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the harem of her husband. The paramours of Louis XIV. and Louis XV. trod proudly the halls of Versailles; their favor was courted even more than that of their queen, and the neglected wife and mother knew well the secret passages through which her husband passed to the society of youth, and beauty, and infamy.

      The statues and the paintings which adorn these rooms seem to have been inspired by that one all-powerful passion, which, properly regulated, fills the heart with joy, and which unregulated is the most direful source of wretchedness which can desolate human homes. It is said that art is in possession of a delicacy which rises above the instinctive modesty of ordinary life. France has adopted this philosophy, and it is undeniable that France, with all her refinement and politeness, has become an indelicate nation. The evidence is astounding and revolting. No gentleman, no lady, from other lands can long reside in Paris without being amazed at the scenes which Paris exhibits. The human frame in its nudity is so familiar to every eye, that it has lost all its sacredness. In all the places of public amusement, the almost undraped forms of living men and women pass before the spectators, and all the modesties of nature are profaned. The pen can not detail particulars, for we may not even record in America that which is done in France. The connection is plain. The effect comes legitimately from the cause. No lady can visit Versailles without having her sense of delicacy wounded. It is said that "to the pure all things are pure." But alas for humanity! a fleeting thought will sully the soul. There is much, very much in France to admire. The cordiality and the courtesy of the French are worthy of all praise. But the delicacy of France has received a wound, deplorable in the extreme, and a wound from which it can not soon recover.

      The grand banqueting room of Versailles is perhaps the most magnificent apartment in the world, extending along the whole central façade of the palace, and measuring 242 feet in length, 35 feet in width, and 43 feet in height. It is lighted by 17 large arched windows, with corresponding mirrors upon the opposite wall. The ceiling is painted with the most costly creations of art. Statues of Venus and Adonis, and of every form of male and female beauty, embellish the niches. Here Louis XIV. displayed all the grandeur of royalty, and this vast gallery was often filled to its utmost capacity with the brilliant throng of lords and ladies, whom the people here supported, Versailles was the Royal alms-house of the kingdom. The French Revolution, in its terrible reprisals, was caused by strong provocatives.

      The cabinet of the king, a very beautiful room, is near. Here is a large round table in the centre of the saloon. History informs us that one day Louis XV. was sitting at this table, with a packet of letters before him. The petted favorite, Madame du Barri, came in, and suspecting that the package was from a rival, she snatched it from the king's hand. He rose indignantly, and pursued her. She ran around the table, chased by the angry monarch, till finding herself in danger of being caught, she threw the letters into the glowing fire of the grate. The fascinating and guilty beauty perished in the Revolution. She was condemned by the revolutionary tribunal. Her long hair was shorn, that the knife of the guillotine might more keenly cut its way. But clustering ringlets, in beautiful profusion, fell over her brow and temples, and vailing her voluptuous features reposed upon her bosom, from which the executioner had brutally torn the dress. The yells of the maddened populace, deriding her exposure and her agony of terror, filled the air. The drunken mob danced exultingly around the aristocratic courtesan as the cart dragged her to the block. But the shrieks of the appalled victim pierced through the uproar which surrounded her. "Life – life – life!" she screamed, frantic with fright; "O, save me, save me!" The mob laughed and shouted, and taunted her with coarse witticisms upon the soft pillow of the guillotine, upon which her head would soon repose. The coarse executioners, with rude violence, bound her graceful, struggling limbs to the plank, the slide fell, and her shrieks were hushed in death.

      And here is the room in which her royal lover died. It was midnight, the 10th of May, 1774. The small-pox, in its most loathsome form, had swollen his frame into the mockery of humanity. The courtiers had fled in consternation from the monarch whom they hated and despised. In his gorgeous palace the king of thirty millions of people was left, to struggle with death, unpitied and alone. An old woman sat unconcerned in an adjoining room, waiting till he should be dead. Occasionally she rose and walked to his bedside to see if he still breathed, and, disappointed that he lived so long, returned again to her chair. A lamp flickers at the window, a signal to the courtiers, at a safe distance, that the king is not yet dead. They watch impatiently through the hours of the night the glimmer of that dim torch. Suddenly it is extinguished, and gladness fills all hearts.

