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Is this, then, all that comes

        Of that night when the closing door fell dumb

        On music and on voices, and I went

        Forth from the ordered tumult of the dance,

        Under the clear cope of the moonless night,

        Wandering away without the city-walls,

        Between the silent meadows and the stars,

        Till something woke in me, and moved my spirit,

        And of themselves my thoughts turned toward God;

        When straight within my soul I felt as if

        An eye was opened; but I knew not whether

        'Twas I that saw, or God that looked on me?

        It closed again, and darkness fell; but not

        To hide the memory; that, in many failings

        Of spirit and of purpose, still returned;

        And I came here at last to search for God.

        Would I could find him! Oh, what quiet content

        Would then absorb my heart, yet leave it free!

       A knock at the door. Enter Brother ROBERT with a light.

        Robert.

        Head in your hands as usual! You will fret

        Your life out, sitting moping in the dark.

        Come, it is supper-time.

        Julian.

        I will not sup to-night.

        Robert.

        Not sup? You'll never live to be a saint.

        Julian.

         A saint! The devil has me by the heel.

        Robert.

        So has he all saints; as a boy his kite,

        Which ever struggles higher for his hold.

        It is a silly devil to gripe so hard;—

        He should let go his hold, and then he has you.

        If you'll not come, I'll leave the light with you.

        Hark to the chorus! Brother Stephen sings.

          Chorus. Always merry, and never drunk.

                 That's the life of the jolly monk.

      SONG

            They say the first monks were lonely men,

            Praying each in his lonely den,

            Rising up to kneel again,

            Each a skinny male Magdalene,

            Peeping scared from out his hole

            Like a burrowing rabbit or a mole;

            But years ring changes as they roll—

      Cho. Now always merry, &c.

            When the moon gets up with her big round face,

            Like Mistress Poll's in the market-place,

            Down to the village below we pace;—

            We know a supper that wants a grace:

            Past the curtsying women we go,

            Past the smithy, all a glow,

            To the snug little houses at top of the row—

      Cho. For always merry, &c.

            And there we find, among the ale,

            The fragments of a floating tale:

            To piece them together we never fail;

            And we fit them rightly, I'll go bail.

            And so we have them all in hand,

            The lads and lasses throughout the land,

            And we are the masters,—you understand?

      Cho. So always merry, &c.

            Last night we had such a game of play

            With the nephews and nieces over the way,

            All for the gold that belonged to the clay

            That lies in lead till the judgment-day!

            The old man's soul they'd leave in the lurch,

            But we saved her share for old Mamma Church.

            How they eyed the bag as they stood in the porch!

          Cho. Oh! always merry, and never drunk.

               That's the life of the jolly monk!

        Robert.

        The song is hardly to your taste, I see!

        Where shall I set the light?

        Julian.

        I do not need it.

        Robert.

        Come, come! The dark is a hot-bed for fancies.

        I wish you were at table, were it only

        To stop the talking of the men about you.

        You in the dark are talked of in the light.

        Julian.

        Well, brother, let them talk; it hurts not me.

        Robert.

        No; but it hurts your friend to hear them say,

        You would be thought a saint

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