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was not systematic in his explanations, his work is often ignored by medical and psychical research societies.

      BURIAL RITES

      The idea of a journey to the afterlife is evident in every culture and every age, and it has always been considered a duty of the living to set the dead on their path to the other world. In primitive times symbols were carved on rocks and implements and weapons buried with the dead to help them in the next life. In Greece a gold coin was buried with the dead to pay the ferryman to take them across the River of Death. The Egyptians had the most elaborate burial rituals, which lasted for days. Today the idea of a journey can still be said to exist when we lay flowers on graves to provide beauty and peace in the hope the spirit will find it on the other side.

      As well as preparations for the journey to the afterlife, the other important part of ancient burial rites was to make sure the spirit found peace and did not return to haunt the living. Some ancient cultures maintained contact with the dead, keeping artefacts of the deceased so that communication could take place with the help of a go-between. In many places in the world ancestral spirits and ancestor worship still play an important role, and burial rites create a doorway from this world to the next.

      Gradually burial rites in the West have taken on the idea of paying respect to the person and his or her family, and the ritual has become a way to say goodbye. It is an important time because, according to psychics, the bereaved need to let go of the spirit so it can go on its way, and the spirit needs to let go of the bereaved. Burial rites therefore still represent a bridge between physical life and spiritual life.

      BURUBURU

      Buruburu, meaning the sound of shivering, is a terrible ghost from Japanese folklore that for reasons unknown is said to lurk in forests and graveyards in the form on an old person, who is sometimes one-eyed. According to legend it attaches itself to its victim’s spine and causes a chill to run down them, or in the worst case causes them to die of fright.

      BYRD, EVELYN [1707–1737]

      The ghost of Evelyn Byrd, daughter of William Byrd II, an early American colonial settler and founder of the city of Richmond, Virginia, is reputed to haunt the grounds of her childhood home, Westover, on the James River.

      Born in 1707, Evelyn was sent to England at the age of 10 to be educated, and at the age of 16 she fell in love with a man her family considered unsuitable, possibly because they thought him too old for her. At 19 Evelyn returned to Westover depressed and heartbroken. She withdrew from all company except for that of her friend and neighbour, Anne Harrison, whom she met almost daily in a grove in the plantations. For ten years Evelyn wasted away, until her death in 1737.

      Before her death Evelyn made a pact with Anne that if one of them was to die the other would return as a friendly ghost, and, true to her promise, Evelyn’s ghost is alleged to have been seen by Anne smiling in the grove where they used to meet. Over the years Evelyn’s ghost has been seen dressed in white or green lace many times at Westover. She is never frightening, and when she appears she always smiles.

      BYRON, LORD GEORGE GORDON [1788–1824]

      One of the greatest poets of English literature, Lord Byron was deeply fascinated by the supernatural and would investigate tales of hauntings himself. As a young man Byron reported seeing a phantom monk in the family home of Newstead Abbey, who may or may not have died at the hands of one of Byron’s ancestors.

      The phantom’s appearance was thought to herald misfortune for the family, and Byron claimed to see the ‘goblin friar’ again shortly before his ill-fated marriage to heiress Anne Milbanke in 1815. He described it as:

       … monk arrayed

       In cowl, and beads, and dusky garb appeared

       Now in the moonlight, and now lapsed in shade,

       With steps that trod as heavy, yet unheard.

       C

      CABINET

      A box or confined space thought to attract, store and release spiritual forces, enabling a medium to produce phenomena. The use of cabinets to manifest paranormal activity began in the mid-1800s with the Davenport brothers. The brothers had themselves bound and locked in a wooden cabinet, where they were supposedly incapable of moving, but somehow musical instruments would play as if guided by spirit hands. Their act was a huge success, and until the early twentieth century cabinets or black curtains for the medium to retire behind were all the rage. Cabinets are rarely used by modern mediums.

      CAGLIOSTRO, COUNT ALESSANDRO [1743–1795]

      A charismatic figure in the courts of eighteenth-century Europe, Cagliostro was a magician, alchemist and psychic healer. Born in 1743 in Palermo, Sicily, to a poor family, Cagliostro turned his natural psychic talent into a lucrative fortune-telling business. He travelled to Malta at the age of 23 to study the occult and later in London joined the Freemasons. Using the name ‘The Divine Cagliostro’, he spent most of his adult life among the royal courts of Europe, performing various occult arts, such as healing by the laying on of hands, conjuring spirits and producing an ‘elixir of immortal life’ with the aid of his beautiful wife, Lorenza.

      Cagliostro’s success created resentment, and in 1785 in France he and his wife fell out of favour with the Queen over the Affair of the Diamond Necklace’. The Comtesse de La Motte set him up by swindling 1.6 million francs for a diamond necklace and then accused Cagliostro of stealing it. Alessandro and Lorenza were sent to the Bastille and tried for fraud.

      Following his release, Cagliostro travelled to Rome, where he tried to set up an ‘Egyptian Freemasonry’ order. He was questioned by the Inquisition and sentenced to death in 1791. His sentence was later reduced to life imprisonment by Pope Pius VI. Cagliostro died of apoplexy on 6 March 1795, but for years after there were rumours that he was alive and had miraculously escaped.

      CALVADOS CASTLE

      From October 1875 to October 1876 Calvados Castle - more a chateau than a castle - was the focus of poltergeist activity that forced the owners to leave. In the written accounts of the haunting, the people involved are identified only by their initials. The case has never been explained and remains a mystery to this day.

      Calvados Castle was built on top of the foundations of an earlier Norman castle that had fallen into disrepair and apparently had been haunted ever since. In 1875 the castle was occupied by M. and Mme X, their son and his tutor, Abbe Y Almost immediately they began hearing noises, thumps and sighs and other unusual occurrences. M. X began to keep a journal of the strange phenomena. The following are excerpts:

      This is October 1875. I propose to note down and record every day what happened during the night before. I must point out that the noises occurred while the ground was covered with snow, there was no trace of footsteps around the chateau. I drew threads across all the openings, secretly. They were never broken …

      A very disturbed night … It sounded as if someone went up the stairs from the ground floor at superhuman speed, stamping his feet. Arriving at the landing he gave five heavy blows to the walls, so strong that the objects suspended on the walls rattled in their places …

      Some

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