      "So live, that sinking in thy last long sleep,

      Smiles may be thine, while all around thee weep."

      And here is the gorgeous couch upon which the monarch who reared these walls expired. It was the 30th of August, 1715. The gray-haired king, emaciate with remorse and physical suffering, reclined upon the regal bed, whose velvet hangings were looped back with heavy tassels and ropes of gold. The vast apartment was thronged with princes and courtiers in the magnificent costume of the times. Ladies sunk upon their knees around the bed where the proudest monarch of France was painfully gasping in the agonies of death. His soul was harrowed with anguish, as he reflected upon the bitter past, and anticipated the dread future. Publicly he avowed with gushing tears his regret, in view of the scenes of guilt through which he had passed. "Gentlemen," said the dying king, in a faltering voice to those around him, "I implore your pardon for the bad example I have set you. Forgive me. I trust that you will sometimes think of me when I am gone." Then exclaiming, "Oh, my God, come to my aid, and hasten to help me," he fell back insensible upon his pillow, and soon expired.

      As he breathed his last, one of the high officers of the household approached the window of the state apartment, which opened upon the great balcony, and threw it back. A vast crowd was assembled in the court-yard below, awaiting the tidings which they knew could not long be delayed. Raising his truncheon above his head, he broke it in the centre, and throwing the pieces among the crowd exclaimed, with a loud and solemn voice, "The king is dead!" Then seizing another staff from an attendant, he waved it in the air, shouting joyfully, "Long live the king!" The dead king is instantly and forever forgotten. The living king, who alone had favors to confer, was welcomed to his throne by multitudinous shouts, echoing through the apartment of death.

      But upon this balcony a scene of far greater moral sublimity has transpired. It was the morning of the 8th of October, 1789. The night had been black and stormy. The infuriated mob of Paris, drenched with rain, men, women, boys, drunken, ragged, starving, in countless thousands, had all the night long been howling around their watch-fires, ravenous for the life of the queen. Clouds, heavy with rain, were still driven violently through the stormy sky, and pools of water filled the vast court-yard of the palace. Muskets were continually discharged, and now and then the crash of a bullet through a window was heard. At last the mob, pressing the palace in an innumerable throng, with a roar which soon became simultaneous, like an uninterrupted peal of thunder, shouted, "The Queen! the Queen!" demanding that she should appear upon the balcony. With that heroic spirit which ever inspired her, she fearlessly stepped out of the low window, leading her children by her side. "Away with the children!" shouted thousands of voices. Even this maddened multitude had not the heart to massacre youth and innocence. Maria, whose whole soul was roused to meet the sublimity of the occasion, without the tremor of a nerve led back her children, and again appearing upon the balcony, folded her arms and raised her eyes to heaven, as if devoting herself a sacrifice to the wrath of her subjects. Even degraded souls could appreciate the heroism of such a deed. A murmur of admiration ensued, followed by a simultaneous shout, which pierced the skies, "Vive la Reine! Vive la Reine!"

      And now we enter the chamber where Maria slept on that night – or rather where she did not sleep, but merely threw herself for a few moments upon her pillow, in the vain attempt to soothe her agitated spirit. The morning had nearly dawned ere she retired to her chamber. A dreadful clamor upon the stairs roused her. The mob had broken into the palace. The discharge of fire-arms and the clash of swords at her door, proclaimed that the desperadoes were struggling with her guard. At the same moment she heard the dying cry of her faithful sentinel, as he fell beneath the blows of the assassins, calling to her, "Fly! fly for your life!" She sprang from her bed, rushed to the private door which led to the king's apartment, and had but just time to close the door behind her, when the tumultuous assailants rushed into the room, and plunged their bayonets,

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