LITMIR.BIZ

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after them, maybe even the police. It feels so illicit, sneaking her mum out of hospital. Even more so grabbing all the medication and supplies Becky needed from the vet practice, telling Kay she’d explain everything but she needed a few days off.

      She helps her mum out of the car, shrugging the large rucksack she’s brought onto her back. Her mum pauses, shielding her eyes from the sun as she looks out towards the bay. A hidden treasure, as the tourist website describes it. Stretches of golden sand. White cliffs. But the biggest draw: the white chalk stacks extending towards the sky. Perfect photo fodder, especially at sunset. Becky remembers being there as a child, walking on the sand, feeling it beneath her toes. Her mum posing against one of the rocks as her dad took photos. Click, click, click.

      And then darker memories, glaring at the cave from a distance, its opening like the mouth of a monster who’d gobbled her mum up.

      ‘Good, the tide’s out. Let’s go,’ Becky says. Her mum nods and they step carefully onto the wooden pathway, Becky supporting her mum’s frail body.

      The café is still there. Tired-looking. Quiet before the evening rush. Becky remembers they used to go there some evenings and weekends. She’d chase her friends around as her mum sat drinking gin, dark sunglasses over her eyes, Mike silent beside her. And then those times after her mum left; the awkward meet-ups that grew more and more infrequent as the months went by. The memories still cause her pain – how desperate she was to run to her mum and beg her to come back, but her childish insolence stopped her every time.

      They step off the pathway and onto the sand, walking across the shadows of the chalk stacks slowly, surely. The next bay comes into view then. You don’t see them at first, the caves. Like hidden entrances in a labyrinth, they’re sliced into the sides of the white cliffs. The first one, smaller than the others, is strewn with rubbish, remnants of burnt-out candles. Becky wonders whether she’d have come here as a teenager if she had stayed with her mum, smoked things she shouldn’t have, curled up with boys instead of reading alone. It might have been a very different life to that she’d had in the town she and her dad had eventually moved to.

      She helps her mum limp past the first cave, then the second, which is larger but so low you have to duck to get in. In the distance, her mum’s house, the hotel, stands grand above the last cave. Her mum’s step quickens, her breath too, as they draw closer to her cave, as she’s been calling it. It’s right at the end of the bay, away from the hustle and bustle of the more popular bay, cut off by a jagged plank of white cliff.

      And then, there it is, in all its glory. The cave that swallowed her mum whole.

      Glimmers of recognition rush through Becky as she stares at it. She hears flashes of laughter, a dog barking. Fish, slippery in her hands. The sun twinkling above. And then her mum, as she was all those years ago, looking down at her with love.

      Why are they coming back now, all the good memories? Where were they when the bad ones crashed over her? The sight of her mum, tanned and strange, when she met her in the café all those times after she left them. Her dad’s anger, her mum’s nonchalance. The tears she shed when she was desperate for her mum’s arms around her, the hate that filled her when she realised she was never coming back.

      As they draw closer to the cave, Becky sees a small one that has a notice at its front: Do not enter. Risk of falling rock. Her mum’s face darkens when she looks at it.

      ‘Is it safe?’ Becky asks, hesitating.

      ‘My one is.’

       My one.

      ‘Sure?’ Becky asks.

      ‘Absolutely. Come on.’

      They walk up to the cave and pause, taking it in. Large chalk boulders are littered here and there, painted an assortment of colours, some smashed, one charred. The white clay of the cave is mossy in parts, ledges jutting out. Becky remembers standing on one of those ledges, looking out to sea.

      Painted around the edges of the cave’s entrance are different animals, and shells too. Even a child and a dog. The paint has faded slightly but it’s still discernible.

      Her mum raises her hand, touching the clay. ‘Feel it,’ she says. ‘It’s softer than you think.’

      Becky leans her hand against it and realises her mum’s right. It even crumbles beneath her palm. As she takes her hand away, she notices there are man-made dents down the length of the cave’s entrance, and a black metal plate drilled into it, as if there was once something hanging there.

      Her mum peers into the cave, a sense of peace spreading over her face.

      Becky notices her mum’s breath is laboured, her eyes hollow. ‘Come on then, let’s get you inside.’

      She helps her mum step in, the sound and smell of the sea suddenly muffling all her senses. It’s as though the cave is absorbing everything but the sea … even absorbing her. The temperature drops, and Becky notices the damp moss on the walls, the slimy vegetation. Her feet sink into the sand, wet, cold, sand flies leaping around her shoes. Rubbish congeals around the edges of the cave, cigarette butts and rotting fish bones.

      How could her mum have lived here? No wonder she wasn’t allowed to bring Becky to live here too. And how could she want to die here? But then she’s never quite understood her mum.

      ‘Look,’ her mum says, pointing to the wall at the back. Her eyes are alight, as if she’s seeing another place entirely.

      Becky gasps. It’s covered with people, sculpted from the rocks then painted. These faces smile out at her: a girl wearing a white dress with a book in her hand; a black man with a dog at his feet, a hammer in his hand. More and more people, nearly a dozen, including children – one tiny one with her eyes ominously scratched out. And then there she is, Becky’s mum, her dark hair a cloud around her head as she stares into the distance, pen poised over her notepad. Next to her is a half-finished painting of a man with long, blond hair.

      ‘Did Idris do these?’ Becky asks. His name echoes around the cave, making her shiver. She often heard his name that summer her mum left, whispered first in awe then in anger by people in the town, often spat down the phone by her fuming dad.

      ‘He did paint them. There,’ her mum says as she points to the back of the cave. ‘I want to be there.’

      Becky helps her over. Broken wood criss-crosses the sand, pages torn from books strewn over it, a discarded soiled cup on its side. Becky sweeps it all away and unrolls the thick sleeping bag she brought with her along with a small pillow.

      ‘I wish I’d brought more to cover the damp sand now,’ she says. ‘I didn’t think.’

      ‘It’s fine. This is perfect.’

      ‘How did you sleep here?’

      ‘On wooden planks,’ her mum replies, eyeing the broken panels.

      ‘What about the damp?’

      Her mum shrugged. ‘We didn’t mind.’

      ‘Come, sit.’ She leads her mum to the sleeping bag and helps her sit down. Her mum stares around her, a small smile on her face.

      ‘I’ll just set some things up,’ Becky says, unloading the heavy rucksack from her back with relief, pulling all the items out: some fruit, water, a flask of tea, crackers, pads, flannels. And then the pain relief. Becky takes a deep breath. Will it be enough? She pops two pills out, pours some water into a plastic cup. Then she takes it all over to her mum.

      ‘Do you want tea?’ she asks her mum after she swallows the pills.

      ‘Not right now.’

      ‘Are you comfortable?’

      Her mum closes her eyes and sighs. ‘I’m very tired.’

      ‘Why don’t you lie down? It’s all set up.’

      Her mum looks at the sleeping bag. ‘It does look rather tempting.’

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