LITMIR.BIZ

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to improvise.

      ‘I don’t know.’

      ‘I get you into the cab. You go out the arm, yeah? And maybe I give you a little help from the crane. It still have powah; I can feel it.’

      Alan shrank against the side of the ladder and let the big man go by. It was odd, because the big man’s plan sounded much better, but Alan missed the surge of adrenaline that had carried him this far. He wanted to get it over in a rush. He followed the man up into the cab, another long climb that made his left hand ache.

      The cab had had Plexiglas windows, but they were long gone, probably ripped out by the operators when the airconditioning failed. Alan ducked as soon as he got into the compartment; he was at the same level as the sniper now and could see him clearly less than fifty meters away. Close enough for a good man with a rifle to kill them both in two or three shots, even through the metal sides of the cab, and far enough away that Alan’s pistol had no realistic chance of hitting him.

      Alan’s only consolation was that the sniper was not terribly good. He had fired at least four times before he hit Craw; that argued for a poor shot. But Martin Craw was still dead. Alan didn’t want to face the fact that he had probably got Craw killed. Not yet.

      He moved cautiously up to the bow of the cab, where a small door let out into the triangular structure of the arm – two beams below with metal plates for flooring, a single beam above, the three joined by a spiderweb of cross pieces that left a central opening wide enough for a man to walk stooped over. The arm pointed ninety degrees away from the sniper’s crane.

      Alan looked back at the operator. ‘Will the arm reach crane two?’

      ‘Fully extended, she will, bwana.’ He smiled and hit a button, and the arm started to extend, internal engines powering a second, inner arm out of the first. Alan nodded and moved out along it. He felt the energy again. He was moving. He caught up with the back of the slowly extending inner arm and clambered on it, banging his hip and almost losing his grip. Now he was moving out under power, and he had to watch to keep his feet on the angular braces between the beams. The inner arm didn’t have a floor.

      Lateral motion shocked him, and he grabbed overhead struts convulsively, suddenly and painfully aware of how high above the ground he was. The arm was swinging, slowly at first and then faster, until he began to fear that the impact would break the arm or throw him clear. He wrapped arms and legs around the supports and clung, no longer worried about fire from the sniper; that seemed like the least of his concerns.

      The arm slowed. He could see only poorly up the length of the arm, but very clearly out the sides and down, where it was a twenty-meter drop to the pier. Now the arm was pointing almost directly at the crane at berth two and extending steadily, the diesel engine that powered it chugging along so that Alan thought his target must hear him coming. Through the open sides, he could see the barge on fire and the Harker, and Craw’s body lying still on the dock. He looked back along the tunnel into the cab, but he couldn’t see the operator anymore. Instinct told him it was time to make his move.

      He crouched over with the pistol held in the ruin of his left hand and his right hand ready to catch at the supports and began to move as quickly along the arm as he could, trying to run on the supports. It was an odd, quirky run, and twice he missed his rhythm and sat heavily, bruising his legs and only just holding on to the pistol. But now he was almost at the end of the arm. It was swaying violently, and the intense heat from the burning barge was creating a wind; his own antics made it move even more. From the end of the crane to the other cab was a ten-foot gap, and the other cab was smooth plastic and steel, with nothing to grab, turned now so that even if the sniper could see him, he had no position from which to shoot. Nor could Alan see him. He wiped sweat away with the back of his right hand.

      Then his crane began to move back to the right. It moved only a few meters before the inner arm started to slide out again and Alan realized that the operator must have seen his dilemma; now this arm was moving to cross the other crane’s arm. Alan threw himself to the end, regardless of consequences; he had to be there when they touched, because if the sniper was unaware up until now, he would know he was under attack the second his crane was hit by the other crane.

      Alan stood in the triangular opening, his legs straddling the cable that ran the heavy winch, and watched the other arm get closer and closer. He would have to leap between the struts into the interior of the other arm only twenty meters from the sniper and fire immediately down its shaft into the cab. He took a deep breath, didn’t look down, and leaped just before the cranes touched.

      He went cleanly through the opening in the struts, caught himself on the deck plates, and rolled to a crouch, changing the gun from his left to his right now that he was stable and he could see a blurry form over his sights. Then he fired, double tap, and ran forward. He didn’t feel himself yell, but someone was screaming as he pounded down the crane arm, firing as he went, and into the cab, where he tripped over the sill and went flat behind the console.

      When he raised his head, the sniper was a little above him, slouched over the console, quite dead. Later, Alan would find that he had put six rounds into the man. Just at that moment, he was grateful to be alive, and sorry, so sorry, that he had lost Martin Craw.

       2

      Mombasa.

      Jean-Marc Balcon had got to the port’s gate before the riot started, and he had scolded and bullied his two-man crew into setting up a camera position where they could cover the event. The cameraman was as cynical as most of his sort, a Serb who had been kicked out of Kosovo and was now bouncing around the world, freelance and usually stoned, and he said that for stock shots of a fucking nigger port, he could put the fucking camera anywhere.

      ‘The ship,’ Balcon had said, ‘I want good shots of the ship there.’ He had pointed at Pier One and the gray Navy supply ship that floated there.

      ‘What the hell for?’

      ‘Because I say so.’ Balcon had sworn to himself for the tenth time that he’d get rid of the Serb as soon as the shoot was over.

      Then the dhow had come in and the bomb had gone off, and Balcon had started running with his crew behind him as soon as the rain of debris was over. They couldn’t get really close because of all the crap on the dock, plus a small tanker was on fire and Balcon was afraid it would blow, too, and then shooting had started and the Serb had said he was getting the hell out of there, he’d had enough of this shit in Kosovo, and Balcon, because he needed him, had promised him an extra fifty and had said they could pull back some toward the gate.

      And then an incredible guy, whoever he was, had gone up the crane, and Balcon had directed the filming of him as he went out the long arm and jumped – actually jumped a gap between two cranes, twenty meters in the air – then walked up behind the sniper and blasted away with a handgun. Balcon had seen it on the camera’s viewfinder, zoomed in tight, incredible stuff for which he’d do a voice-over the instant they were done. And the shooting had stopped. Balcon was thinking that he’d be famous, getting the credit for this shot, and somebody in the crowd said the guy was CIA, another that he was US Navy, a SEAL or a Marine, and Balcon thought of the man in Sicily saying ‘the fucking US Navy,’ and he made a face. He wouldn’t say it was the US Navy on air; that way, the man in Sicily wouldn’t get enraged at him.

      By then, the riot in Old Town had spread, and the street outside the gate was filling. Part of the crowd had been driven through the gates to keep from being mashed; now they milled around Balcon and his little crew, curious as people always are and hoping to get their faces put up on global TV. Balcon paid no attention to them except to push one kid out of the way of the camera lens; he was calculating right then how much he could get for the film and how soon he could get it on a feed. He was walking around the camera, talking on his cell phone to his agency, watching the guy start down from the crane and twice stopping to do a ten-second bit into the camera – silver-blond hair blowing a little in the hot breeze, blue shirt open, safari jacket casual and

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