LITMIR.BIZ

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capacity of the Hall is increased by the absence of all seats on the floor – the gallery only being provided with these conveniences. Portraits cover the walls. Healy's picture of Webster replying to Hayne hangs in heavy gilt, back of the rostrum. Paintings of the two Adamses, of General Warren and Commodore Preble, of Edward Everett and Governor Andrew, adorn other portions of the Hall. Nor are Washington and Lincoln forgotten. The pictured faces of these noble patriots of the past seem to shed a mysterious influence around, and silently plead the cause of right and of justice. The words which echoed from this rostrum in the days before the Revolution still ring down from the past, touching the present with a living power whenever liberty needs a champion or the people an advocate.

      Faneuil Hall Market, or Quincy Market, as it is popularly called, grew out of a recommendation by Mayor Quincy, in 1823. Two years later the corner-stone was laid, and in 1827 the building was completed. It is five hundred and thirty-five feet long, fifty feet wide, and two stories high. Its site was reclaimed from the tide waters, and one hundred and fifty thousand dollars were expended in its erection.

      The capital for its construction was managed in such a judicious way that not only the market was built, but six new streets were opened and a seventh enlarged, without a cent of city tax or a dollar's increase of the city's debt.

      The Old State House was located on the site of the first public market, at the head or western end of State street. It was commenced with a bequest of five hundred pounds from Robert Keayne, the first commander of the "Ancient and Honorable Artillery Company." It was known as the Town House, and was erected about the year 1670. The present Old State House was built in 1748, on the same site. Its vicinity is historic. The square in State street below the Old State House, was the scene of the Boston massacre, March fifth, 1770. "The funeral of the victims of the massacre was attended by an immense concourse of people from all parts of New England." About the same year also, in front of this Town House, occurred the famous battle of the broom, between a fencing master just arrived from England and Goff, the regicide. This English fencer erected an elevated platform in front of the Town House and paraded, sword in hand, for three days, challenging all America for a trial of his skill. At this time three of the judges who signed the death warrant for beheading Charles the First, of England, had escaped to Boston, and were concealed by the people of Massachusetts and Connecticut. Their names were Goff, Whalley and Dixwell, for whom, dead or alive, Parliament offered one hundred pounds each. The fencing master made such a stir about his skill that Goff, hearing of it at his place of concealment in the woods of Hadley, came to Boston and confronted the wordy hero. His sword was a birch broom, his shield a white oak cheese slung from his arm in a napkin. After he had soaked his broom in a mud-puddle he mounted the platform for battle. The fencing master ordered him off, but Goff stood his ground and neatly parried the first thrust of the braggart. The battle then commenced in earnest, and the cheese three times received the sword of the fencing master. Before it could be withdrawn, Goff each time daubed the face of his antagonist with the muddy broom, amid the huzzas of the crowd which had gathered from all quarters to witness the contest. At the third lunge into the huge cheese the swordsman threw aside his small blade, and, unsheathing a broadsword, rushed furiously upon Goff.

      "Stop, sir!" exclaimed Goff; "hitherto, you see, I have only played with you, and have not attempted to hurt you, but if you come at me with the broadsword, know that I will certainly take your life!"

      "Who can you be?" replied the other; "you are either Goff, Whalley or the devil, for there was no other man in England could beat me!"

      Goff immediately retired, amid the plaudits of the crowd, and the subdued fencing master slunk away with chagrin.

      The interior arrangement of the Old State House has been entirely remodeled, and is now used exclusively for business.

      King's Chapel, at the corner of Tremont and School streets, is another noteworthy point of interest. The corner-stone was laid in 1750, and four years were occupied in its construction, the stone for the building material being imported. Its church-yard was Boston's first burial-ground, and some of the tombstones date back as far as 1658. Mr. Isaac Johnson, one of the founders of Boston, is said to have here found his last resting place. John Winthrop, his son and grandson – all governors of Connecticut, lay in the same family tomb in this yard. Four pastors of the "First Church of Christ in Boston" are also buried here. The body of General Joseph Warren was placed in King's Chapel before it was re-interred at Cambridge, and "dust to dust" has been pronounced over many other distinguished men at this stone church. The edifice is constructed in a peculiar way, with Doric columns of gray stone, and is sure to attract the attention of the stranger. It was the first Episcopal, as well as the first Unitarian church in Boston, and its pulpit is now the exponent of Unitarian doctrine, added to the Church of England service.

      Going down Washington street towards Charlestown, we come to the famous Brattle Square, and its church, which once consecrated the spot. Here Edward Everett preached to his listening flock, and here, on July thirtieth, 1871, Dr. S. K. Lothrop pronounced the last sermon within its walls. Its ancient bell has ceased to ring, and the old-fashioned pulpit echoes no more to the tread of distinguished men.

      The first Brattle Square Church was built in 1699. It was torn down in 1772, and the next year rebuilt on the same site, the dedication taking place July twenty-fifth.

      On the night of March sixteenth, 1776, the British under Lord Howe were encamped in this neighborhood, some of the regiments using Brattle Square Church as a barrack. A cannon ball, fired from Cambridge, where the American army was then stationed, struck the church, and was afterwards built into the wall of the historic edifice, above the porch. On the next night ten thousand of Lord Howe's troops embarked from Boston. In 1871 the building was sold by the society, and a handsome granite block now takes its place.

      The new State House on Beacon street is one of the most prominent geographical points in all Boston, and the view from its cupola is second only to that obtained from the glorious height of Bunker Hill monument. Its gilded dome is a conspicuous object far and near, and glitters in the sunlight like veritable gold. The land on which the State House stands was bought by the town from Governor Hancock's heirs, and given to the State. The corner-stone was laid July fourth, 1793, the ceremony being conducted by the Freemasons, Paul Revere, as Grand Master, at their head. The massive stone was drawn to its place by fifteen white horses, that being the number then of the States in the Union. Ex-Governor Samuel Adams delivered the address. The Legislature first convened in the new State House in January, 1798. In 1852 it was greatly enlarged, and in 1867 the interior was entirely remodeled. Chantry's statue of Washington, the statues of Webster and Mann, busts of Adams, Lincoln and Sumner, and that beautiful piece of art in marble, the full-length statue of Governor Andrew, in the Doric Hall – all attract the attention of the visitor. In this rotunda there are also copies of the tombstones of the Washington family of Brington Parish, England, presented by Charles Sumner, and the torn and soiled battle-flags of Massachusetts regiments, hanging in glass cases. In the Hall of Representatives and the Senate Chamber, relics of the past are scattered about, and the walls are adorned with portraits of distinguished men. The eastern wing of the State House is occupied with the State Library Large numbers of visitors yearly throng the building and climb the circular stairways for the fine view of Boston to be obtained from the cupola.

      The new Post Office is accounted one of the finest public buildings in New England. It has a frontage on Devonshire street, of over two hundred feet and occupies the entire square between Milk and Water streets. It was several years in building, being occupied this winter for the first time since the great fire. Its cost was something like three millions of dollars. Its style of architecture is grand in the extreme. Groups of statuary ornament the central projections of the building, and orders of pilasters, columns, entablatures and balustrades add to it their elegant finish. Its roof is an elaboration of the Louvre and Mansard styles, and the interior arrangement cannot be surpassed for beauty or convenience. It has three street façades, from one of which a broad staircase leads to the four upper stories. On these floors are located important public offices. The Post Office corridor is twelve feet in height and extends across two sides of the immense building. At the time of the great fire of 1872 this structure was receiving its roof, and became a barrier against the onward sweep of the flames. The massive granite walls were cracked and split, but they effectually stopped the work

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