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The Moonlit Way: A Novel. Chambers Robert William
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Автор произведения Chambers Robert William
Жанр Зарубежная классика
Издательство Public Domain
V
IN DRAGON COURT
There was a young moon in the southwest – a slender tracery in the April twilight – curved high over his right shoulder as he walked northward and homeward through the flare of Broadway.
His thoughts were still occupied with the pleasant excitement of his encounter with Thessalie Dunois; his mind and heart still responded to the delightful stimulation. Out of an already half-forgotten realm of romance, where, often now, he found it increasingly difficult to realise that he had lived for five happy years, a young girl had suddenly emerged as bodily witness, to corroborate, revive, and refresh his fading faith in the reality of what once had been.
Five years in France! – France with its clear sun and lovely moon; its silver-grey cities, its lilac haze, its sweet, deep greenness, its atmosphere of living light! – France, the dwelling-place of God in all His myriad aspects – in all His protean forms! France, the sanctuary of Truth and all her ancient and her future liberties; France, blossoming domain of Love in Love’s million exquisite transfigurations, wherein only the eye of faith can recognise the winged god amid his camouflage!
Wine-strong winds of the Western World, and a pitiless Western sun which etches every contour with terrible precision, leaving nothing to imagination – no delicate 58 mystery to rest and shelter souls – had swept away and partly erased from his mind the actuality of those five past years.
Already that past, of which he had been a part, was becoming disturbingly unreal to him. Phantoms haunted its ever-paling sunlight; its scenes were fading; its voices grew vague and distant; its hushed laughter dwindled to a whisper, dying like a sigh.
Then, suddenly, against that misty tapestry of tinted spectres, appeared Thessalie Dunois in the flesh! – straight out of the phantom-haunted void had stepped this glowing thing of life! Into the raw reek and familiar dissonance of Broadway she had vanished. Small wonder that he had followed her to keep in touch with the vanishing past, as a sleeper, waking against his will, strives still to grasp the fragile fabric of a happy dream.
Yet, in spite of Thessalie, in spite of dreams, in spite of his own home-coming, and the touch of familiar pavements under his own feet, the past, to Barres, was utterly dead, the present strange and unreal, the future obscure and all aflame behind a world afire with war.
For two years, now, no human mind in America had been able to adjust itself to the new heaven and the new earth which had sprung into lurid being at the thunderclap of war.
All things familiar had changed in the twinkling of an eye; all former things had passed away, leaving the stunned brain of humanity dulled under the shock.
Slowly, by degrees, the world was beginning to realise that the civilisation of Christ was being menaced once again by a resurgence from that ancient land of legend where the wild Hun denned; – that again the endless hordes of barbarians were rushing in on Europe out of their Eastern fastnesses – hordes which filled the 59 shrinking skies with their clamour, vaunting the might of Baal, cheering their antichrist, drenching the knees of their own red gods with the blood of little children.
It seemed impossible for Americans to understand that these things could be – were really true – that the horrors the papers printed were actualities happening to civilised people like themselves and their neighbours.
Out of their own mouths the German tribes thundered their own disgrace and condemnation, yet America sat dazed, incredulous, motionless. Emperor and general, professor and junker, shouted at the top of their lungs the new creed, horrible as the Black Mass, reversing every precept taught by Christ.
Millions of Teuton mouths cheered fiercely for the new religion – Frightfulness; worshipped with frantic yells the new trinity – Wotan, Kaiser and Brute Strength.
Stunned, blinded, deafened, the Western World, still half-paralysed, stirred stiffly from its inertia. Slowly, mechanically, its arteries resumed their functions; the reflex, operating automatically, started trade again in its old channels; old habits were timidly resumed; minds groped backward, searching for severed threads which connected yesterday with to-day – groped, hunted, found nothing, and, perplexed, turned slowly toward the smoke-choked future for some reason for it all – some outlook.
There was no explanation, no outlook – nothing save dust and flame and the din of Teutonic hordes trampling to death the Son of Man.
So America moved about her worn, deep-trodden and familiar ways, her mind slowly clearing from the cataclysmic concussion, her power of vision gradually returning, adjusting itself, little by little, to this new heaven and new earth and this hell entirely new.
The Lusitania went down; the Great Republic merely quivered. Other ships followed; only a low murmur of pain came from the Western Colossus.
But now, after the second year, through the thickening nightmare the Great Republic groaned aloud; and a new note of menace sounded in her drugged and dreary voice.
And the thick ears of the Hun twitched and he paused, squatting belly-deep in blood, to listen.
Barres walked homeward. Somewhere along in the 40’s he turned eastward into one of those cross-streets originally built up of brownstone dwelling houses, and now in process of transformation into that architectural and commercial miscellany which marks the transition stage of the metropolis anywhere from Westchester to the sea.
Altered for business purposes, basements displayed signs and merchandise of bootmakers, dealers in oriental porcelains, rare prints, silverware; parlour windows modified into bay windows, sheeted with plate-glass, exposed, perhaps, feminine headgear, or an expensive model gown or two, or the sign of a real-estate man, or of an upholsterer.
Above the parlour floors lived people of one sort or another; furnished and unfurnished rooms and suites prevailed; and the brownstone monotony was already indented along the building line by brand-new constructions of Indiana limestone, behind the glittering plate-glass of which were to be seen reticent displays of artistic furniture, modern and antique oil paintings, here and there the lace-curtained den of some superior ladies’ hair-dresser, where beautifying also was accomplished at a price, alas!
Halfway between Sixth Avenue and Fifth, on the 61 north side of the street, an enterprising architect had purchased half a dozen squatty, three-storied houses, set back from the sidewalk behind grass-plots. These had been lavishly stuccoed and transformed into abodes for those irregulars in the army of life known as “artists.”
In the rear the back fences had been levelled; six corresponding houses on the next street had been purchased; a sort of inner court established, with a common grass-plot planted with trees and embellished by a number of concrete works of art, battered statues, sundials, and well-curbs.
Always the army of civilisation trudges along screened, flanked, and tagged after by life’s irregulars, who cannot or will not conform to routine. And these are always roaming around seeking their own cantonments, where, for a while, they seem content to dwell at the end of one more aimless étape through the world – not in regulation barracks, but in regions too unconventional, too inconvenient to attract others.
Of this sort was the collection of squatty houses, forming a “community,” where, in the neighbourhood of other irregulars, Garret Barres dwelt; and into the lighted entrance of which he now turned, still exhilarated by his meeting with Thessalie Dunois.
The architectural agglomeration was known as Dragon Court – a faïence Fu-dog above the electric light over the green entrance door furnishing that priceless idea – a Fu-dog now veiled by mesh-wire to provide against the indiscretions of sparrows lured thither by housekeeping possibilities lurking among the dense screens of Japanese ivy covering the façade.
Larry Soane, the irresponsible superintendent, always turned gardener with April’s advent in Dragon Court, contributions from its denizens enabling him to 62 pepper a few flower-beds with hyacinths and tulips, and later with geraniums. These former bulbs had now gratefully appeared in promising thickets, and Barres saw the dark form of the handsome, reckless-looking Irishman fussing over them in