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The London Pulpit. James Ewing Ritchie
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Автор произведения James Ewing Ritchie
Жанр Зарубежная классика
Издательство Public Domain
In the good old times, before the Reform Bill was carried and the Constitution destroyed, at a period long prior to the introduction of cheap ’busses and penny steamers and the new police, stood an old church in the north of London, in which the parishioners of St. Pancras were accustomed to meet for public worship. In spite of its unadorned appearance, it was a venerable pile. According to some, it was the last church in England where the bell tolled for mass, and in which any rites of the Roman Catholic religion were celebrated. In its burying-ground twenty generations now sleep the sleep of death. Grimaldi the clown, Woollet the engraver, William Godwin, Mary Wolstonecraft, Walker, immortalized by his Pronouncing Dictionary, Woodhead, the reputed author of the ‘Whole Duty of Man,’ Jeremy Collier, the writer against stage plays and the successful combatant of Dryden, Ned Ward, author of the ‘London Spy,’ Theobald, the hero of the early editions of the ‘Dunciad’ and the editor of ‘Shakspeare,’ Boswell’s friend, the Corsican Paoli, here await the resurrection morn. What passions, what hopes, what virtue and vice, what loved and loving forms, what withered anatomies, have here been laid down! Tread gently! – every bit of dust you tread on was once a man and a brother. Tread reverently! for here human hearts bursting with agony – the mother weeping for her children, the lover for his bride – have seen the last of all they hoped for under the sun. You may hear a good sermon here from the old text: ‘Vanity of vanities,’ saith the preacher, ‘all is vanity.’ Such is the lesson we learn here – that all the shows of the world are poor and little worth – that false is
‘ – the light on glory’s plume,
As fading hues of even.
And love, and hope, and beauty’s bloom,
Are blossoms gather’d for the tomb —
There’s nothing true but heaven!’
But we may not linger here. Time came and went, and, as usual, wrought wonders. St. Pancras ceased to be St. Pancras in the fields. It was laid out in broad streets and handsome squares. It was lit up with gas. It echoed to the roll of carriages. It witnessed the introduction of flunkies, with glaring livery and tremendous calf. Upon its broad pavements flaunted, in all their bravery, city lords and city ladies. Of course, the old church would not do for such as they. Early Christians might worship God in a barn, but modern ones, rich and respectable – of course, if they are rich they must be respectable – would not for the life of them do anything so ungenteel. So a new place – the first stone of which was laid by a Royal Duke, notorious for his debts and his connexion with Mrs. Clarke, – was built, with a pulpit made out of the old well-known Fairlop oak, on the model of a certain great heathen edifice, and the St. Pancras new church reared its would-be aristocratic head. Alas! alas! it was on the unfashionable side of Russell-square. That difficulty was insurmountable, and so the church has to stand where it does. However, the frequenters try to forget the unpleasant fact, and to make themselves as genteel as they can.
Take your stand there at eleven on the Sabbath morning. What a glare of silks and satins – of feathers – of jewels – of what cynics would call the pomps and vanities of the world! With what an air does that delicate young female – I beg her pardon, I mean young lady – foot it, with Jeames behind carrying her Book of Common Prayer! United Belgravia could hardly do the thing in better style. Enter the church, and you will see the same delightful air of fashionable repose. If the grace that is divine be as common there as the grace that is earthly, Mr. Dale’s charge must be a happy flock indeed. With what an air does it bow at the name of Jesus! with what a grace does it confess itself to consist of ‘miserable sinners!’ One would hardly mind, in the midst of such rich city merchants and their charming daughters, being a miserable sinner himself. Such opulent misery and fashionable sin seem rather enviable than otherwise. At any rate, the burden of such misery and such sin seems one easily to be borne.
