LITMIR.BIZ

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stepped out of my cottage that afternoon and lingered to drink in the view. Pausing for a moment on the small porch, I looked across fir and cedar trees to the sky above the Strait of Juan de Fuca. Here in the San Juan Islands, some eighty miles north of Seattle, the sky remained light somewhat longer than in the city. Even so, I hadn’t expected such an odd color of yellow at five in the afternoon. Nor had I expected the air to be so warm in April. It was the earliest spring in history, some said.

      This was the first time I’d seen the sky like that, however. All week long clouds had hung over the islands, at least on those days when there wasn’t fog.

      For long moments I gazed at the trees, my nose twitching at their sweet, woodsy scent. Primroses had popped up among the rocks that lined my path to the farmhouse road from my cottage—which was named, after Timothea’s deceased daughter, “Annie’s Rose.” Annie died from pneumonia when she was six, and Timmy had acquired a permit to have her buried on the property. A tiny cross marks the spot on a hill invisible from the farmhouse, but facing the sea.

      There were only four homes on Esme Island, which was roughly oblong and three miles across from north to south. Ransford, the Ford house on the north side, was much grander than Thornberry, on the south shore. The other two homes were cabins, built in the 1950s and existing on Esme at the time Timothea and the Fords bought the island and built here. They lay to the west of Thornberry, along the shore, and were maintained by their original owners only as summer vacation homes.

      This left Timothea quite isolated during the long winter months, which, I imagined, was why she’d set up a writer’s colony when the bed-and-breakfast closed. This way, she could still have year-round visitors.

      She had apparently kept it manageable, however. There were only six residents’ cottages at Thornberry, each with different names and each beautifully crafted of cherry, pine, and cedar, with stained glass windows in the sleeping lofts. They dotted several acres of woodland surrounding the main house, which began as Timothea’s bed-and-breakfast all those years ago. Now called simply the “farmhouse,” it was a three-story white structure, similar in architecture to many of the lovely old homes in British Columbia. “What a romantic place,” my mother enthused the first summer we visited. “Perhaps we’ll meet our true loves here.”

      She said it with that light laugh that surprised me every time it came out, as my mother was more often than not rather morose. I was ten at the time, and if I thought it odd that my mother—who had been married to my father for years—still spoke of finding her true love, I refrained from saying so.

      The farmhouse now served as administrative office, kitchen, and nightly meeting place for resident writers. Timothea lived in the second-floor rooms, and two office assistants remained, weeknights, in private rooms on the third floor.

      As for the cottages, none could be seen by the other. In fact, once settled in, the only sign of life nearby was a now and then wisp of smoke from the woodstoves of the other five residents. We were not permitted to speak to each other or disturb each other in any way, until four in the afternoon. This, Timmy explained, was to ensure that each of us had every opportunity to write.

      Arriving at Thornberry in April, I was out on bail, my trial date set for August third. The prosecution had pushed for an earlier date, but my lawyer pushed back, pleading a full schedule. In truth, she was giving me time to finish the book. I knew there would also be the usual delays and continuances, and did not expect my trial to go forward till December, at the earliest.

      Which thrilled my publisher. Though I wouldn’t turn the manuscript in until October, they planned to push Just Rewards through production virtually overnight, with a pub date of December 1. From the publisher’s point of view, it was worth the unusual effort, as the trial would help to make it a bestseller. From my lawyer’s point of view, I’d be getting it into the hands of the legal analysts—the talking heads on TV—right when it might do me the most good. They were known to come down hard, lately, on crooked cops. And since crooked cops were my best, and only, defense, I said sure, let’s pull out all the stops.

      I was ready, by then, to play any angles to bend, and if necessary, beat the judicial system.

      Seeing Timmy here again after so many years, I had mixed feelings. It had been two decades since I’d last been at Thornberry, and we both had changed. Timmy, though, seemed unusually strained. I mentioned this to Dana, one of the other residents, as we walked together toward the farmhouse for dinner. I’d run into her before, coming from her cottage, and we’d found it easy to talk to each other. For the most part, we talked about the other residents and how we felt about them. Gossip, I suppose—something I seldom indulged in. But at Thornberry, after the first few days of daily isolation, we were all still wondering about each other.

      This night, I shifted the basket of books I’d brought with me to return to the farmhouse library, and brought up the subject of Timothea.

      “I knew her a long time ago,” I said, “and she always seemed a happy person, one who knew precisely what she was doing in life. I thought she found contentment in it.”

      “Well, it must be difficult dealing with five different writers a month,” Dana said. “Having to sit with us at dinner, listen to us jabber. Have you ever seen such a bunch of—” She hesitated.

      I knew the word she was going for, and revised the first letter of it. “Witches?”

      She laughed. “Except for Jane. She seems nice. I feel sorry for her, though. Grace just won’t let her be.”

      Jane was a well-to-do young matron from Bellevue, and Grace Lopez a tough, mouthy New Yorker. Grace was thin and wiry, with short black hair, an olive complexion, and a temperament straight from the Bronx. So far, Jane hadn’t been doing very well at holding her own with her. Jane was writing a romance novel, and if there was anything Grace seemed as if she’d know nothing about, it was romance.

      I myself had become bored with the kind of tensions that seemed to develop over dinner every night. Aside from Jane and Grace, there was Amelia, a seventy-two-year-old curmudgeon and prize-winning poet. She and Grace would get into something volatile, and Jane would leap in to smooth things over, then get caught in the runoff.

      One member of our group that I hadn’t had time to form an opinion about was Kim Stratton, the Hollywood actress who’d suddenly found herself, with one hit movie, on a level with the best. Her succeeding films reportedly raked in more than the national debt, yet Kim had come to Thornberry to write her memoirs, she had told everyone on the one night she’d shown up for after-dinner coffee. The majority of the time she kept to herself in her cottage, and had acquired a reputation with the other women for being standoffish.

      What kinds of memories this auburn-haired beauty felt impelled to be writing about at age thirty, I couldn’t imagine. Still, she was known as “America’s Sweetheart”—at least to those not old enough to remember that Mary Pickford once held that title. Presumably, enquiring minds wanted to read everything they could about Kim Stratton.

      “So you think Timothea’s just bored with us all?” I asked Dana, as we continued toward the farmhouse.

      She gave a shrug, and the silver-and-turquoise necklace she wore shimmered in the yellow light. Dana, from Santa Fe, was often mercifully teased by Grace for being psychic, or Santa “fey.” I knew little about her life in New Mexico, as she seldom talked about it. There was a husband, I’d learned. But the kind of person he was, and what he did for a living, seemed shrouded in mystery.

      “You seem to know her better than any of us,” Dana answered. “What do you think?”

      I wasn’t certain. I no longer felt I knew my old friend, and could only ascribe this to time passing, personalities changing. I’d grown up, while Timothea Walsh had grown older. I had no idea of the forces that had moved through her life, twisting and shaping it in ways perhaps different, but just as powerfully as forces that had shaped mine.

      We turned a bend in the path, and I felt myself shiver.

      “You feel it, too?” Dana asked. Her dark hair moved in fine wisps over her forehead as she turned her head from one

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