LITMIR.BIZ

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the returning Spring in sunlight throws

      Through prison-bars, on graves, its ardent gold,—

      And as the splendors of a Syrian rose

      Lie unreproved upon the saddest breast,—

      So mythic story fits a changing world:

      Still the bark drifts with sails forever furled.

      An unschooled Fancy deemed the work her own,

      While mystic meaning through each fable shone.

      HER GRACE, THE DRUMMER'S DAUGHTER

      Foray, a mass of crags embellished by some greenness, looked up to heaven a hundred miles from shore. It was a fortified position, and a place of banishment. In the course of a long war, waged on sea and land between two great nations, this, "least of all," became a point of some importance to the authority investing it; the fort was well supplied with the machinery of death, and the prison filled with prisoners. But peace had now been of long continuance; and though a nation's banner floated from the tower of the fort, and was seen afar by mariners,—though the cannon occupied their ancient places, ordered for instant use,—though all within the fort was managed and conducted day by day with careful regard to orders,—the operations indicated, in the spirit of their conduct, no fear of warlike surprises. No man gave or obeyed an order as if his life depended on his expedition. Neither was the prison the very place it had been; for, once, every cell had its occupant,—an exile, or a prisoner of war.

      The officials of the island led an easy life, therefore. Active was the brain that resisted the influences of so much leisure as most of these people had. But, under provocation even, Nature must be true. So true is she, indeed, that every violation of her dignities illustrates the meaning of that sovereign utterance, VENGEANCE IS MINE. She will not bring a thorn-tree from an acorn. Pray, day and night, and see if she will let you gather figs of thistles. Prayer has its conditions, and faith is not the sum of them.

      But Nature's buoyant spirits must needs conquer the weight of influences whose business is to depress. And they, seeking, find their centre among things celestial, in spite of all opposing. Much leisure, light labor, was not the worst thing that could befall some of the men whose lot was cast on Foray.

      Adolphus Montier was a member of the military band. He was drummer to the regiment by the grace of his capacity. Besides, he played on the French horn, to the admiration of his wife, and others; and he could fill, at need, the place of any missing member of the company, leaving nothing to be desired in the performance.

      Adolphus came to Foray in the first vessel that brought soldiers hither. He saw the first stone laid in the building of the fort. Here he had lived since. He was growing gray in the years of peace. He had some scars from the years of strife, he was a brave fellow, and idleness, a devil's bland disguise, found no favor with him.

      His daughter Elizabeth was the first child born on the island. Bronzed warriors smiled on her fair infancy; sometimes they called her, with affectionate intonation, "The Daughter of the Regiment." She deserved the notice they bestowed,—as infancy in general deserves all it receives,—but Elizabeth for other reasons than that she had come whence none could tell, and was going whither no man could predict,—for other reason than that she was the first discovered native of the island. She was a beautiful child; and I state this fact not specially in deference to the universal expectation that a character brought forward for anybody's notice should be personally capable of fascinating such. Indeed, it seems inevitable that we find our heroines and heroes in life beautiful. Miss Nightingale must needs remain our type of pure charity in person, as in character. Elisha Kent Kane among his icebergs must stand manifestly efficient for his "princely purpose," his eye and brow magnificent with beauty. Rachel, to every woman's memory, must live the unparalleled Camille.

      Little Elizabeth—I smile to write her name upon the page with these—it were a shame to cheat of beauty by any bungle of description. Is not a fair spirit predestined conqueror of flesh and blood? Have we not read of the noble lady whose loveliness a painter's eye was the very first to discover? Where the likeness? The soul saw it, not the eye; and he understood, who, seeing it, exclaimed, "Our friend—in heaven!" While Adolphus Montier cleaned and polished his French horn, an occupation which was his unfailing resource, if he could find nothing else to do, or when he practised his music, business in which he especially delighted when off duty, it was his pleasure to have wife and child with him.

      Imagination was an active power in the Drummer's sphere. He, away off in Foray, used to talk about the forms and colors of sounds, as if he knew about them; and he had not learned the talk in any school. He would have done no injury to transcendentalism. And he was a happy man, in that the persons before whom he indulged in this manner of speech rather encouraged it. Never had his Pauline's pride and fondness failed Adolphus the Drummer. Life in Foray was little less than banishment, though it had its wages and—renown; but Pauline made out of this single man her country, friends, and home. Never woman endeavored with truer single-heartedness to understand her spouse. In her life's aim was no failure. Let him expatiate on sound to the bounds of fancy's extravagance, she could confidently follow, and would have volunteered her testimony to a doubter, as if all were a question of tangible fact, to be definitely proved. So in every matter. For all the comfort she was to the man she loved, for her confidence in him who deserved it, for her patient endurance of whatsoever ill she met or bore, for choosing to walk in so peaceful a manner, with a heart so light and a face so fair, praise to the Drummer's wife!

      Elizabeth, the companion of her parents in all their happy rambling and unambitious home-life, was their joy and pride. If she frolicked in the grass while her father played his airs, she lost not a strain of the music. She hearkened also to his deep discourse, and gave good heed, when he illustrated the meaning of the tunes he loved to play. And these were rarely the stirring strains with which the Governor's policy kept the band chiefly busy when the soldiers gathered on summer nights in knots of listeners, and the ladies of the fort, the Governor's wife, and the wives of the officers, came out to enjoy the evening, or when a vessel touched the rocky shore.

      Elizabeth's vision was clearer than even love could make her mother's,—clearer than music made her father's; since a distinct conception of images seems not to be inevitable among the image-makers. The prophets are not always to be called upon for an interpretation. No white angel ever floats more clearly before the eyes of those who look on the sculptor's finished work than before the eyes of Elizabeth appeared the shapes and hues of sounds which swept in gay or solemn procession through the windings of her father's horn, floating over the blue water, dissolving as the mist. No bright-winged bird, fair flower, or gorgeous sunset or sea-wave, was more distinct to the child's eyes than the hues of the same notes, stately as palm or pine,—red as crimson, white as wool, rich and full as violet, softly compelling as amethyst.

      Pauline Montier was by nature as active and diligent as Adolphus. She was a seamstress before the days of Foray and the Drummer, and still continued to ply her needle, though no longer urged by necessity. She sewed for the officers' wives, she knit stockings and mufflers for the soldiers. The income thus derived independently of Montier's public service was very considerable.

      Born of such parents, Elizabeth would have had some difficulty in persuading herself that her business was to idle through this life.

      Her early experiences were not as peaceful as those which followed her tenth year. The noise of battle, the cries of defeat, the shouts of victory, the sight of agonized faces, the vision of death, the struggles of pain and anguish, the sorrow of bereavement,—she had seen all with those young eyes. She had heard the whispered command in hushed moments of mortal danger, and the shout of triumph—in the tumult of victory,—had watched blazing ships, seen prisoners carried to their cells, attended the burial of brave men slain in battle, had marched with soldiers keeping time to funeral strains. Her courage and her pity had been stirred in years when she could do no more than see and hear. Once standing, through the heat of a bloody engagement, by the side of a lad, a corporal's son, who was stationed to receive and communicate an order, a random shot struck the boy down at her side. She saw that he was dead,—waited for the order, transmitted it, and then carried away the lifeless body of her fellow-sentinel, staggering under the weighty burden, never resting

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