LITMIR.BIZ

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was nothing overtly feminine about the room, very little besides the clothes in the closet to suggest the gender of its occupant. The walls were painted cream and were hung with prints and etchings – a cart passing down a country lane, Montauk Lighthouse, an abstract female nude by some well-known European artist whose name Hollis couldn’t recall.

      On the wall beside the bed was a framed photo showing a group of young women gathered on a stage. The caption on the matt read: The Experimental Theatre, Vassar College 1942. Lillian Wallace stood out like a beacon, her beauty and the breadth of her smile animating the photo, lending life to those around her. The image was in stark contrast to Hollis’ first sight of her, face frozen with rigor mortis, pinkish foam oozing from her blue lips.

      He was left in little doubt as to what she had studied at Vassar. The shelves of a mahogany bookcase bowed under the weight of volumes of English and French literature, and there were more books stacked on the desk in front of the window. Hollis’ eyes grazed over the clutter on the desk, looking for a suicide note. Despite Rosa’s assertions, he didn’t dismiss the possibility that Lillian Wallace had taken her own life.

      There was no note, not on the desk, not on the nightstand, not in any of the drawers in the room. This didn’t rule out suicide. Relatives or friends sometimes destroyed the suicide note of their loved ones. Sometimes this was done for simple, if misguided, reasons of decency. On other occasions it was no doubt done to protect themselves.

      There was no denying the genuineness of Rosa’s grief, but it didn’t preclude her discovery of a note that morning when she had come to work. And as Hollis picked his way around the room, he was able to construct an alternative sequence of events – Rosa’s horror on finding the note, the anxious hours spent waiting, praying that Lillian wouldn’t see it through, that she would turn up, then the dashed hopes when he had appeared on the doorstep, the subsequent surge of emotion in Rosa indistinguishable from genuine surprise, and no less authentic.

      This could also explain what Rosa was doing at the house at three o’clock in the afternoon when by her own account she only ever came in for a few hours in the morning.

      ‘Have you touched anything in here?’ he asked.

      ‘No.’

      ‘So the bed was already made?’

      ‘Yes.’

      ‘Did that strike you as strange?’

      ‘Strange?’

      ‘You say you make her bed every morning. You come in one day and it’s already made. Has it ever happened before?’

      Rosa hesitated before replying. ‘No.’

      ‘So you must have been a little … surprised.’

      ‘Yes,’ she said, regarding him mistrustfully. Her mind was working hard, too hard.

      There was a door in the corner of the room. Behind it lay a bathroom, painted pale blue. There were some cosmetics on the glass shelf above the basin, nothing elaborate. Across the room, a linen skirt and a white blouse lay neatly folded on a wicker chair, a pair of leather sandals on the floor nearby.

      Sensing Rosa behind him in the doorway, he spoke without turning.

      ‘This is where she would have changed?’

      ‘Yes.’

      ‘Are these the clothes she was wearing yesterday?’

      ‘Yes.’

      Hollis lifted the lid of a laundry hamper. It was empty. ‘Did she wear a brassiere?’ Rosa, understandably, was a little put out by the question. ‘I’m just wondering where her undergarments are. They’re not on the chair, not in the laundry hamper.’

      ‘They were in the hamper. I emptied it this morning.’

      Hollis ran the scene in his head. It’s early evening, Lillian comes into the bathroom, she removes her clothes – first her blouse, then her skirt – folding them before placing them on the chair. She then takes off her brassiere and panties and puts them in the laundry hamper. Now she pulls on her dark blue swimsuit.

      ‘The times you saw her leaving for her swim, what was she wearing?’

      ‘A bathrobe.’

      ‘Shoes?’

      Rosa thought before replying. ‘No.’

      ‘Did she take a towel?’

      ‘I think so. Yes.’

      ‘And jewelry?’

      ‘Jewelry?’

      ‘Earrings, for example, did she keep them in or take them out?’

      ‘Why are you asking me all these questions?’ Her eyes were filling with tears again.

      ‘I’m sorry, it’s routine procedure.’

      ‘She didn’t wear jewelry.’

      ‘Never?’

      ‘Special occasions.’

      Well, death was certainly a special occasion.

      ‘One more question, Rosa. What are you doing here midafternoon? You said before you only come in for a few hours in the morning.’ He felt bad springing this on her, given her state, but he had to know the answer.

      ‘I wasn’t worried at first,’ she said defensively. ‘I thought … I thought maybe she went out last night.’

      ‘And didn’t come back? Stayed out? With someone?’

      ‘You know how the young people are these days.’

      It bugged him that she chose to include him with her in the ranks of the elderly.

      ‘I went home,’ she continued, ‘I made lunch for my family. Then I couldn’t stop thinking …’ She broke off, gathering herself. ‘Maybe she never came back from her swim.’

      ‘So you headed back here.’

      ‘She always leaves her swimsuit there, with the bathrobe.’ She pointed to a hook on the back of the bathroom door. ‘I should have looked earlier, I wasn’t thinking, I should have looked …’ She started to cry again.

      ‘It wouldn’t have made any difference,’ said Hollis gently. He made to rest a hand on her shoulder, but she hurried away, across the bedroom and out of the door, deep sobs resounding in the corridor. He didn’t blame her for evading his touch; he had brought her to tears again with his persistent questioning, the mildly accusatory tone designed to unsettle, to dislodge the truth.

      Well, at least he was able to throw out the theory of a missing suicide note. The deep affection Rosa clearly felt for her young mistress wouldn’t have allowed her to return home to make lunch for her family if she’d discovered such a note that morning. He couldn’t see it, it just didn’t fit.

      He turned back and surveyed the bathroom. Everything in order, as it should be, nothing that might lend weight to his gut feeling that Lillian Wallace’s death wasn’t an accident.

      Feeling foolish, his heart already going out of the matter, he crossed to the sink, filled his cupped hands with cold water from the faucet and drank, splashing his face as he did so. He caught sight of himself in the mirror, and disliked what he saw staring back at him – a nondescript man, brown hair, brown eyes, average height – no distinguishing features besides a strong inclination to see the very worst in situations and in people. To question what most were happy to take in good faith. To doubt where others trusted.

      And to what end? Not in the name of Justice; that was a lofty notion he had abandoned within a year of leaving the Academy. He knew that the true injustices in life lay far beyond the scope and remit of the police. They were merely flies buzzing around the dung heap, giving some semblance of order and activity.

      No, he was as he was because he was good at it, because that’s what he did

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