LITMIR.BIZ

       Caroline

      For Caroline, it had all started with a knock on the door.

      Ta-tat.

      A quaver, then a crotchet, thumped out against the wood.

      She thinks now how odd it was that they knocked when there was a perfectly good doorbell, a square box nailed to the wall with a circle-white buzzer so that every time she passed it she thought of an unfinished domino tile. Andrew had installed it several years previously, disproportionately proud of his prowess with the Black & Decker drill she had given him for Christmas. At first, he put it too high up on the doorframe so that no person of average height would be able to reach it. Then he moved it down several inches, but the wood remained dotted with holes where the doorbell had once been.

      So the point was: they must have seen the doorbell and chosen to ignore it. Perhaps, she thinks, it was protocol, an anachronistic gesture of respect from a time before the installation of domestic electronics.

      Whatever the reason, it was a knock that signalled Caroline’s life was about to change. The knock seemed to echo more loudly than a buzzer, its staccato force reverberating clean and clear against the hallway tiles. It bounced off the buttermilk-painted walls, pinging its way like a pinball up to the top of the stairs where she was sitting cross-legged on the carpet in her jeans, folding freshly washed pillowcases to stack on a shelf in the airing cupboard.

      She called to Andrew to answer. It was a Saturday and they had been out for the afternoon, shopping for things they believed they needed but probably could have done perfectly well without: cushions for the conservatory chairs, a new fig and bergamot scented candle for the living room, a long-handled spoon for jars of marmalade to replace one that had mysteriously disappeared. On the way back to the house, they had stopped for tea at the vegetarian café and shared a slice of carrot cake, the vanilla cream icing melting sweetly in their mouths.

      There was no answer from Andrew and Caroline remembers being irritated by that. She remembers flinging down the pillowcase she had been folding and making her way hurriedly downstairs, cursing her husband’s absent-mindedness under her breath.

      It seems so trivial now to have got upset over such a tiny inconvenience – magical, almost, to think that her life could have been so content back then that she had to invent reasons to be upset simply to give her day a bit of texture.

      There was another knock before she got to the bottom of the stairs: three beats in quick succession.

      Was it then that she began to sense that things were not as they should be? Was it then that she felt the first thump of blood to her head? She isn’t sure. There is a temptation, in retrospect, to claim some psychic maternal intuition that all was not right. But she doesn’t think she suspected anything. It had been a very normal Saturday up until that point. She does remember walking briskly across the hallway so that she wouldn’t keep whoever it was waiting.

      She was still, at that time, mindful of the necessary social politesse.

      She walked down the hallway and looked through the glass-panelled front door to see a warped beige-blue darkness, an indistinct, lumpy shape that gradually shifted apart into two inky shadows. One of the shapes appeared to have yellow stripes on one shoulder but when it moved, the yellow dispersed, swirling into flakes of confetti with each dent of the glass. She squinted, unsure of what she was seeing and yet aware that it was somehow an echo of a thing she recognised.

      Something about the way they were standing, erect, unbowed, certain, made the pieces fall into place. In her mind, the jumbled sparkle of a hundred kaleidoscope fragments slid into sudden formation.

      Two men.

      Uniforms.

      A knock on the door.

      This is what happens when soldiers die.

      She felt a hole in the base of her stomach, as though something had unclenched within her and yet she kept moving towards the door. She turned the handle and opened it several inches but then she stopped, not trusting herself any further. Her eyes were shut, as if she were a child who could make something disappear by not seeing it.

      ‘Is this 25 Lytton Terrace?’ said the first man. ‘Are you Mrs Weston?’ He was dressed in charcoal grey and wore a gold signet ring on his little finger polished to an iridescent brightness. She didn’t notice his colleague until much later.

      Time slowed. The seconds dripped like treacle from a spoon.

      ‘Would we be able to come inside?’ the first man asked. And she knew, then. She knew.

      She bent over before he could say any more, clutching at her waist, head dropping down so that she did not have to look at them. For a few seconds, she could make no noise. It felt as though the next breath would not come but remain, halted, just beyond her reach. She moaned. She said ‘No,’ and her voice when she heard it sounded far away: a whisper on the opposite side of an echoing cave.

      She slammed the door shut. She leaned against it with her whole weight, pushing the glass with her hands, fingers splayed against the light. She pushed so hard that her flesh turned white and numb. And all the time she was saying no, no, no, feeling the lurch of desperate nausea in the pit of her stomach, the sweat breaking out underneath her arms and trickling down her spine. She was shaking her head, refuting the thought that this could possibly be real. It was not true. It couldn’t be.

      The two men knocked on the door again, saying her name, trying to be kind, but she couldn’t let them in. She would not let them into the house. She would not listen to what they had to say. She thought to herself that if she could stop them from speaking, if she could keep the door shut, if she could prevent them crossing the threshold, then everything would stay the same. She would prise open a gap in time, a velvety corner she could squeeze into where she would be safe, cocooned.

      She heard footsteps running up behind her and for a moment she thought that the men had somehow got inside the house and were coming to get her, but then she remembered Andrew. Her husband.

      She remembered with a rush that he existed, that he was with her, that she was not alone, that there was a rational shape to things, and then she felt his hands around her wrists, his warm, reassuring palms firmly gripping her throbbing veins. He was murmuring, saying something to her that made no sense, but his voice was familiar and soothing and the tendons in her hands relaxed as he prised them off the glass and held them tightly in his. She looked at his mouth and it was moving and he was making a sound but it took several seconds until Caroline could understand anything.

      ‘We have to let them in,’ he was saying. ‘We have to let them in.’ And his face was colourless and scared and she was shaking her head, but he simply kept repeating the same phrase over and over and she was lulled by the weird rhythm of his voice and then she felt exhaustion come over her and she slumped against him while he opened the door and let the two men in dark suits across the threshold.

      And that is how she learned that her darling son was dead.

      Later, the two men tried to tell her how Max had died but all Caroline could hear was a vague blur of voices. She had the overwhelming sensation of being too cold and then she went limp in Andrew’s arms, as if she no longer possessed enough energy to expend on even the most basic of tasks. He half-carried her to an armchair in the sitting room, upholstered in a flowered pale-green fabric and she turned her head and pressed her face into the back of it so that she would not have to look at anyone.

      She breathed in the armchair’s comforting scent of hair and familiar sweat and felt the roughness of the material against her skin. She stared at a sun-faded lily stitched into the fabric,

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