Anita and Me - Meera Syal

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too easy, I suppose, not enough angst and sweat in putting a cake in the oven and taking it out half an hour later.

      ‘Yow ever made pastry?’ I shook my head. I’d always wondered what the crispy stuff on the bottom of jam tarts was, and here was Mrs Worrall making it in her own home. I was well impressed. ‘Hee-y’aar,’ said Mrs Worrall, putting a small bowl in front of me in which she poured a little flour and placed a knob of lemony butter. ‘Always keep your fingers cold. That’s the secret. Now rub your fingers together…slowly. You wanna end up with breadcrumbs …’ I squeezed the butter, feeling it squash then break against my fingers, and started to press and pummel it into the flour like I’d seen mama do with the chapatti dough.

      ‘No! Too hard! It’ll stick! Gently, dead gentle …’ I slowed down, tried to concentrate on feeling each grain of flour, made my fingers move like clouds, and saw a tiny pile of breadcrumbs begin forming at the bottom of the bowl.

      ‘I’m doing it! Look! Pastry!’

      Mrs Worrall grunted. ‘Not yet, it ain’t …’

      She left me to it whilst she quickly rolled out the large lump of pastry into an oval and pressed a cutter over its surface, slipping the tart cases into a large tin tray. Her fingers moved swiftly and lightly, as if they did not belong to those flapping meaty arms. She then took my bowl off me and stared at the contents critically. ‘Not bad. Now binding. Use warm water, not cold. But the fork has to be like ice, see …’

      She poured in a little liquid from a steel, flame-blackened kettle and handed me a fork from a pan of cold water in the sink. I pressed the crumbs together, watching them swell and cling to each other, until they gradually became a doughy mass.

      ‘It’s like magic, innit?’

      ‘No. Your mum does that,’ she said. ‘This is your one. Alright?’

      I nodded, and she quickly rolled out my dough, which I noticed stuck to the rolling pin much more than hers, cut out a small shape and placed it onto the tray before shoving the whole thing in the oven.

      As Mrs Worrall began washing her hands, a low uneven moaning drifted in from the room at the other side of the closed kitchen door. It sounded like an animal, wounded, like the time a juggernaut lorry had swerved right across the crossroads outside our house, and missing our gate by inches, had ploughed instead into the fields opposite, mortally wounding a chestnut bay called Misty. One of my earliest memories is of feeding old bits of chapatti to Misty, I must have been tiny as papa had to hold me up whilst I held out my hand, palm flat as he instructed me, and felt Misty’s soft whiskery muzzle lightly nibble and suck the bits off my hand. ‘Now she’s a real Punjabi horse, eh?’ nodded papa with satisfaction, patting her lightly on the neck before letting me down. He talked to her softly, in Punjabi, I presume, though I could not tell what exactly he was saying, and he smiled when her ears pricked up and she snorted, rolling her eyes, as if she now understood every word.

      And the next time I saw her was from my bedroom window, when she was lying on her side in the grass as Mr Ormerod and my papa and a few other men ran wildly around the field, dragging the driver from his steaming cab. Mrs Lowbridge and Mrs Worrall stood nearby in the requisite Tollington pose for witnesses at a disaster, one hand cradling the cheek, the other on the hip, and a slow, disbelieving rhythmic shake of the head. No one seemed to notice Misty flung in a corner of the field, her muzzle just visible above the clover stalks, emitting this terrible, haunting moan for help. And now I heard it again and I knew who was making it and I was afraid.

      ‘Can I have lemon curd in my one, Mrs Worrall?’ I jabbered, eager to distract her. She did not answer but wiped her hands on her pinafore and said, ‘Come and say hello to Mr Worrall.’ She opened the door leading into the sitting room and I blinked rapidly, trying to adjust my eyes to the gloom. The curtains were drawn, split by a bar of red sunset light where they did not quite meet, and the small black and white television set sitting on the dining table was on full volume. Opportunity Knocks was on, one of my very favourite programmes where ordinary people who felt they had a great untapped talent could try their luck at singing, impressions, unicycling whilst juggling hatchets, whatever, and if the great British public voted them the best of the acts, could return again and again every week, gathering more acclaim, accolades and possibly bookings at dizzying venues like the Wolverhampton Grand until they were finally knocked off first place by the new young pretender to the variety throne. The unicyclist is dead, long live the fat man from Barnet doing Harold Wilson impressions!