But prayers are over, and yon immense congregation has quietly settled into an attitude of attention. All eyes are turned in the direction of the pulpit. We look there as well, and see a man rather below the average height, with fresh complexion, mild grey eyes beneath light-coloured eyebrows, with a common-place forehead, and a figure presenting altogether rather a pedantic appearance. This is the Rev. Thomas Dale, M.A. He looks as if the world had gone easy with him; and truly it has, for he is a popular Evangelical preacher – perhaps, next to Mr. Melville, the most popular preacher in the English Church. He is a popular poet – he is Vicar of St. Pancras, and Canon of St. Paul’s.
Mr. Dale reads, and reads rapidly; his enunciation is perfectly distinct; his voice is somewhat monotonous, but musical; his action is very slight. You are not carried away by his physical appearance, nor, as you listen, does the preacher bear you irresistibly aloft. His sermons are highly polished, but they are too invariably the same. There are no depths nor heights in them. They are all calm, subdued, toned down. They do not take you by storm: you miss the thunder and the lightning of such men as Melville and Binney. Mr. Dale’s sermons are, like himself and like his poetry, polished and pleasing. All that man can do by careful study Mr. Dale has done; but he lacks inspiration, the vis vivida, the vision and the faculty divine, which, if a man have not, ‘This brave overhanging firmament – this majestical roof fretted with golden fire’ – ‘is but a foul and pestilent congregation of vapours.’ Yet Mr. Dale has an immense congregation. I take it that he suits the level of the city magnates that crowd his pews. Philosophy, poetry, passion are quite out of the reach of such men, whose real god is the Stock Exchange, and whose real heaven is the three per cents.
Another and a better reason of Mr. Dale’s immense congregation is, that his charity is unremitting – given in the best way, in the shape of work instead of alms – and irrespective of the religious sect of the recipient. I have heard of several such cases that do him much honour. And, after all, in the pulpit as well as elsewhere, conduct tells more than character in the long run. Hence his personal influence is great; and, of course, that helps to fill the church. Nor can we much wonder. What eloquence is stronger than that of a holy, a useful, a devoted life? Acts speak stronger than words. I see more power in an act of charity, done in the name of religion and of God, than in the passionate and fascinating gorgeous rhetoric of an hour.
Mr. Dale is a good Greek scholar, and has translated Sophocles. It is easy to see why Sophocles should better suit him than Æschylus or Euripides – the polish of the one would please him better than the wild grandeur of the others. Of him, as a poet, I cannot speak very highly. His versification is correct – his sentiment is good. To the very large class of readers who will accept such substitutes for poetry as the real thing, our divine is a poet of no mean order. ‘What we want, sir,’ said a publisher to me the other day, ‘is a lively religious novel.’ Mr. Dale’s poetry answers to these conditions: hence its success.
His poetry was a great help to his popularity. When he was rector of the parish of St. Bride’s, and evening lecturer at St. Sepulchre, he was more intimately connected than at present with literary pursuits, and was much run after. About that time Annuals were the rage, and Mr. Dale edited a religious Annual called ‘The Iris,’ and young ladies learnt his verses by heart, or copied them into their albums. At one time Mr. Dale was Professor of English Language and Literature at the University College, in Gower Street. However, as a Tory and a Churchman, he seems to have found himself out of his element there, and left it for King’s College, Strand, at which place he held a similar appointment. It was thought that church preferment had something to do with this; that his chances were, in consequence, in danger; that in high quarters the University College was regarded with an unfavourable eye: so Mr. Dale threw it overboard. Such was the rumour at the time. Of course, to some men, such conduct may seem only wise – prudent; but if ministers of religion thus shape their conduct, with a view to worldly success, what chance have they of regenerating the world? If such things be done in the green tree, what may we not expect in the dry? A teacher of living Christianity surely should be the last to desert a cause, merely because it is weak, and unfashionable, and poor!
As a writer, Mr. Dale has been most untiring. His first poem came out in 1820. It was the ‘Widow of Nain,’ and was read with delight in religious circles. In 1822 he published another poem, called ‘Irad and Adah, a Tale of the Flood; with Specimens of a New Translation of the Psalms.’ About this time the poetic inspiration appears