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poor husbands all the time trying hard to bear it! What with the babies, and the headaches, and the rest of it, that’s what it comes to—the husbands are not happy! No, no! A woman can do better for a man than marry him!”

      “But mayn’t it be the husband’s fault—sometimes, Martha?”

      “It may; but what better is it for that? What better is the wife for knowing it, or how much happier the husband for not knowing it? As soon as you come to weighing who’s in fault, and counting how much, it’s all up with the marriage. There’s no more comfort in life for either of them! Women are sent into the world to make men happy. I was sent to your uncle, and I’m trying to do my duty. It’s nothing to me what other women think; I’m here to serve your uncle. What comes of me, I don’t care, so long as I do my work, and don’t keep him waiting that made me for it. You may think it a small thing to make a man happy! I don’t. God thought him worth making, and he wouldn’t be if he was miserable. I’ve seen one woman make ten men unhappy! I know my calling, Orbie. Nothing would make me marry one of them, poor things!”

      “But if they all said as you do, Martha?”

      “No doubt the world would come to an end, but it would go out singing, not crying. I don’t see that would matter. There would be enough to make each other happy in heaven, and the Lord could make more as they were wanted.”

      “Uncle says it takes God a long time to make a man!” I ventured to remark.

      Miss Martha was silent for a moment. She did not see how my remark bore on the matter in hand, but she had such respect for anything my uncle said, that when she did not grasp it she held her peace.

      “Anyhow there’s no fear of it for the present!” she answered. “You heard the screed of banns last Sunday!”

      I thought you would have a better idea of Miss Martha Moon from hearing her talk, than from any talk about her. To hear one talk is better than to see one. But I would not have you think she often spoke at such length. She was in truth a woman of few words, never troubled or troubling with any verbal catarrh. Especially silent she was when any one she loved was in distress. I have seen her stand moveless for moments, with a look that was the incarnation of essential motherhood—as if her eyes were swallowing up sorrow; as if her soul was ready to be the sacrifice for sin. Then she would turn away with a droop of the eye-lids that seemed to say she saw what it was, but saw also how little she could do for it. Oh the depth of the love-trouble in those eyes of hers!

      Martha never set herself to teach me anything, but I could not know Martha without learning something of the genuine human heart. I gathered from her by unconscious assimilation. Possibly, a spiritual action analogous to exosmose and endosmose, takes place between certain souls.

      CHAPTER III. MY UNCLE

      Now I must tell you what my uncle was like.

      The first thing that struck you about him would have been, how tall and thin he was. The next thing would have been, how he stooped; and the next, how sad he looked. It scarcely seemed that Martha Moon had been able to do much for him. Yet doubtless she had done, and was doing, more than either he or she knew. He had rather a small head on the top of his long body; and when he stood straight up, which was not very often, it seemed so far away, that some one said he took him for Zacchaeus looking down from the sycomore. I never thought of analyzing his appearance, never thought of comparing him with any one else. To me he was the best and most beautiful of men—the first man in all the world. Nor did I change my mind about him ever—I only came to want another to think of him as I did.

      His features were in fine proportion, though perhaps too delicate. Perhaps they were a little too small to be properly beautiful. When first I saw a likeness of the poet Shelley, I called out “My uncle!” and immediately began to see differences. He wore a small but long moustache, brushed away from his mouth; and over it his eyes looked large. They were of a clear gray, and very gentle. I know from the testimony of others, that I was right in imagining him a really learned man. That small head of his contained more and better than many a larger head of greater note. He was constantly reading—that is, when not thinking, or giving me the lessons which make me now thank him for half my conscious soul.

      Reading or writing or thinking, he made me always welcome to share his room with him; but he seldom took me out walking. He was by no means regular in his habits—regarded neither times nor seasons—went and came like a bird. His hour for going out was unknown to himself, was seldom two days together the same. He would rise up suddenly, even in the middle of a lesson—he always called it “a lesson together”—and without a word walk from the room and the house. I had soon observed that in gloomy weather he went out often, in the sunshine seldom.

      The house had a large garden, of a very old-fashioned sort, such a place for the charm of both glory and gloom as I have never seen elsewhere. I have had other eyes opened within me to deeper beauties than I saw in that garden then; my remembrance of it is none the less of an enchanted ground. But my uncle never walked in it. When he walked, it was always out on the moor he went, and what time he would return no one ever knew. His meals were uninteresting to him—no concern to any one but Martha, who never uttered a word of impatience, and seldom a word of anxiety. At whatever hour of the day he went, it was almost always night when he came home, often late night. In the house he much preferred his own room to any other.

      This room, not so large as the kitchen-hall, but quite as long, seems to me, when I look back, my earliest surrounding. It was the centre from which my roving fancies issued as from their source, and the end of their journey to which as to their home they returned. It was a curious place. Were you to see first the inside of the house and then the outside, you would find yourself at a loss to conjecture where within it could be situated such a room. It was not, however, contained in what, to a cursory glance, passed for the habitable house, and a stranger would not easily have found the entrance to it.

      Both its nature and situation were in keeping with certain peculiarities of my uncle’s mental being. He was given to curious inquiries. He would set out to solve now one now another historical point as odd as uninteresting to any but a mind capable of starting such a question. To determine it, he would search book after book, as if it were a live thing, in whose memory must remain, darkly stored, thousands of facts, requiring only to be recollected: amongst them might nestle the thing he sought, and he would dig for it as in a mine that went branching through the hardened dust of ages. I fancy he read any old book whatever of English history with the haunting sense that next moment he might come upon the trace of certain of his own ancestors of whom he specially desired to enlarge his knowledge. Whether he started any new thing in mathematics I cannot tell, but he would sit absorbed, every day and all day long, for weeks, over his slate, suddenly throw it down, walk out for the rest of the day, and leave his calculus, or whatever it was, for months. He read Shakespeare as with a microscope, propounding and answering the most curious little questions. It seemed to me sometimes, I confess, that he missed a plain point from his eyes being so sharp that they looked through it without seeing it, having focused themselves beyond it.

      A specimen of the kind of question he would ask and answer himself, occurs to me as I write, for he put it to me once as we read together.

      “Why,” he said, “did Margaret, in Much ado about Nothing, try to persuade Hero to wear her other rabato?”

      And the answer was,

      “Because she feared her mistress would find out that she had been wearing it—namely, the night before, when she personated her.”

      And here I may put down a remark I heard him make in reference to a theory which itself must seem nothing less than idiotic to any one who knows Shakespeare as my uncle knew him. The remark was this—that whoever sought to enhance the fame of lord St. Alban’s—he was careful to use the real title—by attributing to him the works of Shakespeare, must either be a man of weak intellect, of great ignorance, or of low moral perception; for he cast on the memory of a man already more to be pitied than any, a weight of obloquy such as it were hard to believe anyone capable of deserving. A being with Shakespeare’s love of human nature, and Bacon’s insight into essential truth, guilty of the moral and social atrocities into which his lordship’s eagerness after money

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