LITMIR.BIZ

      Papa was a slow worker. He always pretended not to care about his work, presumably because he had failed to make much of a mark with it, but I know he did care, passionately. Not just from the look of concentration that came over his face as soon as he had pencil in hand, but from his stubborn unwillingness ever to accept that a piece of work was finished. Perhaps if he had cared a little less he might have done a little better. Probably. It doesn’t matter now, in any case. Either way, when the time came for him to leave The Box he had little to show for all the hours he’d spent closeted away with his muse: a canvas that was almost blank – and a collection of small sketches. But they were wonderful sketches. Some of the best of his I ever saw. In spite of his ardour – or perhaps because of it – he had uncovered something in her that most people never saw: the harshness in her elfin face; and in those big doe eyes, an unmistakable gleam of ruthlessness. If only he could have heeded it as sharply as he drew it. But taking heed was not in his nature. By the end of that first day, he and Mrs de Saulles had retired to her bedroom, and for the next few weeks we saw very little of them.

      In the meantime Mr de Saulles barely appeared at The Box. When he did, it was with a large group of friends in tow, and Papa would usually start up with his coughing again and stay in bed. But young Jack was not forgotten. He often travelled back and forth to visit his father in the city. And each time, when he returned (with a nursery-maid, sadly never with me – I don’t think Mr de Saulles much wanted to be reminded of anything related to my father’s existence) he looked exhausted. I used to tell him about the long nights I spent with my own father and his friends back home in London. ‘The trick,’ I said, ‘is to learn to sleep while still at the table, in a position that looks as though you’re awake. Then they won’t disturb you, and you won’t disturb them.’

      We used to practise it together, with the two elbows in front and a hand covering each cheek, carefully obscuring the eyes. Finally, after we agreed he had perfected the position, he lifted his face from his chubby young hands, and he said, with that sweet formality of his, ‘And now I shall never be able to forget you, Jennifer, even after you leave, because I shall think of you every time I fall asleep.’

       Oh . . . but damn it! Now the tears are welling again, and I shall ruin everything . . .

      Jack and I would spend hours together up in that overcrowded nursery. We would lie on the floor side by side, dismantling that wretched steam engine, and I would tell him stories about an imaginary England, a magical England, full of kings and queens and knights – oh, and of loving, living mothers and so forth – and nothing of the brutal, dowdy wartime England that I had left behind and barely missed at all.

      When Jack was away with his father I used to feel quite bereft. I would mope about the house hoping for a chance to catch Papa alone, which I never did, and mostly feeling rather sorry for myself.

      But he was not my only friend, of course. Madeleine and I enjoyed each other’s company. We used to reminisce about Europe – though her memories of Ireland and mine of London had very little in common. And we used to spend enjoyable stolen minutes, swapping tales of outrage about our dreadful employer. For the most part, though, Mrs de Saulles was so demanding, sending poor Madeleine this way and that, and winding her up to a point of such terrible tension, she rarely had the mind or the time to chatter. It wasn’t until later that we became close friends.

      Mr Hademak, too, would occasionally pause from his nervous activity, and we would sit in the kitchen and discuss the ‘flickers’, as he still insisted on calling them. There was plenty for us to talk about, since – though back then I had only the faintest idea of what it might involve – I was already determined to forge some sort of career as a writer of movies. I told Mr Hademak so, and he was quite encouraging. He found an unwanted typewriter, which belonged to Mr de Saulles, and he arranged for me to have use of it, though only, he said, when Mrs de Saulles was out of the house, for fear the noise disturb her. We talked about that – my unformed dreams of the future. Mostly, though, it would be Mr Hademak doing the talking, telling me how much improved every film on earth would be if only the director had had the foresight to make Mary Pickford its star. He adored Mary Pickford to such a degree that I wondered sometimes where it left his beloved Mrs de Saulles.