LITMIR.BIZ

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if not enough. “Oh, yes! I’ll come.”

      Smiling as she left Ivy to the attentions of a group of her models, Delia joined the Doctors Castiglione. No need to conceal her profession from them; thanks to Jess, they knew she was a cop.

      “It’s clear that you don’t feel like a fish out of water here, Delia,” said Dr. Moira. “You fit right into this menagerie.”

      “Is that how you see it? As a menagerie?”

      “What Moira means,” said Dr. Fred, “is that you’re extremely clever and resourceful.”

      “Menagerie?” Delia persisted.

      Dr. Moira sniggered. “A collection of queer animals, anyway.”

      And I begin to see why they are disliked, she thought; they patronize. I’ll bet their qualifications are very ordinary, but does that include Ari Melos? Poor Jess! Public service salaries don’t buy brilliant helpers. “Queer as in homosexual?” she asked.

      “Queer as in peculiar,” said Dr. Moira.

      “Why come, if these are not your kind of people?”

      The Castigliones stared at her as if she were—peculiar.

      “Our abiding passion,” said Dr. Fred.

      “And that is?”

      “Music. Moira and I are trying to put an HI orchestra together—I conduct, she plays violin. Music does indeed soothe the savage breast.”

      “Admirable,” said Delia.

      Dr. Ari Melos and his new bride arrived, each drinking red wine; Melos was very pleased to be here, but Rose looked to be out of her depth.

      “A Rha salon is one of the high points of my year,” Melos said, “and I can’t wait for Rose to experience what she’s only heard of until now. I wonder what treats there are in store?”

      And grudgingly the Castigliones nodded.

      Well, well, we move ahead, thought Delia; whatever it is has to do with music.

      Todo Satara sidled up. Bent on being awkward? Delia got in first, hoping to divert him.

      “How many of the Asylum inmates are HI patients, Doctor?” she asked, assuming an interested expression.

      “All of them, if we wish,” Melos said, apparently unaware of Todo’s enmity. “However, at any one time I would say no more than twenty are actively participating in HI programs. You must surely know, Sergeant, that the M’Naghten Rules are so archaic a ‘guilty by reason of insanity’ verdict at trial is rare—the dementia goes on full display after the prison term commences. Anyone in the Asylum is clinically insane, which gives us a fascinatingly rich patient pool to draw from.”

      Todo pounced. “Scary work,” he said. “How do you manage to keep your cool sitting in a session with a homicidal maniac?”

      “Oh, really!” Melos exclaimed. “There speaks the ignorant layman. Sometimes I think the general public still believes that the warders wear suits of armor and keep the inmates at bay with high-pressure water hoses. Inmates are properly prepared for their sessions. If they need to be sedated, they are. It’s not dangerous work, Todo—in fact, it’s more likely to be boring.”

      Dr. Fred took over. “HI has state and federal funds, and has one aim: to remove violent, sociopathic crime from humanity’s list of unacceptable behavior. One day we’ll be able to cure the physiologically violent criminal.”

      “Oh, sure!” Todo sneered, looking militant. “It happens now, guys—some axe murderer is released as cured, and what’s the first thing he does outside the prison walls? Kills more people with his trusty axe. Psychiatrists play God, and that’s a very dangerous role.”

      But Melos and Dr. Fred merely laughed.

      “Blame the press, Todo, not psychiatrists,” Melos said. “No journalist ever wastes space on the thousands of successful cases. The one-in-a-million failure gets the publicity.”

      Dr. Moira chimed in. “Setting an inmate at liberty isn’t under psychiatric control,” she said. “The steps taken to release a patient considered a danger to the community are multiple as well as agonizing for all concerned. Boards, committees, panels, reviews, outside consultations, exhaustive enquiries, investigations and tests—it’s a near-endless list.” She looked complacent. “Besides, Asylum inmates aren’t ever considered for release. HI is like Caesar’s wife, above reproach.”

      Animation had crept in; the shrinks had undergone a sea-change now the subject was their work. If only, thought Delia, they could abandon their air of superiority, they might win a few fans, but they couldn’t. Her eyes encountered Jess, also listening, and saw an echo of her own sentiments; Jess too deplored their snobbery.

      “I’ve never cottoned on to the idea of using tax dollars to create a place like HI,” said Todo, enjoying himself. “I mean, isn’t it bad enough that public funds have to keep the criminally insane fed and housed, without also providing health services ordinary citizens can’t afford? I hear that HI has a modern hospital capable of treating anything from a heart attack to cirrhosis of the liver.”

      Rose piped up. “But how can it be helped?” she asked, sure of her ground. “This is a civilized country, people have to be treated for their illnesses. But what hospital can cope with violent patients who can’t be reasoned with? The Institute is a prison, and the general hospital side of it was installed to protect the community. Our psychiatric research unit is quite separate again, so is its funding.” Her rather plain and ordinary face had become flushed.

      The mother defending her young, thought Delia; she’s new to this, and resents the criticism.

      “There’s no altruism involved, Todo,” said Dr. Moira crisply. “Ours is a job that has to be done. The cost of long-term—no, life-long!—incarceration is so astronomical that we have to find some answers, or at least make the tax dollars go farther.”

      “Our work is immensely valuable to society,” said Ari Melos. “In the long run, it’s units like HI that will make the whole problem of the criminally insane a cheaper exercise.”

      I think, said Delia to herself, that I have just heard the same old arguments that come up every time these two disparate groups of people get together. Rha and Rufus invite them to please Ivy, who wants to please Jess, who wants to please her staff. And it’s all to do with music.

      Around six, while the sun was still lighting the sky brilliantly, blinds and curtains were unobtrusively drawn, plunging the big room into semi-darkness. A most alluring after-shave essence stole into her nostrils, the mark of Nicolas Greco, whom she’d met only in passing. The Rha Tanais Inc. accountant of the Savile Row suits, easily the best-dressed man Delia had ever seen, and, she suspected, as close to indispensable as people got.

      “Rufus has issued stern instructions,” said he, piloting her with a hand under her left elbow. “I am to put you in Fenella’s chair—it has the best outlook.”

      People were taking seats all over the place, no system or method to it except for this one smallish armchair, which had a footstool and, across its padded back, a sign that said RESERVED. Placed in it, she had an uninterrupted view of one large, octagonal niche wherein a grand piano, a harp, drums, and music stands were located. Even Betty Kornblum of the Siamese cat wore an excited expression, and the shrinks, clustered together, were positively animated.

      What had been an ordinary, if magnificent, party turned into what in Delia’s days at Oxford had been called a “salon.”

      Rufus began it by playing Chopin on the piano well enough to entrance a Paderewski audience—glorious! Was this what he did for a living? One of the willowy waiters picked up a violin and Rufus passed to Beethoven’s fifth sonata for violin and piano; you could have heard a pin drop, so rapt and quiet was the audience. Roger Dartmont sang, Dolores Kenny sang, and they finished with a duet. Todo danced with a group of the waiters, males for

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