The Other Side of Midnight - Sidney Sheldon

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world. Skouri himself had been interviewed six times – each time in a different language. His answers had been translated into German, English, Japanese, French, Italian and Russian. He had just begun to enjoy his new celebrity when the Commissioner had called to inform him that he felt it was unwise for the Chief of Police to comment publicly on a murder trial that had not yet taken place. Skouri was sure that the Commissioner’s real motivation was jealousy, but he had prudently decided not to press the issue and had refused all further interviews. However, the Commissioner certainly could not complain if he, Skouri, happened to be at the airport at the centre of activity while the newsreel cameras were photographing the arriving celebrities.

      As the car sped down Sygrou Avenue and swung left at the sea towards Phaleron, Skouri felt a tightening in his stomach. They were now only five minutes from the airport. He mentally checked over the list of celebrities who would be arriving in Athens before nightfall.

      

      Armand Gautier was suffering from airsickness. He had a deep-seated fear of flying that stemmed from an excessive love of himself and his life and that, combined with the turbulence usually found off the coast of Greece in summer, had made him violently nauseous. He was a tall, ascetically thin man with scholarly features, a high forehead and a perpetually sardonic mouth. At twenty-two Gautier had helped create La Nouvelle Vague in France’s struggling movie industry and in the years that followed had gone on to even bigger triumphs in the theatre. Now acknowledged as one of the world’s greatest directors, Gautier lived his role to the hilt. Until the last twenty minutes it had been a most pleasant flight. The stewardesses recognizing him had catered to his needs and had let him know they were available for other activities. Several passengers had come up to him during the flight to say how much they admired his films and plays, but he was most interested in the pretty English University student who was attending St Anne’s at Oxford. She was writing a thesis on the theatre for her master’s and had chosen Armand Gautier as her subject. Their conversation had gone well until the girl had brought up the name of Noelle Page.

      ‘You used to be her director, didn’t you?’ she said. ‘I hope I can get into her trial. It’s going to be a circus.’

      Gautier found himself gripping the sides of his seat, and the strength of his reaction surprised him. Even after all these years the memory of Noelle evoked a pain in him that was as sharp as ever. No one had ever touched him as she had, and no one ever would again. Since Gautier had read of Noelle’s arrest three months earlier, he had been able to think of nothing else. He had cabled her and written her, offering to do whatever he could to help, but he had never received a reply. He had had no intention of attending her trial, but he knew he could not stay away. He told himself that it was because he wanted to see whether she had changed since they had lived together. And yet he admitted to himself there was another reason. The theatrical part of him had to be there to view the drama, to watch Noelle’s face as the judge told her whether she was to live or die.

      The metallic voice of the pilot came over the intercom to announce that they would be landing in Athens in three minutes, and the excitement of the anticipation of seeing Noelle again made Armand Gautier forget his airsickness.

      

      Dr Israel Katz was flying to Athens from Capetown, where he was the resident neurosurgeon and chief of staff at Groote Schuur, the large new hospital that had just been built. Israel Katz was recognized as one of the leading neurosurgeons in the world. Medical journals were filled with his innovations. His patients included a prime minister, a president and a king.

      He leaned back in the seat of the BOAC plane, a man of medium height, with a strong, intelligent face, deep-set brown eyes and long, slender, restless hands. Dr Katz was tired, and because of that he began to feel the familiar pain in a right leg that was no longer there, a leg amputated six years earlier by a giant with an axe.

      It had been a long day. He had done predawn surgery, visited half a dozen patients and then walked out of a Board of Directors’ meeting at the hospital in order to fly to Athens for the trial. His wife, Esther, had tried to dissuade him.

      ‘There is nothing you can do for her now, Israel.’

      Perhaps she was right, but Noelle Page had once risked her life to save his and he owed her something. He thought of Noelle now, and he felt the same indescribable feeling that he had felt whenever he had been with her. It was as though the mere memory of her could dissipate the years that separated them. It was romantic fantasy, of course. Nothing could ever bring those years back. Dr Israel Katz felt the plane shudder as the wheels were lowered and it started its descent. He looked out the window and spread out below him was Cairo, where he would transfer to a TAE plane to Athens, and Noelle. Was she guilty of murder? As the plane headed for the runway he thought about the other terrible murder she had committed in Paris.

      

      Philippe Sorel stood at the railing of his yacht watching the harbour of Piraeus moving closer. He had enjoyed the sea voyage because it was one of the rare opportunities he had to escape from his fans. Sorel was one of the few sure box-office attractions in the world, and yet the odds against his ever rising to stardom had been tremendous. He was not a handsome man. On the contrary. He had the face of a boxer who had lost his last dozen matches, his nose had been broken several times, his hair was thin and he walked with a slight limp. None of these things mattered, for Philippe Sorel had sex appeal. He was an educated, soft-spoken man, and the combination of his innate gentleness and truck-driver’s face and body drove the women frantic and made men look up to him as a hero. Now as his yacht approached the harbour, Sorel wondered again what he was doing here. He had postponed a movie that he had wanted to make in order to attend Noelle’s trial. He was only too well aware of what an easy target he would be for the press as he sat in the courtroom every day, completely unprotected by his press agents and managers. The reporters were certain to misunderstand his attendance and think that it was a bid to reap publicity from the murder trial of his former mistress. Any way he looked at it, it was going to be an agonizing experience, but Sorel had to see Noelle again, had to find out if there was some way in which he could help her. As the yacht began to slide into the white-stoned breakwater of the harbour, he thought about the Noelle he had known, lived with and loved, and he came to a conclusion: Noelle was perfectly capable of murder.

      

      As Philippe Sorel’s yacht was approaching the coast of Greece, the Special Assistant to the President of the United States was in a Pan American Clipper, one hundred air miles northwest of the Hellenikon Airport. William Fraser was in his fifties, a handsome grey-haired man with a craggy face and an authoritative manner. He was staring at a brief in his hand, but he had not turned a page or stirred for more than an hour. Fraser had taken a leave of absence to make this journey, even though it had come at a most inconvenient time, in the midst of a congressional crisis. He knew how painful the next few weeks were going to be for him, and yet he felt that he had no choice. This was a journey of vengeance, and the thought filled Fraser with a cold satisfaction. Deliberately Fraser forced his thoughts away from the trial that would begin tomorrow and looked out the window of the plane. Far below he could see an excursion boat bobbing its way towards Greece, its coast looming in the distance.

      

      Auguste Lanchon had been seasick and terrified for three days. He was seasick because the excursion boat which he had boarded in Marseille had been caught in the tail end of a mistral, and he was terrified because he was afraid that his wife would find out what he was doing. Auguste Lanchon was in his sixties, a fat, bald-headed man with small stumpy legs and a pockmarked face with porcine eyes and thin lips that constantly had a cheap cigar clamped between them. Lanchon owned a dress shop in Marseille and he could not afford – or at least that is what he constantly told his wife – to take a vacation like rich people. Of course, he reminded himself, this was not truly a vacation. He had to see his darling Noelle once again. In the years since she had left him, Lanchon had followed her career avidly in the gossip columns, in newspapers and magazines. When she had starred in her first play, he had taken the train all the way to Paris to see her, but Noelle’s stupid secretary had kept them apart. Later he had watched Noelle’s movies, seeing them again and again and remembering how she had once made love to him. Yes, this trip would be expensive, but Auguste Lanchon knew that it would

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