Care of Wooden Floors - Will Wiles

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courteous in settling them. But his clipped, frosty demeanour, the formality of the notes and the pathological neatness of his room put people on the defensive. The others engaged in volcanic screaming matches that were forgotten within hours. They screamed shithead and bitch at each other and went to the pub together that evening. Oskar never lost his temper, never blew up. He was regularly angry, but his anger was as controlled and modulated and systematic as the music he would later write. Similarly, he never erupted into riotous geniality or helpless laughter. I only ever saw him drunk – properly drunk, that is, different-person drunk – on three occasions.

      Q: What does Oskar drink?

      A: Neat vodka.

      Neat. Ha ha. He liked neat vodka at less than zero degrees centigrade – its high alcohol content means that it does not freeze. He bought a bottle, the best the off-licence had to offer, for himself and guests, and had no other place to store it than the freezer compartment of the communal fridge. This was a big purchase for a student, and the bottle monopolised the minuscule compartment, reduced to a letterbox by a thick sleeve of permafrost. The girlfriend of one of our neighbours failed to appreciate that vodka has to be stored at below-zero temperatures, and transferred the bottle to the main fridge when trying to find a berth for half a tub of chocolate ice cream.

      Moved from its small and little-used nook and placed in the view of half a dozen thirsty, thirsty students, the bottle fared as you might expect. Most of it disappeared within three nights. Oskar discovered this on the fourth, when he had company. He took this badly, and having established the owner of the ice cream (‘Not even someone on this staircase!’) restored the vodka to its rightful place – with a note attached, saying Please do NOT put this out of the freezer.

      This dispute somehow sparked off an impishness in the others. It became their mission to remove the bottle, drink some of its contents, and leave the depleted vessel in an unusual place. At this point, Oskar and I became friends: he recruited me to help look for the bottle. I was a nonentity to the others – not unpopular, just uninteresting, only there to make up the numbers at parties. My peripheral status made me an asset to Oskar: he knew I was not among the conspirators, and enlisted me to help search for the vodka.

      So we searched together. The first time it turned up in the toilet cistern. The second time it was eventually discovered tied to a light fitting in the hallway. The third time we couldn’t find it for weeks. We had given it up for lost when Oskar found it. Somehow it had been duct-taped to the underside of his desk. The tiresome repetition of the theft did not enrage Oskar – if anything, he seemed to become calmer every time it happened. A few days after the bottle was returned to the fridge for the fourth time, Oskar knocked on my door and calmly informed me that it had disappeared again. Usually on these occasions he looked grim and disappointed – I often felt that he thought he could actually change the attitude of our peers with his little notes and chilly equanimity, an idea that was patently ridiculous, as I regularly told him – but this day he bore a small smile. I asked him if he wanted help recovering it.

      ‘No,’ he said. ‘It is mostly urine.’

      He raised a supermarket bag; inside was a bottle of Absolut and a bag of supermarket ice. That night was the first time I saw him properly drunk.

      Only Oskar could have been certain of producing absolutely clear urine.

      Neat urine.

      There was, among the various coffee specialties and special teas, a jar of Maxwell House. The kettle throbbed and phlegmed. Milk was in the fridge door. Brown sugar in a bowl on the table. Mugs were on the shelf above the beverage-makings. A spirit of efficiency ruled in the kitchen. It was easy to remember the efficiency and economy of Oskar’s music, and easy to imagine the exasperation and frustration of his wife, with her Californian outlook and kitchen that was primarily used as a platform from which endless boxes of take-out cuisine could be eaten. Look into these steel surfaces for as long as you want, you could never make out the blood-orange, blood-transfusion blaze of the Los Angeles dawn. Europe’s skies are older than America’s; Europe’s clouds start over there and by the time they reach here they are tired and ragged from their journey.

      Boiling water over granules, a tilt of milk, and I stared into the result. Pale clouds lived and died by an unknowable rhythm under the surface, storms pulsating, growing and shrinking in the atmosphere of a gas giant, updraughts and sudden sinks pulling in a convective pattern. A spoon obliterates the system.

      Billows of steam and condensation rose from the mug as it cooled on the side and I began to look for the cat food. Again, this was a short search; the cat food was in the larder-style utility room, along with a martial display of tinned foods and sacks of dried goods.

      On the floor next to two water bowls and two spotlessly polished dishes was a pallet large enough for sixteen cans of diced mystery animal remains in a rich sauce of whatever, with the shrink wrap broken at one corner and fourteen cans remaining. Each can bore, next to the incomprehensible Slav-ese (probably containing the words ‘juicy’, ‘stronger teeth’ and ‘at least some % meat’), a picture of a feline with eyes that twinkled like taxidermists’ glass and a tongue that, captured in illustration, would now forever explore that same corner of its smiling mouth. Cat rendered as brain-dead consumer, trapped in lockstep with thirteen clones, licking tongues raised to the right in a bank of Heils, eyes fixed without focus on an endless future of more of this delicious food every day. Next to this band of brothers was a sack of the miniature biscuits that gave this gloop some texture. And a slip of paper, neatly folded on one of the surgically clean dishes, that I had not noticed at first; bleached paper on bleached china.

      INSTRUCTIONS FOR FEEDING CATS, I read.

      Half a can of food in each dish in the morning and the same in the early evening. Each time with a handful of their crunchy mix each, and be sure to refill the water bowls with fresh each time. Move the tray with the dishes into the kitchen for S. and S. to dine, and then when they have finished clean the dishes and return the tray to the cupboard.

      O.

      That was fine. The general list of instructions had contained nothing specific as concerned the feeding of the cats, and this job was clearly more important than the making of tea or coffee, hence the fact that it had been honoured with a full sheet of notepaper. Oskar was the most attentive absent host I could imagine, even across half the world. The conductor, the composer of precise, clipped piano pieces, the lord of a minimalist and restrained realm, would not have left things to chance. My liaison with his flat, his world, had to be organised with far more care than he had arranged his liaison with a Marlboro-blonde art jockey from the history-less West Coast.

      I freed one of the cans of food from the shrunken plastic and carried it with the tray through to the kitchen, where I set it down on the floor.

      This must have been the auditory clue, the Pavlovian bell – the soft sound of tray with dishes meeting the dull glow of the kitchen’s wooden floor. At once, before I had even straightened up, there were two dull thuds from the bedroom and the unmistakable skitter, slip and scratch of claws against shining plank. Turning towards the source of the sound, I saw something I never expected – heading full pelt through the glass-partitioned corridor separating the bedroom from the kitchen, the cats had accelerated so much in such a short time that as they rounded the corner they left the floor, pacing the white wall like a wire-assisted Jackie Chan in a medium-budget kick-’em-up, flipped and held by the invisible hands of momentum and centrifugal force. As the wall ran out, so they ran down, not seeming to lose a joule of energy, only to stop dead in the middle of the kitchen, at least four feet short of the tray. But they didn’t stop – they slid with practised elegance along the trajectory they had set and wound up, kinetic energy burned off against wood, a neat few inches from their proposed supper, circling and making plaintive noises.

      My jaw hung flaccidly, its tendons sliced by this display of athletics. As Shossy and Stravvy mewled and arched their warm backs against my legs, I fought the urge to try and recreate what I had just witnessed, to move them back to the bedroom and the tray back to the cupboard, to recreate the phenomenon, but it was clear that it would not work. The butterfly’s wings could not be unflapped, the cloud would never again assume the same shape. Perhaps

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