LITMIR.BIZ

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Having nothing else to add, he thanked Deana for her help and hung up before she had another chance to invite him to lunch. He then grabbed the obituary for George Winnick, crumpled it into a tight ball, and dropped it into the trash.

      Henry spent the rest of the morning writing obituaries for people who actually were dead. There were four of them altogether, two coming from funeral homes outside of the county and two faxed to him by Deana Swan. On the second fax, just beneath the funeral home’s letterhead, she had scrawled, “Sorry if I made you uncomfortable.”

      She had, mostly because Henry had been momentarily detoured from his usual routine.

      He worked in the same manner he lived: without spontaneity. Everything in his impeccably organized office had its place and its purpose. The lamp on his desk illuminated the cramped and windowless room. The bookshelf bulged with reference materials. The fax machine, exactly an arm’s length away, provided grist for the mill.

      While writing, he played one of the many tragic operas downloaded onto his computer. That morning, he listened to Wagner’s Tristan and Isolde. Instead of a distraction, the swelling music, soaring arias, and tale of doomed love served Henry well. It helped him concentrate, allowing him to sustain the somber mood necessary to write about those who had shuffled off this mortal coil. And by the time poor Isolde died of heartbreak, he had finished his work for the morning.

      Lunchtime was promptly at noon. Henry ate the same meal every day—turkey on wheat, small salad, bottle of water. He brought everything from home except the water, which was purchased from the vending machine downstairs.

      In the break room, a lone reporter stood in front of the snack machine, mulling over his options. He offered a forced smile, which Henry refused to return. Henry Ghoul didn’t smile.

      The reporter’s name was Martin Swan. Blandly handsome, he had the look of a former football star going to seed in the working world. His white shirt fit tightly, and his silk tie trickled down a broad chest and the beginnings of a beer gut. Henry knew nothing about him other than the fact that he was Deana’s brother. In a town as small as Perry Hollow, coincidences like that were common. Because of this tenuous link between them, Martin always felt compelled to talk to Henry, even though his voice was usually poised somewhere between sincerity and indifference. Today was no different.

      “You’ll be getting an obituary from my sister soon,” Martin said flatly.

      Henry stood at the machine next to him, fishing in his pocket for change. “What makes you think that?”

      Martin’s voice suddenly became animated. “You didn’t hear the big news?”

      “Hear what?”

      “Someone was murdered this morning. Chief Campbell found him in a coffin on the side of Old Mill Road. It’s creepy as hell. Poor George.”

      The name made Henry freeze. “George Winnick?”

      Martin nodded. “Did you know him?”

      A chill shot up Henry’s spine. He felt surprise. And fear. The coincidence was too great to not cause at least some bit of fear.

      “What time was he found?”

      “I think eight or so,” Martin said. “Have you heard something about it? I’m working the story, so tell me if you have.”

      Henry left the break room without saying another word. Taking the back steps two at a time, he rushed into his office, streaked to the garbage can, and rustled through its contents until he found the balled-up sheet of paper.

      He smoothed the fax out on his desk, scanning the single sentence typed across the page.

      George Winnick, 67, of Perry Hollow, Pa., died at 10:45 P.M. on March 14.

      In the top left corner of the page was a series of small numbers printed in black. A time stamp of when the fax was sent. Henry read it three times, disbelief growing with each pass. Another chill galloped up his spine. Unlike the first, it stayed there, refusing to be thrown off even as he scooped up the fax, grabbed his coat, and sprinted out the door.

      THREE

      The man sitting opposite Nick Donnelly was ugly. There was no doubt about it, no eye-of-the-beholder bullshit. He was ass-ugly, yet Nick couldn’t stop looking at him. He was fascinated by the man’s pockmarked cheeks, greasy hair, and teeth that resembled half-nibbled corn on the cob.

      Nick bet it was torture to be that unattractive. Thank God he’d never know. The Donnellys were a good-looking, strong-bodied clan. Black Irish, with faces that could have been carved by Michelangelo himself. Add in the rogue’s smile inherited from his father, and Nick knew he was one handsome devil.

      But this other guy—this Edgar Sewell sitting a table’s length away—he’d had a hard life. Nick was sure of it. Being taunted. Being called names. Heart sinking every time he looked in the mirror. It still didn’t excuse what he did. Nothing could, no matter how ugly he was.

      “So, Edgar,” Nick said. “Why did you do it?”

      Dressed in an orange jumpsuit, the man lowered his eyes to the handcuffs at his wrists and said uncomfortably, “I told you already.”

      Edgar’s voice matched his looks—unbearable. High-pitched and wavering, it made Nick’s ears hurt.

      “Tell me again.”

      “Why do you need to hear it again?”

      “Because I want to help you.”

      It was a lie. Edgar Sewell, the killer of three little girls, was a lost cause. He would spend the rest of his life in this shithole prison outside Philadelphia. Nick’s true goal was to crawl inside his mind and figure out what drove him to commit his unspeakable acts. Understanding that could possibly help Nick stop the killers who were still out there, still preying on the innocent and unsuspecting. That’s why Nick wanted to know.

      “They told me to do it,” Edgar said.

      “Who?”

      “The voices.”

      It was the old voices-in-my-head-made-me-kill excuse. Nick had interviewed four killers in the past week, and Edgar Sewell was the third person to use it. But it was a bullshit excuse, used to hide their true motivations. People like Edgar killed not at the behest of ominous voices. They killed because they wanted to.

      “What did these voices sound like?”

      “I can’t remember.”

      Nick leaned back in his chair and crossed his arms. “That’s interesting. If voices in my head told me to butcher little girls, I’d remember what they sounded like.”

      That made Edgar change his tune. “I do remember.”

      “Then tell me.”

      Edgar stalled by putting his left thumb to his lips and licking it, his tongue a flash of pink poking around the thumbnail. Nick had seen two other killers do the same thing. It was a trait that signaled maternal issues.

      When Edgar became aware of Nick watching him, he jerked his thumb away and said, “Elvis.”

      Nick had to give Edgar credit for originality. The others had simply said Satan. But the lie also pissed him off. After an hour, he had learned nothing new about Edgar Sewell. But now it was time to put him on the spot and, hopefully, get some real answers out of him.

      Nick reached down and opened the briefcase sitting next to his chair. He pulled out a manila folder that contained three photographs. The first one showed a brown-haired girl who smiled shyly for the camera. Nick slapped it onto the table and slid it toward Edgar.

      “This is Lainie Hamilton. Do you remember her?”

      Edgar refused to look at the photograph, turning his head until he faced the wall.

      “I know you do,” Nick said. “She was eight

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