So Much for That - Lionel Shriver

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and had probably bought Knack – you had to give the guy this much – as fiendishly effective revenge. After the sale, standards of workmanship plummeted, so that Shep’s “Customer Relations” position for handling complaints, never a post at all during his own tenure as CEO, had burgeoned into a demanding and decidedly unpleasant full-time job.

      In retrospect, of course, it had been imbecilic to sell their place in Carol Gardens a few years earlier – barely out of a recession, and on the heels of a housing crash – then move up to Westchester and rent. Shep would gladly have stayed in Brooklyn, but Glynis had concluded that the only way she could finally focus on “her work” was to remove herself from the “distractions” of the city. (Sure of his weakness, she had made a sly financial case as well: Westchester’s high-quality public schools would save them the pricey tuition of private education in New York. All very well, for Amelia. But later, when Glynis thought that Zach needed help – which he did – finding a “better school” was the easiest way to seem to be doing something, and now they were out $26,000 a year for private tuition anyway.) Jackson and Carol had stayed put in Windsor Terrace, and even that ramshackle dive of theirs had soared to a value of $550,000. At least having benefited from the real estate boom himself made Jackson more patient than Shep with Homeowner Smugness; these days, a handyman wasn’t in the door five seconds before the wife was crowing about how much the dump was worth now, so watch the wainscoting with that toolbox. It was like that in most big cities now: LA, Miami – a communal hysteria, as if the entire citizenry were on Dialing for Dollars and had won the car. Shep was probably just envious. Still, there was something unsavory about that gleefulness, a mania he associated with slot machines. A preacher’s son, he failed to see the satisfaction in a jackpot that bore no relation to something good or hard that you had done.

      Property in Westchester had appreciated by three times over ten years as well, so, yeah, in hindsight they should have bought – thereby making about as much profit from sitting on his ass as he had from selling a whole company, fruit of twenty-two years’ sweat. That was the way people made money in this country now, according to Jackson: ass-sitting. You couldn’t get rich on earned income, he railed. Taxes on wages made sure of that. Jackson claimed that only inheritance and investment – ass-sitting – paid. Shep wasn’t so sure. Certainly he himself had worked hard, but he’d been compensated for his trouble. Limuru lay ever in the back of his mind, and he’d earned far more than a dollar per day.

      Shep had opted to rent for the same reason that drove every big decision he’d ever made. He wanted to be able to pick up stakes – easily, quickly, cleanly, without waiting for a house to sell in a market whose climate he couldn’t foresee. That’s what irked him a bit about Homeowner Smugness: all these schmoes with keys to a front door acted as if they’d seen the boom coming, as if they were financial geniuses and not the beneficiaries of dumb luck. He may have regretted missing out on the property windfall; he didn’t regret the reason he’d missed out. He was proud of the reason, proud of planning to leave. He was only ashamed of having stayed.

      He tried not to blame Glynis. If that meant blaming himself instead, that seemed fair. The Afterlife was his aspiration – the word he preferred to fantasy – and any dream was dilute secondhand. He tried not to be angry at her for a lot of things, and to a great extent succeeded.

      When they met, Glynis had been running her own small business from home, making jewelry of a strikingly stark, streamlined nature during an era of clunk, slapdash, and feathers. She had contacted Knack of All Trades to build a worktable bolted to the floor, and later, because she liked the proprietor – his broad veined forearms, his wide-open face like a field of wheat – a set of racks for hammers, pliers, and files. Shep appreciated her meticulous requirements, as she appreciated his meticulous execution. The second time he showed up to finish the table, she’d left numerous samples of her work lying casually around the studio (deliberately, she confessed with a laugh once they started going out; she’d dangled the glittering baubles before her handsome handyman “like fishing lures”). Though he’d never considered himself the artistic type, Shep was transfixed. Delicate and morbid, a whole series of elongated stickpins looked like assemblages of bird bones; when she modeled the bracelets for him, they wrapped all the way up her arm, slithering like serpents to the elbow. Sinewy, elusive, and severe, Glynis’s creations were an uncanny manifestation of the woman who made them. It was touch and go whether he fell in love with Glynis or her metalwork first, because as far as Shep was concerned they were one and the same.

      During their courtship, Glynis was teaching at summer camps and doing piecework in the Jewelry District to pay the rent. Meantime, she was placing single necklaces in second-tier galleries, and her silversmithing barely broke even. Yet she fevered long hours, and paid her own phone bill. Surely any man would have assumed that for a self-starter like Glynis – disciplined, ascetic, and fiery – pulling her financial weight in a marriage would be a point of pride. (On reflection, it probably was.) So he’d never expected to have to save for The Afterlife all by himself.

      Less compassionate men might have felt they’d been sold a bill of goods. Pregnancy had seemed a reasonable excuse for letting her metalsmithing tools languish, but that accounted for only eighteen months of the last twenty-six years. Motherhood wasn’t the real problem, though it took him a long time to figure out what was. She needed resistance, the very quality that metal most demonstrably offered up. Suddenly Glynis had no difficulty to overcome, no hard artisan’s life with galleries filching half the too-small price of a mokume brooch that had taken three weeks to forge. No, her husband made a good living, and if she slept late and dawdled the afternoon away reading Lustre, American Craft Magazine, and Lapidary Journal, the phone bill would still get paid. For that matter, she needed need itself. She could overcome her anguish about embarking on an object that, once completed, might not meet her exacting standards only if she had no choice. In this sense, his helping had hurt her. By providing the financial cushion that should have facilitated making all the metal whathaveyou she liked, he had ruined her life. Wrapped with a slackening bow, ease was a poisonous present.

      Yet it wasn’t as if she were lazy. Since Glynis still maintained the fiction (even in his head, the word pained him) that she was a professional metalsmith, all other domestic activities therefore qualified as procrastination, and thus were seen to with vigor and dispatch. It wasn’t as if she’d made nothing, either – metalwork, that is. Spurning jewelry as intrinsically rinky-dink, she’d moved entirely to flatware, and through the years had crafted a handful of dazzling implements: memorably, the Bakelite inlaid fish slice; that exquisite set of hand-forged, perfectly ergonomic sterling chopsticks, whose heavier ends bent slightly, achingly, as if they were melting. Yet each finished project was the product of so much agony and time that in the end she couldn’t bring herself to sell it.

      So what she hadn’t made was money. Were he ever to have observed aloud once Zach and Amelia both entered school that she was still not bringing in a dime, Glynis would have iced over in cold rage (so he hadn’t). But her income of zero dollars wasn’t an objection. It was a fact. That when they married Shep hadn’t imagined he would carry the whole household in perpetuity was also a fact. But he could carry the household, and he had.

      Besides, he understood her. Or he understood how much he couldn’t understand, which was a start. Making his own geographical inertia all the more perplexing, by and large Shep decided to do something, and then he did it. For Glynis to get from the deciding to the doing was like leaping the stumps of a washed-out bridge. To put it another way, she had the engine, but a faulty ignition switch. Glynis could decide to do something and then nothing would happen. It was an interior thing, a design flaw, and probably not one she could fix.

      Having kept his mouth shut for decades, he should never have let it slip out tentatively over breakfast a couple of years ago (during a particularly galling week at Handy Randy) that it was a shame they hadn’t been socking away the remnants of two incomes all this time, with which they could have left for The Afterlife long ago … Before he had finished the sentence, she’d stood from the table without a word and marched out the door. When he came home that night, she had a job. Apparently all this time he’d have had better luck lighting a fire under the woman not by cajoling but by giving offense. Ever since, she’d been fashioning models for Living in Sin, an upmarket chocolatier whose

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