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      DANUTA REAH

      

      SILENT PLAYGROUNDS

      

       Copyright

      This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

      HarperCollinsPublishers Ltd. 1 London Bridge Street London SE1 9GF

       www.harpercollins.co.uk

      First published in Great Britain by HarperCollinsPublishers 2000

      Copyright © Danuta Reah 2000

      Danuta Reah asserts the moral right to be identified as the author of this work

      A catalogue record for this book is available from the British Library

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

      HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

      Source ISBN: 9780006513162

      Ebook Edition © OCTOBER 2016 ISBN: 9780007397945 Version: 2016-10-04

       Dedication

      In memory of my father,

      Jan Kot, architect and artist 1913–1995

       Przechodniu I powiedz Polsce, ze padlismy tu, stuzac jej wiernie. (Memorial to the Polish Parachute Brigade at Arnhem)

      With many thanks to the people who gave me help when I was writing this book. I would particularly like to thank the e-mail writers’ group, Sue and Penny, for their invaluable critical advice; Superintendent Steve Hicks for helping me again with details about police procedure; Professor Green for his clarification of details of forensic pathology, and for not laughing too loudly at some of my more off-the-wall ideas; to Richard Wood for his time and his advice about tracing missing people; to the staff at Kelham Island museum for answering my questions about Shepherd Wheel; to Teresa for all her support; to Julia whose editing makes all the difference; to Alex, and, of course, to Ken for seeing this book through with me from start to finish.

      People who know Sheffield will recognize many of the locations in this book – Endcliffe Park, Bingham Park, Hunters Bar, Sheffield University. Green Park flats, however, exist only in my imagination, and though I have used the university campus as a setting, the university that is described in the book exists, again, only in my imagination. The coffee in the Students’ Union is excellent, though.

      I often walk through Endcliffe Park and Bingham Park, through the woods, following the route taken by Suzanne. These are just two of the many parks in Sheffield that are gradually succumbing to vandalism and neglect. Sheffield is enriched by the wild places that run almost into the centre of the city. It is sad that the people who hold the purse strings of the city do not value these places the way the people of Sheffield do. They are irreplaceable.

       Epigraph

      Only the blue delphiniums show That these were gardens, long ago

      (from Silent Playgrounds, Penny Grubb)

      Contents

       Cover

       Title Page

       7

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       9

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       11

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       13

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       Keep Reading

       About the Author

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