LITMIR.BIZ

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Or, shall I say, for who?’

      My foot taps faster. Does he know about him? About how he betrayed me? I glance at the door; it is locked.

      ‘Maria?’

      ‘I…’ My voice trembles, lets me down. This man, sitting opposite, he said he is here to help me. Can he? Do I risk letting him in?

      ‘I was looking for someone,’ I say after a short while.

      He immediately straightens up. ‘Who? Who were you looking for?’

      ‘A priest.’

      ‘The one you were convicted of killing?’

      The curtains swell, the morning breeze draughting in a whisper of a memory. Aromas. Incense. Sacred bread, holy wine. The comforting smell of a wood-burning stove, the dim lights of a vestry, a stone corridor, confessional boxes. The inner sanctum of Catholicism.

      ‘Maria,’ the man says, ‘can you answer my—’

      ‘It wasn’t the dead priest I came looking for.’

      The man holds my gaze. It is unbearable for me, the eye contact, makes my hands grip the seat, makes my throat dry up, but still he stays fixed on me, like a missile locked to its target.

      ‘Then who?’ he says finally, his eyes, at last, disengaging enough for me to look away.

      ‘Father Reznik,’ I say, my voice barely audible. ‘I took the London secondment because I was looking for Father Reznik. Mama said he may have moved here, but she wasn’t sure. I needed answers.’ I pause. ‘I needed to find him.’

      There is a flipping of a page. ‘And Father Reznik was your family priest, a Slovakian, correct?’

      I look up. How does he know all this? ‘Yes.’

      ‘And your mother knew him?’

      Again I answer yes. ‘She is Catholic, attends church twice a week, confession also. She said Father Reznik may have had some family in London.’

      He nods, writes something down, glancing at me in between words.

      ‘He was my friend. Father Reznik was my friend. And then…events happened. I found out that he…‘ I stall, touch my neck. The bloodshot whites of his eyes, the sagging pale skin on his jaw, the slight wheeze when he walked. Even now when I think of him, of what he did, it hurts me. And while I know the man is speaking to me, I barely hear him, barely process what he says, because I can’t comprehend what I think is still happening, what is developing right in front of me, in front of the whole world. And they don’t even know it, don’t even realise what is being done right before their eyes, like they’re all wandering the streets blindfolded.

      ‘Maria?’ The man lowers his pen. ‘This Father Reznik. Are you sure about him?’

      I squeeze my fist, concentrate. ‘What do you mean?’

      He hesitates. ‘Are you sure he was your friend?’

      A trace of a memory floats in the air, like a drowsiness. I see me, sixteen years old. Father Reznik’s drawn, lined face is swaying in front of me as I try to focus on a paper containing codes. Lots of codes. I smile at him, but when I blink, I realise it’s not Father Reznik I am looking at. It is the dead priest from the convent. I gasp.

      ‘Maria?’ The man’s voice hovers somewhere. ‘Stay with me. Listen to me.’

      I attempt to shake away the confusion. The faces, the blurred, blended shapes swim one more time before me then dive from view. I sit forward, cough. My eyelids flicker.

      ‘What made him your friend, Maria?’

      ‘He was kind to me. He…he would spend time with me when I was young, growing up.’ A surge of heat scalds my skin. I swallow a little and loosen my collar, try to push aside the doubt creeping up like ivy inside me.

      ‘What else?’

      ‘He would…listen to me after Papa died, would give me things to do, keep me occupied. I grew up with him, with Father Reznik. Mama knew him. He gave me problems to solve when I got bored with school. “Too easy for you, school, Maria,” he would say. “Too easy.” I would visit him every day; even when I was at university I would go home to see him, he would give me complex problems to solve. And then, one day, he just vanished. But sometimes…sometimes I recall…’

      ‘Recall what?’

      ‘Absences,’ I say, after a moment, and even as the word comes out, I know it will seem unusual, because just as Father Reznik vanished, so had my memory.

      ‘What sort of absences?’

      ‘Absences of my memory, of what I had done and said.’

      ‘And when did these occur?’ the man says, writing everything down.

      I hesitate. I know now what Father Reznik really was and what he was doing with me. But what do I tell this man? ‘I would often wake up in Father Reznik’s office.’

      ‘You had fallen asleep?’

      ‘No, no, I…’ I stop. What will happen if I reveal the truth to him now? I opt to stick to the basic facts. ‘Yes, I could have fallen asleep.’

      The man stares at me. My heart knocks against my chest, my brow glistens. Did he believe me?

      ‘Tell me, Maria,’ he says, pen in his mouth, ‘are you scared of losing people?’

      ‘Yes,’ I hear myself say. A tear escapes. I touch it, surprised. My papa’s face appears in my mind. His dark, full hair, his warm smile. I didn’t realise all this had affected me so much.

      The man’s eyes flicker downwards then finally rest on my face. ‘Would it help you if I told you I have lost a brother?’

      I frown. ‘How? Where did he go? How did…?’ I falter, a familiar slap of realisation. He didn’t lose track of his brother. His brother died.

      He hands me a tissue. ‘Here.’

      I take it, wipe my eyes.

      ‘He was killed in the 9/11 bombings,’ the man continues. ‘He was an investment banker, worked on the hundredth floor of the first tower.’ He pauses, his body strangely stiffening, at odds with his so far relaxed poise. ‘Everything changed that day.’ He inhales one long, hard breath. ‘I still search for his face in crowds now.’ He stops, looks down. ‘Sometimes, our desire to see someone again burns so much that we convince ourselves they still exist.’ He locks his eyes now on mine, his body charged. ‘Or we project their personality onto another person.’ He tilts his head. ‘Like with your priest.’

      His words hang in the air like a morning mist over a river. We sit, the two of us, in a soup of silence, of faces, of contorted, clouded memories. I think of the murdered priest, of Father Reznik. Sometimes I cannot see where one begins and the other ends.

      Like clouds parting in the blue sky, the man’s body softens. He is back to normal, whatever normal is. He clears his throat, and, consulting his notes, tilts his head. ‘Maria, I want you tell me: when were you diagnosed with Asperger’s?’

      I do not want to answer him. He is smiling, but it is different this time, and I cannot decipher it. Is he pretending to be nice? Is it because he likes me? Is that why he told me about his brother? I let out a breath; I have no idea. ‘I was diagnosed at the age of eight,’ I concede finally.

      His smile drops. ‘Thank you.’ He immediately writes some notes. The air blows cold and I feel strangely unsteady. Why am I uncomfortable with this man? It’s as if he could be a friend to me one minute, a dangerous foe the next. And then it comes to me.

      ‘Your name!’ I say, pleased with myself. ‘I do not know your name. What is it?’

      His pen hovers mid-air, an unexpected slice of a scowl lingering on his lips. ‘I think you know it, Maria.’

      I

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