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Harold : the Last of the Saxon Kings — Complete. Эдвард Бульвер-Литтон
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Автор произведения Эдвард Бульвер-Литтон
Жанр История
Издательство Public Domain
He takes the foot, as if the foot to slavish lips to bring;
The Normans scowl; he tilts the throne, and backwards falls the
King.
Loud laugh the joyous Norman men—pale stare the Franks aghast;
And Rou lifts up his head as from the wind springs up the mast;
“I said I would adore a God, but not a mortal too;
The foot that fled before a foe let cowards kiss!” said Rou.
No words can express the excitement which this rough minstrelsy—marred as it is by our poor translation from the Romance-tongue in which it was chanted—produced amongst the Norman guests; less perhaps, indeed, the song itself, than the recognition of the minstrel; and as he closed, from more than a hundred voices came the loud murmur, only subdued from a shout by the royal presence, “Taillefer, our Norman Taillefer!”
“By our joint saint, Peter, my cousin the King,” exclaimed William, after a frank cordial laugh; “Well I wot, no tongue less free than my warrior minstrel’s could have so shocked our ears. Excuse his bold theme, for the sake of his bold heart, I pray thee; and since I know well” (here the Duke’s face grew grave and anxious) “that nought save urgent and weighty news from my stormy realm could have brought over this rhyming petrel, permit the officer behind me to lead hither a bird, I fear, of omen as well as of song.”
“Whatever pleases thee, pleases me,” said Edward, drily; and he gave the order to the attendant. In a few moments, up the space in the hall, between either table, came the large stride of the famous minstrel, preceded by the officer and followed by the ecclesiastic. The hoods of both were now thrown back, and discovered countenances in strange contrast, but each equally worthy of the attention it provoked. The face of the minstrel was open and sunny as the day; and that of the priest, dark and close as night. Thick curls of deep auburn (the most common colour for the locks of the Norman) wreathed in careless disorder round Taillefer’s massive unwrinkled brow. His eye, of light hazel, was bold and joyous; mirth, though sarcastic and sly, mantled round his lips. His whole presence was at once engaging and heroic.
On the other hand, the priest’s cheek was dark and sallow; his features singularly delicate and refined; his forehead high, but somewhat narrow, and crossed with lines of thought; his mien composed, modest, but not without calm self-confidence. Amongst that assembly of soldiers, noiseless, self-collected, and conscious of his surpassing power over swords and mail, moved the SCHOLAR.
William’s keen eye rested on the priest with some surprise, not unmixed with pride and ire; but first addressing Taillefer, who now gained the foot of the dais, he said, with a familiarity almost fond:
“Now, by’re Lady, if thou bringest not ill news, thy gay face, man, is pleasanter to mine eyes that thy rough song to my ears. Kneel, Taillefer, kneel to King Edward, and with more address, rogue, than our unlucky countryman to King Charles.”
But Edward, as ill-liking the form of the giant as the subject of his lay, said, pushing back his seat as far as he could:
“Nay, nay, we excuse thee, we excuse thee, tall man.” Nevertheless, the minstrel still knelt, and so, with a look of profound humility, did the priest. Then both slowly rose, and at a sign from the Duke, passed to the other side of the table, standing behind Fitzosborne’s chair.
“Clerk,” said William, eying deliberately the sallow face of the ecclesiastic; “I know thee of old; and if the Church have sent me an envoy, per la resplendar De, it should have sent me at least an abbot.”
“Hein, hein!” said Taillefer, bluntly, “vex not my bon camarade, Count of the Normans. Gramercy, thou wilt welcome him, peradventure, better than me; for the singer tells but of discord, and the sage may restore the harmony.”
“Ha!” said the Duke, and the frown fell so dark over his eyes that the last seemed only visible by two sparks of fire. “I guess, my proud Vavasours are mutinous. Retire, thou and thy comrade. Await me in my chamber. The feast shall not flag in London because the wind blows a gale in Rouen.”
The two envoys, since so they seemed, bowed in silence and withdrew.
“Nought of ill-tidings, I trust,” said Edward, who had not listened to the whispered communications that had passed between the Duke and his subjects. “No schism in thy Church? The clerk seemed a peaceful man, and a humble.”
“An there were schism in my Church,” said the fiery Duke, “my brother of Bayeux would settle it by arguments as close as the gap between cord and throttle.”
“Ah! thou art, doubtless, well read in the canons, holy Odo!” said the King, turning to the bishop with more respect than he had yet evinced towards that gentle prelate.
“Canons, yes, Seigneur, I draw them up myself for my flock conformably with such interpretations of the Roman Church as suit best with the Norman realm: and woe to deacon, monk, or abbot, who chooses to misconstrue them.” 61
The bishop looked so truculent and menacing, while his fancy thus conjured up the possibility of heretical dissent, that Edward shrank from him as he had done from Taillefer; and in a few minutes after, on exchange of signals between himself and the Duke, who, impatient to escape, was too stately to testify that desire, the retirement of the royal party broke up the banquet; save, indeed, that a few of the elder Saxons, and more incorrigible Danes, still steadily kept their seats, and were finally dislodged from their later settlements on the stone floors, to find themselves, at dawn, carefully propped in a row against the outer walls of the palace, with their patient attendants, holding links, and gazing on their masters with stolid envy, if not of the repose at least of the drugs that had caused it.
CHAPTER II
“And now,” said William, reclining on a long and narrow couch, with raised carved work all round it like a box (the approved fashion of a bed in those days), “now, Sire Taillefer—thy news.”
There were then in the Duke’s chamber, the Count Fitzosborne, Lord of Breteuil, surnamed “the Proud Spirit”—who, with great dignity, was holding before the brazier the ample tunic of linen (called dormitorium in the Latin of that time, and night-rail in the Saxon tongue) in which his lord was to robe his formidable limbs for repose 62,—Taillefer, who stood erect before the Duke as a Roman sentry at his post,—and the ecclesiastic, a little apart, with arms gathered under his gown, and his bright dark eyes fixed on the ground.
“High and puissant, my liege,” then said Taillefer, gravely, and with a shade of sympathy on his large face, “my news is such as is best told briefly: Bunaz, Count d’Eu and descendant of Richard Sanspeur, hath raised the standard of revolt.”
“Go on,” said the Duke, clenching his hand.
“Henry, King of the French, is treating with the rebel, and stirring up mutiny in thy realm, and pretenders to thy throne.”
“Ha!” said the Duke, and his lip quivered; “this is not all.”
“No, my liege! and the worst is to come. Thy uncle Mauger, knowing that thy heart is bent on thy speedy nuptials with the high and noble damsel, Matilda of Flanders, has broken out again in thine absence—is preaching against thee in hall and from pulpit. He declares that such espousals are incestuous, both as within the forbidden degrees, and inasmuch as Adele, the lady’s mother, was betrothed to thine uncle Richard; and Mauger menaces excommunication if my liege pursues his suit! 63 So troubled is the realm, that I, waiting not for debate