      From the first time I watched that show, I knew that this could be my most realistic escape route from Tollington, from ordinary girl to major personality in one easy step. But I’d never seen anyone who wasn’t white on the show, not so far, and was worried that might count against me. Hughie Green was doing his famous one-eye-open, one-eyebrow-cocked look right down the camera and he announced, ‘Let’s see how our musical muscle man, Tony Holland, does on our clapometer!’ An oiled, bulging bloke in micro swimming trunks appeared briefly and rippled his belly muscles into animal shapes as the audience whooped and hollered and the clapometer began at fifty and rose and rose, climbing slowly along until it nudged ninety and there were beads of sweat forming on Tony’s undulating diaphragm.

      Mrs Worrall suddenly switched the TV off and another wail of protest came from a far dark corner. ‘Later. Say hello to Mrs K’s littl’un first, eh?’ She pushed me forward and I suddenly became aware of the smell of the room which seemed to be at one with the gloom, the smell of a sick room, unaired and lonely, of damp pyjamas steaming, sticky-sided medicine bottles, spilled tinned soup and disinfectant under which there hovered the clinging tang of old, dried-in pee. A shape took form before me, thin useless legs in clean striped pyjamas, the toes curled and turned inwards, passive hands with fingers rigid and frozen as claws, a sunken chest making a bowed tent of the pyjama top, and finally Mr Worrall’s face, wide blue-blue staring eyes and a mouth permanently open, asking for something, wanting to talk, with the bewildered, demanding expression of an unjustly punished child.

      Mr Worrall moaned loudly again, nodding his head vigorously, a few drops of spit fell onto his chin which Mrs Worrall expertly wiped away with her pinafore hem. She took up his hand and placed it on mine, his fingers seemed to rustle like dry twigs but, amazingly, I could feel the pump and surge of his heartbeat throbbing through his palm. I wanted to pull my hand away but I looked up to see Mrs Worrall’s eyes glittering behind their bottle bottom frames. ‘Hello Mr Worrall,’ I said faintly. Mr Worrall jerked his head back violently and gave a yelp. ‘He likes you,’ Mrs Worrall said, the glimmer of a smile playing round her mouth. ‘It was the shells. In the war. He got too close. He was always a nosey bugger.’

      I felt it was maybe alright to pull my hand away now, and I carefully replaced his back onto his lap, like replacing a brittle ornament after dusting. Mr Worrall jerked forward, I felt his breath on my face, it was surprisingly sweet-smelling, like aniseed, like Misty’s warm steamy mouth used to smell. ‘That’s enough now,’ said Mrs Worrall, pushing him back into his chair and gathering his blanket around his knees. ‘It’s nearly time for your wash. You want a wash, eh?’ Mr Worrall seemed tall, even sitting down. He must have been over six foot before the shells got him. Now I knew two war veterans, him and Anita’s dad. I felt annoyed that my papa had not done anything as remotely exciting or dangerous in his youth, or if he had he’d kept it quiet.

      ‘How do you get Mr Worrall upstairs? Have you got a lift or something?’ I asked as she busied herself with removing his socks. ‘Ooh, we never use the upstairs, do we? No. Not been up there for twenty-two years.’ My gaze travelled to the small door leading onto the stairs, the same as in our house, which fooled people into thinking there was another bigger room leading off from the lounge. It was padlocked from the outside, its hinges rusted.

      All this time when I had run up and down our landing and imagined the Worralls ambling about on the other side of the wall, tutting about the noise, our adjoining bookends, I had never realised that next door were empty rooms, cobweb-filled, echoing, unused rooms. I felt queasy, my hunger had become nausea; Mrs Worrall was attempting to kneel, her fat knees cracking, and I suddenly saw what the last twenty-two years of her life must have been, this endless uncomplaining attendance of a broken,

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