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The Secret Museum. Molly Oldfield
Читать онлайн.Название The Secret Museum
Год выпуска 0
isbn 9780007516896
Автор произведения Molly Oldfield
Жанр Изобразительное искусство, фотография
Издательство HarperCollins
I asked Stuppy what happens to the germinating seeds. ‘They belong to the country of origin, so they are all destroyed. The only reason for growing them is to make sure the seeds in the freezer are still alive and healthy,’ he answered. He explained that bio-piracy is a big problem, which countries want to guard against, so acquiring seeds from other countries involves lots of contracts and teams of lawyers, and part of the deal is that no germinating plants will be grown without permission having been given by the country that sent the seed.
Brazil won’t let anyone keep seeds from its country, because it doesn’t want anyone to own seeds from Brazil which might be valuable later – a wonder drug perhaps, as yet to be discovered, that grows in the Amazon. ‘What about other countries?’ I asked. ‘America doesn’t have a large national seed bank for wild species (they have many large crop seed banks, though). Svalbard, Norway, only has crops. The Germplasm Bank of Wild Species at the Kunming Institute of Botany, in China, and the MSB are the two biggest seed banks for wild species in the world’, Stuppy explained.
In an ideal world, the MSB would not need to exist; instead, the plants contained in the frozen ark of seeds would be growing naturally in the wild. As it is, the MSB sees its project as a race against time. Who knows how many life-saving plants are growing on the Earth that are yet to be discovered? Imagine if one dies out before its unique properties are found? I wonder how many precious medicines are frozen in the vaults now.
We’re facing a global emergency. By the end of this century, half the world’s existing plants could be extinct. It is up to us to change. Our lives depend on plants for food, fuel, medicine, textiles, chemicals and for the oxygen we breathe. Without plants, we cannot survive, so why are we not doing more to grow what we can and to protect what we have? At least the seed bank is giving us options for the future while we sort things out. It’s a start.
Scientists at Kew are looking into the effects of climate change on plants, and are studying wild species that have traits that will be needed in crops if the Earth heats up – for example, short stems and bigger leaves; wild flowers are a miracle of adaptive design. Mainly, however, the frozen seeds are here as a life insurance for plant species and for human beings of the future.
When I left the seeds behind, I went for a wander around the gardens that surround the seed bank – the grounds of Wakehurst Place. The gorgeous landscape is a showcase for some of the frozen seeds beneath the ground, a future generation of beautiful flowering plants.
[A Mexican seed] Lamourouxia viscosa is one of millions of seeds inside the seed bank. Its honeycomb design is a perfect adaptation for catching puffs of wind.
[Entrance to the seed bank] The grey door that leads into the seed bank is surrounded by a yellow panel, set into a wall of silver. You can see it from the floor above if you visit the public area of the seed bank.
[Freezer] We couldn’t go inside the freezers where the seeds are kept as it’s too cold – the staff who work there wrap up warmly in thick fleeces or big jackets.
THE FIRST MUSEUM IN BRITAIN was The Ark, in Lambeth, London. Two gardeners, John and John Tradescant, opened it. They were father and son. The duo went on plant-hunting expeditions around the world to harvest the best of the new lands being discovered, and on their travels collected things they found interesting.
They were consumed by beauty, and gathered up bundles of flowers to fill English gardens: poppies and stocks from France; white jasmine from Catalonia; daffodils from Mount Carmel; tulip trees and a mimic passion flower from North America; as well as vegetables such as cos lettuce, plums, scarlet runner beans and possibly the first pineapple in England. In 1630, John Tradescant senior became Keeper of His Majesty’s Gardens, Vines and Silkworms. When he died, his son took over the role.
The Tradescants’ other great contribution to cultural life in England was their museum. They had amassed so many treasures while seeking out colourful plants that they decided, in 1626, to open up their home, Turret House, to the public. They called it The Ark and began charging people 6d to see the things that they had found in the New World and Europe. These treasures were things few people in England had ever seen before, and The Ark was described as a place ‘where a Man might in one daye behold and collecte into one place more curiosities than hee should see if hee spent all his life in Travell’. The collection included plants, a chameleon, a pelican, cheese, an ape’s head, shells, the hand of a mermaid, stones, coins, a toad-fish, birds from India – even a dodo, which at the time was not yet extinct.
My favourite thing in The Ark is Powhatan’s mantle, a coat belonging to the chief of the Native American Indian tribe that lived in Virginia when the first settlers arrived. Powhatan’s daughter was Pocahontas, and she married the leader of the English settlers, John Smith. Perhaps Tradescant senior collected it when he went there in 1637, almost certainly at the king’s request. He made three trips to Virginia and brought back all kinds of flowers, plants, shells and treasures including Tradescantia virginiania, a plant that still grows in England today.
The Tradescants had a catalogue printed, Musaeum Tradescantianum, which was the first of its kind in Britain. It listed the objects in their collection, divided into sections like ‘shell-Creatures, Insects, Mineralls, Outlandish-Fruit’, ‘Utensills, House-holdstuffe’ and ‘rare curiosities of Art’. Everything was given equal weight, even things that were made up, like mermaids and unicorns.
Powhatan’s coat was catalogued in the ‘Garments, Vestures, Habits and Ornaments’ chapter, and described as ‘Pohatan, King of Virginia’s habit, all embroidered with shells, or Roanoke’. There were other things from Virginia too – a habit of bearskin and a match-coat made of raccoon skins. Just below these in the list were ‘Henry the 8, his stirrups, hawkes hods and gloves’ and, further down, ‘Edward the Confessor’s knit gloves’.
Both the Tradescants were buried in the churchyard at St Mary at Lambeth. Today the church is the Museum of Garden History, the first museum in the world dedicated to gardening. If you visit the collection you will see the tomb in the knot garden outside the museum. It is decorated with objects from the Tradescants’ collection. Legend has it that if you dance around it 12 times as Big Ben strikes, a ghost will appear. On the tomb is a poem probably written by John Aubrey describing the Tradescants, who:
… Liv’d till they had travelled Orb and Nature through, As by their choice Collections may appear, Of what is rare in land, in sea, in air, Whilst they (as Homer’s Iliad in a nut) A world of wonders in one closet shut…
Their ‘world of wonders’ passed eventually, and controversially, into the hands of Elias Ashmole, who gave it to the University of Oxford. The Tradescant Ark was opened as the Ashmolean Museum, in Broad Street, Oxford, in 1683. It was the first purpose-built public museum in the world.
There were three floors in the museum. The Ark collection was on display on the top floor, along with other natural history artefacts. The ground floor was used for lectures and teaching, and the basement was a laboratory. All the original signs above the doorways on each floor are there, explaining what each room was used for.
Today, The Ark and the Ashmolean Museum have moved across the city of Oxford, and the original Ashmolean building has been taken over by the Museum of the History of Science. When they renovated the building in 1999, they lifted the floorboards on the first floor. Beneath them were all kinds of treasures from the original museum.
When