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      Our universe is dotted ‘with over 100 billion galaxies, and each one contains roughly 100 billion stars. It is unclear how many planets are orbiting these stars, but it is certain that at least one of them has evolved life. In particular, there is a life form that has had the capacity and audacity to speculate about the origin of this vast universe.

      Humans have been staring up into space for thousands of generations, but we are privileged to be part of the first generation who can claim to have a respectable, rational and coherent description for the creation and evolution of the universe. The Big Bang model offers an elegant explanation of the origin of everything we see in the night sky, making it one of the greatest achievements of the human intellect and spirit. It is the consequence of an insatiable curiosity, a fabulous imagination, acute observation and ruthless logic.

      Even more wonderful is that the Big Bang model can be understood by everyone. When I first learned about the Big Bang as a teenager, I was astonished by its simplicity and beauty, and by the fact that it was built on principles which, to a very large extent, did not go beyond the physics I was already learning at school. Just as Charles Darwin’s theory of natural selection is both fundamental and comprehensible to most intelligent people, the Big Bang model can be explained in terms that will make sense to non-specialists, without having to water down the key concepts within the theory.

      But before encountering the earliest stirrings of the Big Bang model, it is necessary to lay some groundwork. The Big Bang model of the universe was developed over the last hundred years, and this was only possible because twentieth-century breakthroughs were built upon a foundation of astronomy constructed in previous centuries. In turn, these theories and observations of the sky were set within a scientific framework that had been assiduously crafted over two millennia. Going back even further, the scientific method as a path to objective truth about the material world could start to blossom only when the role of myths and folklore had begun to decline. All in all, the roots of the Big Bang model and the desire for a scientific theory of the universe can be traced right back to the decline of the ancient mythological view of the world.

      From Giant Creators to Greek Philosophers

      According to a Chinese creation myth that dates to 600 BC, Phan Ku the Giant Creator emerged from an egg and proceeded to create the world by using a chisel to carve valleys and mountains from the landscape. Next, he set the Sun, Moon and stars in the sky; he died as soon as these tasks were finished. The death of the Giant Creator was an essential part of the creation process, because fragments of his own body helped to complete the world. Phan Ku’s skull formed the dome of sky, his flesh formed the soil, his bones became rocks and his blood created rivers and seas. The last of his breath forged the wind and clouds, while his sweat became rain. His hair fell to Earth, creating plant life, and the fleas that had lodged in his hair provided the basis for the human race. As our birth required the death of our creator, we were to be cursed with sorrow forever after.

      In contrast, in the Icelandic epic myth Prose Edda creation started not with an egg, but within the Yawning Gap. This void separated the contrasting realms of Muspell and Niflheim, until one day the fiery, bright heat of Muspell melted the freezing snow and ice of Niflheim, and the moisture fell into the Yawning Gap, sparking life in the form of Imir, the giant. Only then could the creation of the world begin.

      The Krachi people of Togo in West Africa speak of another giant, the vast blue god Wulbari, more familiar to us as the sky. There was a time when he lay just above the Earth, but a woman pounding grain with a long timber kept prodding and poking him until he raised himself above the nuisance. However, Wulbari was still within reach of humans, who used his belly as a towel and snatched bits of his blue body to add spice to their soup. Gradually, Wulbari moved higher and higher until the blue sky was out of reach, where it has remained ever since.

      For the Yoruba, also of West Africa, Olorun was Owner of the Sky. When he looked down upon the lifeless marsh, he asked another divine being to take a snail shell down to the primeval Earth. The shell contained a pigeon, a hen and a tiny amount of soil. The soil was sprinkled on the marshes of the Earth, whereupon the hen and pigeon began scratching and picking at it, until the marsh became solid ground. To test the world, Olorun sent down the Chameleon, which turned from blue to brown as it moved from sky to land, signalling that the hen and pigeon had completed their task successfully.

      Throughout the world, every culture has developed its own myths about the origin of the universe and how it was shaped. These creation myths differ magnificently, each reflecting the environment and society from which it originated. In Iceland, it is the volcanic and meteorological forces that form the backdrop to the birth of Imir, but according to the Yoruba of West Africa it is the familiar hen and pigeon that give rise to solid land. Nevertheless, all these unique creation myths have some features in common. Whether it is

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