LITMIR.BIZ

      SAFFY

      Sometimes, if you stare at something for long enough, you can make it into whatever you like. You can do it with the clouds in the sky, you can do it with the Artex on a ceiling, you can do it with shadows on the ground. You can do it with swirls in the snow and ripples in wet sand.

      I stared at myself for years and years and the things I saw never changed.

      As morning came, I lay on the bed looking up at the ceiling. I was waiting patiently to see if pictures would form, willing the lines and swirls to show me a story. I hadn’t been to sleep yet, even though Fitz was flat out in a contagious kind of floppy sleep, warmth and dreams wafting off him into the room. The room looked so glaringly dirty and dusty, mould spots speckling all the walls brown and green. I wondered why we never cleaned more. The skirting-boards were thick with scum and the light fixture had a rust-coloured tidemark around it, left over after a leak from the flat upstairs months before.

      Everything seemed to be running away from me, the longer I looked, as though new layers of dirt and decay were forming right in front of me. I could see mould crawling over the walls, taking over everything. The TV would explode and my laptop would stop working. Quin’s copy of Brideshead would become all bloated and misshapen, pages soft and mildewed. All our clothes would get wet and putrid, even my favourite dress, which lay on a chair from Fitz undressing me the night before. I knew it was getting damp even then, all scrunched up and abandoned.

      I looked away, back to the ceiling, but the dress kept flashing into my mind, brown spots over its lace. It was happening at that second, the fabric drawing moisture out of the air and soaking it up like a gorgeous frothy sponge, and I was going to end up like some poor man’s Miss Havisham in my Miss Selfridge dress and my forgotten flat. I leapt up and grabbed the dress, clutching it to my chest. My head was spinning and the fabric felt far away between my fingers. I slipped it onto a hanger and tucked it carefully between two others in the wardrobe – not between jeans, in case they left a blue stain – and made sure it was hanging down straight so mould couldn’t form in the creases. I squeezed some of the other dresses hanging there, the blue denim pinafore and the pale pink tea dress and the polka-dotted one with the sticky-out skirt, and they felt wet. Everything felt wet suddenly, even my hair and my scalp. And they felt cold, but maybe it was my hands that were cold. I wondered how you could ever tell. How could we ever know whether it was our hands that were cold, or wet, or hot, or dusty, or the thing they were touching? Do we make things happen or do they happen to us? I walked out into the living room, feeling the carpet soggy between my toes.

      I liked silence in the house sometimes. On days like those, it was a soft silence that you could almost reach out and touch. It was peaceful; the house and I were at peace because he was there, sleeping. Everything was in its place.

      Quin’s duvet was turned back and his pillow still had the oily dip where his head had been. He spent a lot of time away from the flat, but it didn’t matter: the room felt warm and safe even with just his things in it. Quin and I were like two leftover bits of the same puzzle. We fitted together even though we were misfits. I straightened out his sleeping bag and smoothed down the duvet, making his corner nice for him.

      The rest of the room was tidy, everything put away. I stood in the middle and looked around. Though I tried to pull away, the corner kept calling me back.

      The canvases were stacked neatly against the wall, backs to me. The papers and loose sketches were piled carefully underneath the desk. My sketchbooks sat on the desk, big, medium and small fitting one inside another. I sat down in the foldout chair and ran my finger along the edge of each one. I liked the way they lay together like this and looked like a shrinking version of one item, the stages laid out for you to see; the large original to the perfect miniature. I took the small one down and opened it, letting the fat cover flop over on its spirals. Here are the things that lived inside:

      Portrait of a Lady. Picture of Fate Jones torn out of the free paper and taped in. Pencil question mark across left half of page.

      True Love Never Dies. Still-life of a bed of roses with a junkie lying among the flowers – work in progress.

      Outline of arm, three unfinished flowers. Half-page torn out.

      Things I’ll Never Say. Crying child. Half a head of hair, one eye, unshaded lips, outline of nose. Jagged biro line through centre of page.

      Untitled # 1. Blue dots of paint, flicked with the edge of a paintbrush. Work in no progress.

      Untitled # 2. Circle drawn with black kohl. Artist’s intention unknown.

      Stick Man Feels Sad. As described.

      Self-portrait #1. Blank page, faint traces of pink eraser over surface of page.

      As I turned the pages, I felt my skin begin to creep and crawl with all of the feelings that couldn’t get out and swirled half-formed and stormy. I grabbed hold of the pages, tore them out and slammed the notebook against the wall. It slid down all the way and when it reached the carpet it tipped over sheepishly. I grabbed a handful of my hair and pulled that instead. I felt the newly shorn shortness, the uneven patches and the way it brushed my shoulders where before it had trailed down my back, and I remembered it in a rush. How the day before had started and how the party had ended. I started at the start and I thought it all through carefully like I was remembering a dream.

      The silence in the house had been too loud for words that morning. It always was just after he left, as the sound of him loping up the stairs and across the pavement above me faded away. Sometimes there’d be the tinkle and fumble of him dropping his keys or his apron and bending down to pick them up, a quick flash of his thin fingers in the tiny strip of window and then he’d be gone. I had dropped the towel and stepped one foot, two feet naked across the little hall. The carpet had felt thin and cold between my toes, and the hairs on my arms stood up in a thick fuzz. I rubbed them hard to get rid of it and stepped carefully into the bedroom. Everything felt slow and dizzy, as if all the sounds had gone out of the flat with Fitz and I was left trying to balance in an empty room off-kilter and unsteady.

      I’d stood in front of the cracked half of mirror, which was propped against the wall. It had been full-length, once, if you balanced it at the right angle and stood far enough back, but one night when we were drunk and silly and happy and kissing the kind of kisses you can’t stop, when you keep raining kisses like butterflies on each other until you can’t breathe any more, we’d stumbled into it and smashed it right in half. I had been frightened at the time that

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