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anything missing you better be ready with some real fast explaining. What is this, some sweet little deal you’ve got going with a few light-fingered friends?”

      West gave a short bark of humorless laughter, shedding the false bonhomie he’d displayed a few seconds ago as if it had never been. He rubbed his unshaven jaw thoughtfully, a thin smile on his lips. “You’re as crazy as she is. But I don’t want no trouble with the feds.” He shrugged and started for the stairs, reaching around the back of his belt for the collection of keys that hung on a steel ring there. “Come on, let’s see how Miss Looney Tunes explains this.”

      They were close enough now to Jenna that she overheard this last remark, and the expression in those wide, guileless eyes made Matt think of a deer, shot without warning. She’d obviously trusted this jerk. He felt a sudden spurt of irritation at her naiveté. Where the hell had she been all her life, that she seemed so ill equipped to deal with the real world? She had to be twenty-three or twenty-four—not a susceptible teenager anymore. It was as if she’d been living in some peaceful utopia up until now, where everyone could be taken at their face value, and the sordid side of life—money, violence, dishonesty—never intruded.

      “Use your damn key, West,” he snapped. The man had raised a meaty fist and was knocking on the door. “Let’s get this over with.”

      Even as he finished speaking, he heard footsteps coming from inside the apartment and all his senses went on full alert. Jenna had heard them, too, and she turned to him, shocked.

      “What’s going on, Matt? Does he have the right to let someone in when I’m not at home?”

      “Move away from the door, Jenna.” He ignored her question and gave the command in a low, urgent voice. Standing to one side of the door himself, he reached inside his jacket for the shoulder-holstered Sig Sauer he wore during working hours and narrowed his eyes at West, who hadn’t moved.

      “If your pals are armed, you stand a good chance of being the first casualty. And if you’re not the first, you can bet I’ll make damn sure you’re the second.” He gripped the gun in both hands, the barrel pointing at the floor. His words were barely above a whisper, but the threat was unmistakable. “Tell them to open the door slowly, and no sudden moves.”

      The man’s shrug of reply was almost insolently unconcerned. One side of his mouth hitched up in a mocking half smile. “This is a real career-breaking move you’re making here, D’Angelo. Maybe you should go home tonight and start packing for Anchorage. The Bureau’s probably going to send you as far out of town as they can after this foul-up.” He tapped with almost ludicrous courtesy on the door as the footsteps shuffled to a halt. “Mrs. Janeway? It’s Pete West. Can I talk to you for a minute?”

      Matt’s finger was tight on the trigger, and for one fleeting second he could see himself—Matt D’Angelo, who never rushed into things without carefully considering every angle, standing armed and ready to kick down a door if necessary, all on the word of a woman he’d met only minutes ago. What’s wrong with this picture, D’Angelo? he thought in momentary confusion. This isn’t you, man—step back and think this out, for God’s sake!

      Then he stopped trying to reason, and let instinct take over completely as he saw the door swing slowly open.

      “FBI—freeze!” Out of the corner of his eye he could see Jenna edging nervously but resolutely up to the other side of the door, the dented can held high above her head like a weapon, and he felt his heart skip a couple of beats. “Step out into the hall with your hands up!”

      For a second there was no reply, but then a voice answered him in a hesitant quaver. “I can’t, young man. If I let go of my walker, I’ll fall. If you’ll give me a minute, though, I think I can spread ’em, as you policemen say.”

      Even as Matt pivoted swiftly from the side of the door frame to confront the intruder, his brain was scrambling into overdrive, desperately trying to pull in every scrap of information it was receiving and process it into something that made some kind of sense.

      Except when he realized that he was holding a gun on a little old lady in an aluminum walker, a little old lady with white hair, orthopedic shoes, and bifocals that glinted in front of curious faded blue eyes, he suddenly got the feeling that there was going to be no way this was ever going to make sense.

      God, D’Angelo, you could have blown away Grandma Walton, he thought with numb horror. Well, it hadn’t been that close a call. But he’d be willing to bet that West, standing behind him, would embellish the encounter to the first reporter he could get on the phone.

      “Who are you and what are you doing here?” Jenna asked the woman.

      For a second he’d forgotten about Jenna, but that had been another mistake, he thought, his heart sinking. Hair flying around her shoulders in a burnished copper cloud, breasts heaving in indignation under the thin Indian cotton of her dress, and shaking the can of cat food at Mrs. Jane-way, she looked like an angel, all right. Only this time she looked like an avenging angel, ready to drive the old lady out of the Garden of Eden.

      Or at least out of the apartment that Jenna obviously still felt she had a claim on. A sudden thought struck Matt, and he turned with renewed hope to the superintendent behind him, ignoring West’s triumphant grin. “What are you trying to pull? It’s the wrong damn apartment!”

      “What do you mean, the wrong apartment?” Jenna whirled on him angrily. “I know where I live, Matt! This woman might look like a sweet little old lady to you, but she’s got no right to be here! Look, I’ll show you!”

      Before he could stop her, she’d sidestepped past the aluminum walker with a dancer’s agility, but even as he edged cautiously past the old lady with a muttered apology and reached out to grab Jenna’s arm, she froze.

      “What have you done to my apartment?”

      Her gaze swung wildly around the comfortably cozy living room as if she was looking upon some terrible desecration. With a trembling finger, she pointed at a row of potted African violets on the radiator by the window.

      “They—they’re artificial! Where’s my fern and my spider plant?” She gestured at the colonial-style recliner sitting in front of a small television set. On a low table beside the chair was a half-knitted child’s garment, in an insipid color combination of peach-pink and cream. Her voice rose. “And what’s all this? This isn’t my furniture! I had my rattan set here, and I don’t even own a television! What’s going on?”

      It was time to step in, he told himself. She’d made some kind of colossal mistake, and she just wasn’t admitting it to herself. Again, the first impression he’d had of her flashed through his mind, but he shoved it aside. She’d only lived here a week, and tonight she’d gone through a traumatic experience. She wasn’t necessarily crazy—maybe she’d hit her head when she’d fallen and received some kind of mild concussion. That had to be it, he thought compassionately. She was suffering from some kind of short-term memory loss.

      It was a convenient theory, but it was full of holes, and he knew it. She’d given him this address over the phone this afternoon—before she’d been accosted by the mugger.

      If there had been a mugger.

      “You don’t believe me.” She was staring at him, her face pale, her white-knuckled grip still hanging on for dear life to the cat-food can, and Matt found it impossible to say anything. The smart way out would be to lie, to play along with her until he could get her out of here quietly, but suddenly he knew he couldn’t do it. As the silence between them lengthened, she seemed to be searching his expression intently.

      “You think I’m crazy.” Her voice was a thready, incredulous whisper. She stared numbly at the fussy flower-sprigged wallpaper, the embroidered pictures of pastoral scenes on the walls and the stack of Agatha Christie mysteries piled on an ornately ugly coffee table in front of the plaid sofa. “You’ve got to believe me, Matt! When I left here this morning that ceiling was painted sky-blue with white clouds I’d sponged on this weekend. The walls were a lighter blue. I was making canvas cushions

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