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Lest We Forget: Chicago's Awful Theater Horror. Everett Marshall
Читать онлайн.Название Lest We Forget: Chicago's Awful Theater Horror
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Автор произведения Everett Marshall
Жанр Зарубежная классика
Издательство Public Domain
We hold Will J. Davis, as president and general manager, principally responsible for the foregoing violations in the failure to see that the Iroquois theater was properly equipped as required by city ordinances, and that his employes were not sufficiently instructed and drilled for any and all emergencies; and we, the jury, recommend that the said Will J. Davis be held to the grand jury until discharged by due course of law.
We hold Carter H. Harrison, mayor of the city of Chicago, responsible, as he has shown a lamentable lack of force in his efforts to shirk responsibility, evidenced by testimony of Building Commissioner George Williams and Fire Marshal William H. Musham as heads of departments under the said Carter H. Harrison; following this weak course has given Chicago inefficient service, which makes such calamities as the Iroquois theater horror a menace until the public service is purged of incompetents; and we, the jury, recommend that the said Carter H. Harrison be held to the grand jury until discharged by due course of law.
We hold the said George Williams, as building commissioner, responsible for gross neglect of his duty in allowing the Iroquois Theater to open its doors to the public when the said theater was incomplete, and did not comply with the requirements of the building ordinances of the city of Chicago; and we, the jury, recommend that the said George Williams be held to the grand jury until discharged by due process of law.
We hold Edward Loughlin, as building inspector, responsible for gross neglect of duty and glaring incompetency in reporting the Iroquois theater "O. K." on a most superficial inspection; and we, the jury, recommend that the said Edward Loughlin be held to the grand jury until discharged by due course of law.
We hold William H. Musham, fire marshal, responsible for gross neglect of duty in not enforcing the city ordinances as they relate to his department, and failure to have his subordinate, William Sallers, fireman at the Iroquois Theater, report the lack of fire apparatus and appliances as required by law; and we, the jury, recommend that the said William H. Musham be held to the grand jury until discharged by due course of law.
We hold the said William Sallers, as fireman of Iroquois Theater, for gross neglect of duty in not reporting the lack of proper fire apparatus and appliances; and we, the jury, recommend that the said William Sallers be held to the grand jury until discharged by due course of law.
We hold William McMullen, electric-light operator, for gross neglect and carelessness in performance of duty; and we, the jury, recommend that the said William McMullen be held to the grand jury until discharged by due process of law.
We hold James E. Cummings, as stage carpenter and general superintendent of stage, responsible for gross carelessness and neglect of duty in not equipping the stage with proper fire apparatus and appliances; and we, the jury, recommend that the said James E. Cummings be held to the grand jury until discharged by due course of law.
From testimony presented to this jury, same shows a laxity and carelessness in city officials and their routine in transacting business, which calls for revision by the mayor and city council; and we, the jury demand immediate action on the following:
Should have classified printed lists, to be filled out by an inspector, then signed by head of department, before any public building can secure amusement license, and record kept thereof in duplicate carbon book.
All fire escapes should have separate passageways to the ground, without passing any openings in the walls.
All scenery and paraphernalia of any kind kept on the stage should be absolutely fireproof.
Asbestos curtains should be reinforced by steel curtains and held by steel cables.
There should be two electric mains entering all places of amusement, one from the front, with switchboard in box office, controlling entire auditorium and exits, and one on stage, to be used for theatrical purposes.
All city officials and employes should familiarize themselves with city ordinances as they relate to their respective departments, and pass a rigid and signed examination on same before they are given positions. This same rule should be made to apply to those holding office.
All theaters and public places should be supplied with at least two city firemen, who shall be under the direction of the fire department and paid by the proprietors of said places.
We recommend that the office and detail work of the fire department, as imposed on the fire marshal, be made a separate and distinct work from fire fighting, as it is hardly to be expected of any fire marshal to give good and efficient service in both of these branches.
Also a police officer in full uniform detailed in and about said place at each and every performance.
In testimony wherof, the said coroner and jury of this inquest have hereunto set their hands the day and year aforesaid.
CHAPTER I.
THE STORY OF THE FIRE
No disaster, by flood, volcano, wreck or convulsion of nature has in recent times aroused such horror as swept over the civilized world when on December 30, 1903, a death-dealing blast of flame hurtled through the packed auditorium of the Iroquois theater, Chicago, causing the loss of nearly 600 lives of men, women and children, and injuries to unknown scores.
Strong words pale and appear meaningless when used in describing the full enormity of this disaster, which has no recent parallel save in the outbreaks of nature's irresistible forces. There have been greater losses of life by volcanoes, earthquakes and floods, but no fire horror of modern times has equaled this one, which in a brief half-hour turned a beautiful million-dollar theater into an oven piled high with corpses, some burned and mutilated and others almost unmarked in death.
Coming, as it did, in the midst of a holiday season, when the second greatest city in the United States was reveling in the gaiety of Christmas week, this sudden transformation of a playhouse filled with a pleasure-seeking throng into an inferno filled with shrieking living and mutilated dead, came as a thunderbolt from a clear sky.
It was a typical holiday matinee crowd, composed mostly of women and children, with here and there a few men. The production was the gorgeous scenic extravaganza "Mr. Bluebeard," with which the handsome new theater had been opened not a month before. "Don't fail to have the children see 'Mr. Bluebeard,'" was the advertisement spread broadcast throughout the city, and the children were there in force when the scorching sheet of flame leaped from the stage into the balcony and gallery where a thousand were packed.
The building had been heralded abroad as a "fireproof structure," with more than enough exits. Ushers and five men in city uniform were in the aisles. All was apparently safety, mirth and good cheer.
Then came the transformation scene!
The auditorium and the stage were darkened for the popular song "The Pale Moonlight." Eight dashing chorus girls and eight stalwart men in showy costume strolled through the measures of the piece, bathed in a flood of dazzling light. Up in the scenes a stage electrician was directing the "spot-light" which threw the pale moonlight effect on the stage.
Suddenly there was a startled cry. Far overhead where the "spot" was shooting forth its brilliant ray of concentrated light a tiny serpentine tongue of flame crept over the inside of the proscenium drape. It was an insignificant thing, yet the horrible possibilities it entailed flashed over all in an instant. A spark from the light had communicated to the rough edge of the heavy cloth drape. Like a flash it stole across the proscenium and high up into the gridiron above.
Accustomed as they were to insignificant fire scares and trying ordeals that are seldom the lot of those who lead a less strenuous life, the people of the stage hurried silently to the task of stamping out the blaze. In the orchestra pit it could readily be seen that something was radically wrong, but the trained musicians played on.
Members of the octette cast their eyes above and saw the tiny tongue of flame growing