LITMIR.BIZ

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hands. I thought of the two gravestones the man in chain mail had passed over in the great hall when he came out of the chapel, and asked the evoker of spirits if the knight was undergoing a penance for violence, and while I was asking him, and he was saying that it might be so but he did not know, the vision, having completed its circle, vanished.

      It had not, so far as I could see, the personal significance of the other vision, but it was certainly strange and beautiful, though I alone seemed to see its beauty. Who was it that made the story, if it were but a story? I did not, and the seeress did not, and the evoker of spirits did not and could not. It arose in three minds, for I cannot remember my acquaintance taking any part, and it rose without confusion, and without labour, except the labour of keeping the mind’s eye awake, and more swiftly than any pen could have written it out. It may be, as Blake said of one of his poems, that the author was in eternity. In coming years I was to see and hear of many such visions, and though I was not to be convinced, though half convinced once or twice, that they were old lives, in an ordinary sense of the word life, I was to learn that they have almost always some quite definite relation to dominant moods and moulding events in this life. They are, perhaps, in most cases, though the vision I have but just described was not, it seems, among the cases, symbolical histories of these moods and events, or rather symbolical shadows of the impulses that have made them, messages as it were out of the ancestral being of the questioner.

      At the time these two visions meant little more to me, if I can remember my feeling at the time, than a proof of the supremacy of imagination, of the power of many minds to become one, overpowering one another by spoken words and by unspoken thought till they have become a single intense, unhesitating energy. One mind was doubtless the master, I thought, but all the minds gave a little, creating or revealing for a moment what I must call a supernatural artist.

      IV

      Some years afterwards I was staying with some friends in Paris. I had got up before breakfast and gone out to buy a newspaper. I had noticed the servant, a girl who had come from the country some years before, laying the table for breakfast. As I had passed her I had been telling myself one of those long foolish tales which one tells only to oneself. If something had happened that had not happened, I would have hurt my arm, I thought. I saw myself with my arm in a sling in the middle of some childish adventures. I returned with the newspaper and met my host and hostess in the door. The moment they saw me they cried out, ‘Why, the bonne has just told us you had your arm in a sling. We thought something must have happened to you last night, that you had been run over maybe’ – or some such words. I had been dining out at the other end of Paris, and had come in after everybody had gone to bed. I had cast my imagination so strongly upon the servant that she had seen it, and with what had appeared to be more than the mind’s eye.

      One afternoon, about the same time, I was thinking very intently of a certain fellow-student for whom I had a message, which I hesitated about writing. In a couple of days I got a letter from a place some hundreds of miles away where that student was. On the afternoon when I had been thinking so intently I had suddenly appeared there amid a crowd of people in a hotel and as seeming solid as if in the flesh. My fellow-student had seen me, but no one else, and had asked me to come again when the people had gone. I had vanished, but had come again in the middle of the night and given the message. I myself had no knowledge of casting an imagination upon one so far away.

      I could tell of stranger images, of stranger enchantments, of stranger imaginations, cast consciously or unconsciously over as great distances by friends or by myself, were it not that the greater energies of the mind seldom break forth but when the deeps are loosened. They break forth amid events too private or too sacred for public speech, or seem themselves, I know not why, to belong to hidden things. I have written of these breakings forth, these loosenings of the deep, with some care and some detail, but I shall keep my record shut. After all, one can but bear witness less to convince him who won’t believe than to protect him who does, as Blake puts it, enduring unbelief and misbelief and ridicule as best one may. I shall be content to show that past times have believed as I do, by quoting Joseph Glanvil’s description of the Scholar Gipsy. Joseph Glanvil is dead, and will not mind unbelief and misbelief and ridicule.

      The Scholar Gipsy, too, is dead, unless indeed perfectly wise magicians can live till it please them to die, and he is wandering somewhere, even if one cannot see him, as Arnold imagined, ‘at some lone ale-house in the Berkshire moors, on the warm ingle-bench,’ or ‘crossing the stripling Thames at Bablock Hithe,’ ‘trailing his fingers in the cool stream,’ or ‘giving store of flowers – the frail-leaf’d white anemone, dark hare-bells drenched with dew of summer eves,’ to the girls ‘who from the distant hamlets come to dance around the Fyfield elm in May,’ or ‘sitting upon the river bank o’ergrown,’ living on through time ‘with a free onward impulse.’ This is Joseph Glanvil’s story —

      There was very lately a lad in the University of Oxford who, being of very pregnant and ready parts and yet wanting the encouragement of preferment, was by his poverty forced to leave his studies there, and to cast himself upon the wide world for a livelihood. Now his necessities growing daily on him, and wanting the help of friends to relieve him, he was at last forced to join himself to a company of vagabond gipsies, whom occasionally he met with, and to follow their trade for a maintenance… After he had been a pretty while well exercised in the trade, there chanced to ride by a couple of scholars, who had formerly been of his acquaintance. The scholar had quickly spied out these old friends among the gipsies, and their amazement to see him among such society had well-nigh discovered him; but by a sign he prevented them owning him before that crew, and taking one of them aside privately, desired him with his friend to go to an inn, not far distant, promising there to come to them. They accordingly went thither and he follows: after their first salutation his friends inquire how he came to lead so odd a life as that was, and so joined himself into such a beggarly company. The scholar gipsy having given them an account of the necessity which drove him to that kind of life, told them that the people he went with were not such impostors as they were taken for, but that they had a traditional kind of learning among them and could do wonders by the power of imagination, and that himself had learned much of their art and improved it further than themselves could. And to evince the truth of what he told them, he said he’d remove into another room, leaving them to discourse together; and upon his return tell them the sense of what they had talked of; which accordingly he performed, giving them a full account of what had passed between them in his absence. The scholars being amazed at so unexpected a discovery, earnestly desired him to unriddle the mystery. In which he gave them satisfaction, by telling them that what he did was by the power of imagination, his phantasy leading theirs; and that himself had dictated to them the discourse they had held together while he was from them; that there were warrantable ways of heightening the imagination to that pitch as to bend another’s, and that when he had compassed the whole secret, some parts of which he was yet ignorant of, he intended to leave their company and give the world an account of what he had learned.

      If all who have described events like this have not dreamed, we should rewrite our histories, for all men, certainly all imaginative men, must be for ever casting forth enchantments, glamours, illusions; and all men, especially tranquil men who have no powerful egotistic life, must be continually passing under their power. Our most elaborate thoughts, elaborate purposes, precise emotions, are often, as I think, not really ours, but have on a sudden come up, as it were, out of hell or down out of heaven. The historian should remember, should he not? angels and devils not less than kings and soldiers, and plotters and thinkers. What matter if the angel or devil, as indeed certain old writers believed, first wrapped itself with an organized shape in some man’s imagination? what matter ‘if God himself only acts or is in existing beings or men,’ as Blake believed? we must none the less admit that invisible beings, far wandering influences, shapes that may have floated from a hermit of the wilderness, brood over council-chambers and studies and battle-fields. We should never be certain that it was not some woman treading in the wine-press who began that subtle change in men’s minds, that powerful movement of thought and imagination about which so many Germans have written; or that the passion, because of which so many countries were given to the sword, did not begin in the mind of some shepherd boy, lighting up his eyes for a moment before it ran upon its way.

      V

      We

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