LITMIR.BIZ

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grimace. He bade her continue, and pitched back heavily into his seat.

      “When I reached home and could be alone with my mother, she told me my father had been out watching me the day before, and that he had filled his pockets that morning. She thought he was going to walk out in the country and get people on the road to cook them for him. That is what he has done when he was miserable,—to make himself quite miserable, I think, for he loves streets best. Guess my surprise! My mother was making my head ache with her complaints, when, as I drew out the potatoes to show her we had some food, there was a purse at the bottom of my pocket,—a beautiful green purse! O that kind gentleman! He must have put it in my hand with the potatoes that my father flung at him! How I have cried to think that I may never sing to him my best to please him! My mother and I opened the purse eagerly. It had ten pounds in paper money, and five sovereigns, and silver,—I think four shillings. We determined to keep it a secret; and then we thought of the best way of spending it, and decided not to spend it all, but to keep some for when we wanted it dreadfully, and for a lesson or two for me now and then, and a music-score, and perhaps a good violin for my father, and new strings for him and me, and meat dinners now and then, and perhaps a day in the country: for that was always one of my dreams as I watched the clouds flying over London. They seemed to be always coming from happy places and going to happy places, never stopping where I was! I cannot be sorrowful long. You know that song of mine that you like so much—my own composing? It was a song about that kind gentleman. I got words to suit it as well as I could, from a penny paper, but they don’t mean anything that I mean, and they are only words.”

      She did not appear to hear the gallant cornet’s denial that he cared particularly for that song.

      “What I meant was,—that gentleman speaks—I have fought for Italy; I am an English hero and have fought for Italy, because of an Italian child; but now I am wounded and a prisoner. When you shoot me, cruel Austrians, I shall hear her voice and think of nothing else, so you cannot hurt me.”

      Emilia turned spitefully on herself at this close. “How I spoil it! My words are always stupid, when I feel.—Well, now my mother and I were quite peaceful, and my father was better fed. One night he brought home a Jew gentleman, beautifully dressed, with diamonds all over him. He sparkled like the Christmas cakes in pastry-cooks’ windows. I sang to him, and he made quite a noise about me. But the man made me so uncomfortable, touching my shoulders, and I could not bear his hands, even when he was praising me. I sang to him till the landlady made me leave off, because of the other lodgers who wanted to sleep. He came every evening; and then said I should sing at a concert. It turned out to be a public-house, and my father would not let me go; but I was sorry; for in public the man could not touch me as he did. It damped the voice!”

      “I should like to know where that fellow lives,” cried the cornet.

      “I don’t know, I’m sure,” she said. “He lends money. Do you want any? I heard your sisters say something, one day. You can always have all that I have, you know.”

      A quick spirit of pity and honest kindness went through Wilfrid’s veins and threatened to play the woman with his eyes, for a moment. He took her hand and pressed it. She put her lips to his fingers.

      “Once,” she continued, “when the Jew gentleman had left, I spoke to my father of his way with me, and then my father took me on his knee, and the things he told me of what that man felt for me made my mother come and tear me away to bed. I was obliged to submit to the Jew gentleman patting and touching me always. He used to crush my dreams afterwards! I know my voice was going. My father was so eager for me to please him, I did my best; but I felt dull, and used to sit and shake my head at my harp, crying; or else I felt like an angry animal, and could have torn the strings.

      “Think how astonished I was when my mother came to me to say my father had money in his pockets!—one pound, seventeen shillings, she counted: and he had not been playing! Then he brought home a new violin, and he said to me, ‘I shall go; I shall play; I am Orphee, and dinners shall rise!’ I was glad, and kissed him; and he said, ‘This is Sandra’s gift to me,’ showing the violin. I only knew what that meant two days afterwards. Is a girl not seventeen fit to be married?”

      With this abrupt and singular question she had taken an indignant figure, and her eyes were fiery: so that Wilfrid thought her much fitter than a minute before.

      “Married!” she exclaimed. “My mother told me about that. You do not belong to yourself: you are tied down. You are a slave, a drudge; mustn’t dream, mustn’t think! I hate it. By-and-by, I suppose it will happen. Not yet! And yet that man offered to take me to Italy. It was the Jew gentleman. He said I should make money, if he took me, and grow as rich as princesses. He brought a friend to hear me, another Jew gentleman; and he was delighted, and he met me near our door the very next morning, and offered me a ring with blue stones, and he proposed to marry me also, and take me to Italy, if I would give up his friend and choose him instead. This man did not touch me, and, do you know, for some time I really thought I almost, very nearly, might,—if it had not been for his face! It was impossible to go to Italy—yes, to go to heaven! through that face of his! That face of his was just like the pictures of dancing men with animals’ hairy legs and hoofs in an old thick poetry book belonging to my mother. Just fancy a nose that seemed to be pecking at great fat red lips! He met me and pressed me to go continually, till all of a sudden up came the first Jew gentleman, and he cried out quite loud in the street that he was being robbed by the other; and they stood and made a noise in the street, and I ran away. But then I heard that my father had borrowed money from the one who came first, and that his violin came from that man; and my father told me the violin would be taken from him, and he would have to go to prison, if I did not marry that man. I went and cried in my mother’s arms. I shall never forget her kindness; for though she could never see anybody crying without crying herself, she did not, and was quiet as a mouse, because she knew how her voice hurt me. There’s a large print-shop in one of the great streets of London, with coloured views of Italy. I used to go there once, and stand there for I don’t know how long, looking at them, and trying to get those Jew gentlemen—”

      “Call them Jews—they’re not gentlemen,” interposed Wilfrid.

      “Jews,” she obeyed the dictate, “out of my mind. When I saw the views of Italy they danced and grinned up and down the pictures. Oh, horrible! There was no singing for me then. My music died. At last that oldish lady gave up her lessons, and said to me, ‘You little rogue! you will do what I do, some day;’ for she was going to be married to that young man who thought her voice so much improved; and she paid me three pounds, and gave me one pound more, and some ribbons and gloves. I went at once to my mother, and made her give me five pounds out of the gentleman’s purse. I took my harp and music-scores. I did not know where I was going, but only that I could not stop. My mother cried: but she helped to pack my things. If she disobeys me I act my father, and tower over her, and frown, and make her mild. She was such a poor good slave to me that day! but I trusted her no farther than the door. There I kissed her, full of love, and reached the railway. They asked me where I was going, and named places to me: I did not know one. I shut my eyes, and prayed to be directed, and chose Hillford. In the train I was full of music in a moment. There I met farmer Wilson, of the farm near us—where your sisters found me; and he was kind, and asked me about myself; and I mentioned lodgings, and that I longed for woods and meadows. Just as we were getting out of the train, he said I was to come with him; and I did, very gladly. Then I met you; and I am here. All because I prayed to be directed—I do think that!”

      Emilia clasped her hands, and looked pensively at the horizon sky, with a face of calm gratefulness.

      The cornet was on his legs. “So!” he said. “And you never saw anything more of that fellow you kissed in the park?”

      “Kissed?—that gentleman?” returned Emilia. “I have not kissed him. He did not want it. Men kiss us when we are happy, and we kiss them when they are unhappy.”

      Wilfrid was perhaps incompetent to test the truth of this profound aphoristic remark, delivered with the simplicity of natural conviction. The narrative had, to his thinking, quite released from him his temporary subjection to this little lady’s sway. All that he felt for her personally now was pity. It speaks something for the strength

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