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Life and Lillian Gish. Paine Albert Bigelow
Читать онлайн.Название Life and Lillian Gish
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Автор произведения Paine Albert Bigelow
Жанр Зарубежная классика
Издательство Public Domain
VIII
“DOWN THE LINE”
With money saved from her own and the children’s earnings, Mary Gish opened a candy and popcorn stand at the Fort George amusement grounds. Her six or seven years of candy making and business experience came in very handy, now. She hired an assistant—one strong enough to pull the taffy she made—Don, a handsome, good-hearted boy, with whom Dorothy fell desperately in love. It was a joy to Dorothy to stand on the counter or on a chair and “ballyhoo” for Don’s taffy and popcorn. “This way for the best taffy and popcorn in New York! This way, this way!” Lillian would do it, too, but from a sense of duty, and much less riotously. Mary Pickford recently said:
“I can still hear Lillian’s timid little voice saying: ‘Would you like to buy some popcorn?!’”
To the Smith (Pickford) family, Mrs. Gish’s stand at Fort George was in the nature of a diversion. Often in high season, they went up there, to help. In the early morning, the two families rode up together on the streetcar, the two younger ones discussing their rights to the “outside seat.” Jack was dead in love with Dorothy, but there is a limit to love’s sacrifice.
Arriving at Fort George, everybody helped. The corn had to be popped and put in bags; the candy had to be wrapped in paraffined paper, a good deal of a chore. Mrs. Gish let them eat what candy they wanted, and in the beginning their by-word was “Wrap one and eat two.” Then presently they were just wrapping, for the charm of a candy diet is fleeting. There was a place “down the line” where one got marvelous German-fried-potatoes, at a nickel a dish. About noon, armed with a nickel apiece, they went down there. Those heavenly fried potatoes! If one might only get a job with the potato man. Or the milk-shake man....
An interesting place, the “line”: Stands of several sorts; a variety of shows, and a merry-go-round. The children found it fascinating. There was a place where they had ponies, and the man there on slack days let Lillian and Dorothy ride. They learned quickly, and went tearing up and down, their astonishing hair flying out behind. They really rode like mad—good training for those “picture” days ahead, when as Indians, or cowboys, they would go racing among the hills behind Los Angeles. The pony man declared that they rode like monkeys, and the lovely spectacle they made undoubtedly brought him business.
Dorothy came to grief. One day her pony swerved, or stopped, or something, and Dorothy didn’t. So she broke her arm, a thing so terrifying to Lillian that she scrambled quickly from her horse and hid behind the merry-go-round. The alarm reached the Gish taffy stand, and Dorothy’s beloved Don came on a dead run and bore her in his arms to her mother. Don, so noble and brave and beautiful—how heavenly—worth breaking one’s arm for. Then there was the ride to the hospital in the clanging ambulance, with everybody getting out of the way!
Nobody seems to have thought of Lillian; yet she needed comfort almost as much as Dorothy. Often she fainted at the sight of suffering. If anything was to be done that meant physical pain, like the drawing of a tooth, she was promptly sent from the room. Even then, the knowledge of the fact was almost too much for her.
She was more self-contained than Dorothy, who would do almost anything on the spur of the moment. One day at the apartment, two girls came along below the window, where Lillian and Dorothy looked out.
“Come down to us,” one of the girls called, holding out her arms—“Jump!”
And though the distance was several feet, Dorothy was ready to do that—the girl who called was so beautiful. Her name was Evelyn Nesbit.
There was not much time for cooking in the Gish flat, and anyway the weather was hot—too hot to bend over the kitchen stove after a day on the “line.” The younger members, the five of them, would go out foraging for cool things.
We used to love to buy our dinner in the delicatessen shops [Mary Pickford writes]. The five of us would troop in and order pickles and turkey to take home.
One can imagine that little row of future stars ranged along the fat delicatessen man’s showcase, coveting all the good things in it, agreeing at last on a modest purchase of pickles and turkey. Any one of them could have eaten every bit of it. Sometimes they extended themselves on a bit of dessert—ice-cream, always—who does not love ice-cream? They had an ice-cream complex. If they were in funds, they bought a little dab to take home, and had their own dessert in advance—ice-cream soda. The Greeks over there sold ice-cream soda for five cents. When, one day, they raised it to ten, it was the end of the world.
IX
“HER FIRST FALSE STEP”
None of these children can be said to have had any real childhood. Those summers together (there appear to have been two of them) provided about all they ever had in the way of playmates of their own age. The opening of each amusement season found them back on the road, trouping, with grown-up players as companions. Naturally, they did not go to school—not during those earlier years—but picked up such rudiments of instruction as it was possible to acquire in stuffy, badly-lighted, dressing rooms, in jolting day coaches and in casual nooks and corners of the world’s worst hotels. I cannot speak for the others, but I am sure that Lillian and Dorothy had very little in the way of regular schooling until they were in, or near, their ’teens. Had it been otherwise, they would have been quite certain, I think, to remember.
It was during this period that the Gerry Society became their bogey man. They did not know what it was, but only that it was something likely to grab them in any strange city, in a dark hall or alley, as they entered or left the theatre. It would take them out of the theatre, they were told, so they would not be able to earn money any more, and maybe put them into an “Institution,” which was a terrible sounding word. To Mary Gish it was a very real menace, for she knew that she would have hard work convincing the Gerry officers that her children were getting proper care and education, playing six nights and two matinées a week, sleeping and eating in that sketchy fashion of the road. They did not linger on the street, they did not show themselves more than necessary, especially in the larger towns. Lillian, many years later, wrote:
Before I could understand what it was all about, I knew of subterfuges and evasions and tremendous plottings to keep myself and my sister acting, so that the very necessary money might be earned....
Their safety lay in their obscurity. Had they been with important companies, playing finer theatres, they would hardly have escaped.
The season of 1903-4 remains to Lillian and Dorothy the most memorable—for a very good reason: they were together, and their mother was with them. For the time, at least, Mary Gish’s dream had come true: she had secured parts for her little girls and herself in the same company. Her own part and Dorothy’s were small, but would more than pay expenses. Dorothy was a news-girl, who sold “Evenin’ pipers!” Lillian’s part was a very good one; their combined salaries were forty-five dollars per week!
The play was “Her First False Step,” another fierce melodrama; only, in this one, Lillian, instead of being nearly blown up was within an ace of being devoured by savage African lions, being rescued by the brave hero, barely in the nick of time!
There were two of the lions, and they were really savage, for later when they were sold to a circus, one of them tore out a keeper’s arm. There was a provision, however, against accidents: The lions were in a cage in which there was a sliding division, so cunningly arranged that even those who sat in the front rows could not see it. At the instant when the noble hero leaps into the cage and drags out the little victim—child of the woman he loves—while every eye is riveted on this deed of daring, the invisible partition is drawn back from behind, the lions rush in, roaring and leaping about, wild at being deprived of their prey, for at that very instant, too, the cage door is slammed shut. It was truly a terrible spectacle. Women in the audience sometimes fainted.
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