LITMIR.BIZ

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craving to devote himself to and to place his strength at the service of this delicate little creature, whom he felt to be surrounded with danger.

      And now events were proving that he was right, the danger was taking definite shape and he had had the happiness to snatch Coralie from the grasp of her enemies. He rejoiced at the result of the first battle, but could not look upon it as over. The attacks were bound to be repeated. And even now was he not entitled to ask himself if there was not some close connection between the plot prepared against Coralie that morning and the sort of signal given by the shower of sparks? Did the two facts announced by the speakers at the restaurant not form part of the same suspicious machination?

      The sparks continued to glitter in the distance. So far as Patrice Belval could judge, they came from the riverside, at some spot between two extreme points which might be the Trocadéro on the left and the Gare de Passy on the right.

      "A mile or two at most, as the crow flies," he said to himself. "Why not go there? We'll soon see."

      A faint light filtered through the key-hole of a door on the second floor. It was Ya-Bon's room; and the matron had told him that Ya-Bon was playing cards with his sweetheart. He walked in.

      Ya-Bon was no longer playing. He had fallen asleep in an armchair, in front of the outspread cards, and on the pinned-back sleeve hanging from his left shoulder lay the head of a woman, an appallingly common head, with lips as thick as Ya-Bon's, revealing a set of black teeth, and with a yellow, greasy skin that seemed soaked in oil. It was Angèle, the kitchen-maid, Ya-Bon's sweetheart. She snored aloud.

      Patrice looked at them contentedly. The sight confirmed the truth of his theories. If Ya-Bon could find some one to care for him, might not the most sadly mutilated heroes aspire likewise to all the joys of love?

      He touched the Senegalese on the shoulder. Ya-Bon woke up and smiled, or rather, divining the presence of his captain, smiled even before he woke.

      "I want you, Ya-Bon."

      Ya-Bon uttered a grunt of pleasure and gave a push to Angèle, who fell over on the table and went on snoring.

      Coming out of the house, Patrice saw no more sparks. They were hidden behind the trees. He walked along the boulevard and, to save time, went by the Ceinture railway to the Avenue Henri-Martin. Here he turned down the Rue de la Tour, which runs to Passy.

      On the way he kept talking to Ya-Bon about what he had in his mind, though he well knew that the negro did not understand much of what he said. But this was a habit with him. Ya-Bon, first his comrade-in-arms and then his orderly, was as devoted to him as a dog. He had lost a limb on the same day as his officer and was wounded in the head on the same day; he believed himself destined to undergo the same experiences throughout; and he rejoiced at having been twice wounded just as he would have rejoiced at dying at the same time as Captain Belval. On his side, the captain rewarded this humble, dumb devotion by unbending genially to his companion; he treated him with an ironical and sometimes impatient humor which heightened the negro's love for him. Ya-Bon played the part of the passive confidant who is consulted without being regarded and who is made to bear the brunt of his interlocutor's hasty temper.

      "What do you think of all this, Master Ya-Bon?" asked the captain, walking arm-in-arm with him. "I have an idea that it's all part of the same business. Do you think so too?"

      Ya-Bon had two grunts, one of which meant yes, the other no. He grunted out:

      "Yes."

      "So there's no doubt about it," the officer declared, "and we must admit that Little Mother Coralie is threatened with a fresh danger. Is that so?"

      "Yes," grunted Ya-Bon, who always approved, on principle.

      "Very well. It now remains to be seen what that shower of sparks means. I thought for a moment that, as we had our first visit from the Zeppelins a week ago.. are you listening to me?"

      "Yes."

      "I thought that it was a treacherous signal with a view to a second Zeppelin visit."

      "Yes."

      "No, you idiot, it's not yes. How could it be a Zeppelin signal when, according to the conversation which I overheard, the signal had already been given twice before the war. Besides, is it really a signal?"

      "No."

      "How do you mean, no? What else could it be, you silly ass? You'd do better to hold your tongue and listen to me, all the more as you don't even know what it's all about… No more do I, for that matter, and I confess that I'm at an utter loss. Lord, it's a complicated business, and I'm not much of a hand at solving these problems."

      Patrice Belval was even more perplexed when he came to the bottom of the Rue de la Tour. There were several roads in front of him, and he did not know which to take. Moreover, though he was in the middle of Passy, not a spark shone in the dark sky.

      "It's finished, I expect," he said, "and we've had our trouble for nothing. It's your fault, Ya-Bon. If you hadn't made me lose precious moments in snatching you from the arms of your beloved we should have arrived in time. I admit Angèle's charms, but, after all."

      He took his bearings, feeling more and more undecided. The expedition undertaken on chance and with insufficient information was certainly yielding no results; and he was thinking of abandoning it when a closed private car came out of the Rue Franklin, from the direction of the Trocadéro, and some one inside shouted through the speaking-tube:

      "Bear to the left.. and then straight on, till I stop you."

      Now it appeared to Captain Belval that this voice had the same foreign inflection as one of those which he had heard that morning at the restaurant.

      "Can it be the beggar in the gray hat," he muttered, "one of those who tried to carry off Little Mother Coralie?"

      "Yes," grunted Ya-Bon.

      "Yes. The signal of the sparks explains his presence in these parts. We mustn't lose sight of this track. Off with you, Ya-Bon."

      But there was no need for Ya-Bon to hurry. The car had gone down the Rue Raynouard, and Belval himself arrived just as it was stopping three or four hundred yards from the turning, in front of a large carriage-entrance on the left-hand side.

      Five men alighted. One of them rang. Thirty or forty seconds passed. Then Patrice heard the bell tinkle a second time. The five men waited, standing packed close together on the pavement. At last, after a third ring, a small wicket contrived in one of the folding-doors was opened.

      There was a pause and some argument. Whoever had opened the wicket appeared to be asking for explanations. But suddenly two of the men bore heavily on the folding-door, which gave way before their thrust and let the whole gang through.

      There was a loud noise as the door slammed to. Captain Belval at once studied his surroundings.

      The Rue Raynouard is an old country-road which at one time used to wind among the houses and gardens of the village of Passy, on the side of the hills bathed by the Seine. In certain places, which unfortunately are becoming more and more rare, it has retained a provincial aspect. It is skirted by old properties. Old houses stand hidden amidst the trees: that in which Balzac lived has been piously preserved. It was in this street that the mysterious garden lay where Arsène Lupin discovered a farmer-general's diamonds hidden in a crack of an old sundial.1

      The car was still standing outside the house into which the five men had forced their way; and this prevented Patrice Belval from coming nearer. It was built in continuation of a wall and seemed to be one of the private mansions dating back to the First Empire. It had a very long front with two rows of round windows, protected by gratings on the ground-floor and solid shutters on the story above. There was another building farther down, forming a separate wing.

      "There's nothing to be done on this side," said the captain. "It's as impregnable as a feudal stronghold. Let's look elsewhere."

      From the Rue Raynouard, narrow lanes, which used to divide the old properties, make their way down to the river. One of them skirted the wall that preceded the house. Belval turned down it with Ya-Bon. It was constructed of ugly pointed pebbles, was broken into steps

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