, especially, with her multitude of quick perceptions and imaginative avenues, her rapid summaries, her sense of the comic, demanded this aerial freedom.
We have it from Perry Wilkinson that the union of the divergent couple was likened to another union always in a Court of Law. There was a distinction; most analogies will furnish one; and here we see England and Ireland changeing their parts, until later, after the breach, when the Englishman and Irishwoman resumed a certain resemblance to the yoked Islands.
Henry Wilmers, I have said, deals exclusively with the wit and charm of the woman. He treats the scandal as we might do in like manner if her story had not to be told. But these are not reporting columns; very little of it shall trouble them. The position is faced, and that is all. The position is one of the battles incident to women, their hardest. It asks for more than justice from men, for generosity, our civilization not being yet of the purest. That cry of hounds at her disrobing by Law is instinctive. She runs, and they give tongue; she is a creature of the chase. Let her escape unmangled, it will pass in the record that she did once publicly run, and some old dogs will persist in thinking her cunninger than the virtuous, which never put themselves in such positions, but ply the distaff at home. Never should reputation of woman trail a scent! How true! and true also that the women of waxwork never do; and that the women of happy marriages do not; nor the women of holy nunneries; nor the women lucky in their arts. It is a test of the civilized to see and hear, and add no yapping to the spectacle.
Thousands have reflected on a Diarist’s power to cancel our Burial Service. Not alone the cleric’s good work is upset by him; but the sexton’s as well. He howks the grave, and transforms the quiet worms, busy on a single poor peaceable body, into winged serpents that disorder sky and earth with a deadly flight of zig-zags, like military rockets, among the living. And if these are given to cry too much, to have their tender sentiments considered, it cannot be said that History requires the flaying of them. A gouty Diarist, a sheer gossip Diarist, may thus, in the bequest of a trail of reminiscences, explode our temples (for our very temples have powder in store), our treasuries, our homesteads, alive with dynamitic stuff; nay, disconcert our inherited veneration, dislocate the intimate connexion between the tugged flaxen forelock and a title.
No similar blame is incurred by Henry Wilmers. No blame whatever, one would say, if he had been less, copious, or not so subservient, in recording the lady’s utterances; for though the wit of a woman may be terse, quite spontaneous, as this lady’s assuredly was here and there, she is apt to spin it out of a museful mind, at her toilette, or by the lonely fire, and sometimes it is imitative; admirers should beware of holding it up to the withering glare of print: she herself, quoting an obscure maximmonger, says of these lapidary sentences, that they have merely ‘the value of chalk-eggs, which lure the thinker to sit,’ and tempt the vacuous to strain for the like, one might add; besides flattering the world to imagine itself richer than it is in eggs that are golden. Henry Wilmers notes a multitude of them. ‘The talk fell upon our being creatures of habit, and how far it was good: She said:—It is there that we see ourselves crutched between love grown old and indifference ageing to love.’ Critic ears not present at the conversation catch an echo of maxims and aphorisms overchannel, notwithstanding a feminine thrill in the irony of ‘ageing to love.’ The quotation ranks rather among the testimonies to her charm.
She is fresher when speaking of the war of the sexes. For one sentence out of many, though we find it to be but the clever literary clothing of a common accusation: ‘Men may have rounded Seraglio Point: they have not yet doubled Cape Turk.’
It is war, and on the male side, Ottoman war: her experience reduced her to think so positively. Her main personal experience was in the social class which is primitively venatorial still, canine under its polish.
She held a brief for her beloved Ireland. She closes a discussion upon Irish agitation by saying rather neatly: ‘You have taught them it is English as well as common human nature to feel an interest in the dog that has bitten you.’
The dog periodically puts on madness to win attention; we gather then that England, in an angry tremour, tries him with water-gruel to prove him sane.
Of the Irish priest (and she was not of his retinue), when he was deemed a revolutionary, Henry Wilmers notes her saying: ‘Be in tune with him; he is in the key-note for harmony. He is shepherd, doctor, nurse, comforter, anecdotist and fun-maker to his poor flock; and you wonder they see the burning gateway of their heaven in him? Conciliate the priest.’
It has been partly done, done late, when the poor flock have found their doctoring and shepherding at other hands: their ‘bulb-food and fiddle,’ that she petitioned for, to keep them from a complete shaving off their patch of bog and scrub soil, without any perception of the tremulous transatlantic magnification of the fiddle, and the splitting discord of its latest inspiriting jig.
And she will