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The Heart of the White Mountains, Their Legend and Scenery. Drake Samuel Adams
Читать онлайн.Название The Heart of the White Mountains, Their Legend and Scenery
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Автор произведения Drake Samuel Adams
Жанр Зарубежная классика
Издательство Public Domain
“Yes; and what is more, the boys were brought up to face hunger, cold, fatigue, with Indian stoicism, and even to encounter bears, lynxes, and wolves with no other weapons than those provided by nature. There, now, was Ethan, for example,” said the doctor, smiling at the recollection. “One day he took it into his head to have a tame bear for the diversion of his guests. Well, he caught a young one, half grown, and remarkably vicious, in a trap. But how to get him home! At length Ethan tied his fore and hind paws together so he couldn’t scratch, and put a muzzle of withes over his nose so he couldn’t bite. Then, shouldering his prize as he would a bag of meal, the guide started for home, in great glee at the success of his clever expedient. He had not gone far, however, before Bruin managed to get one paw wholly and his muzzle partly free, and began to scratch and struggle and snap at his captor savagely. Ethan wanted to get the bear home terribly; but, after having his clothing nearly torn off his back, he grew angry, and threw the beast upon the ground with such force as to kill him instantly.”
“Report,” said I, “credits you with naming most of the mountains which overlook the intervale.”
“Yes,” replied the doctor, “Resolution, over there” – indicating the mountain allied to Crawford, and to the ridge which forms one of the buttresses of Mount Washington – “I named in recognition of the perseverance of Mr. Davis, who became discouraged while making a path to Mount Washington in 1845.”
“Is the route practicable?” I asked.
“Practicable, yes; but nearly obliterated, and seldom ascended. Have you seen Frankenstein?” demanded the doctor, in his turn.
We replied in the negative.
“It will repay a visit. I named it for a young German artist who passed some time with me, and who was fascinated by its rugged picturesqueness. Here is some of his work,” pointing to the paintings which, apparently, formed the foundation of the collection on the walls.
Our host accompanied us to the door with a second injunction not to forget Frankenstein.
“You have something there good for the eyes,” I observed, indicating the green carpet of the vale beneath us.
“True; but you should have seen it when the deer boldly came down the mountain and browsed quietly among the cattle. That was a pretty sight, and one of frequent occurrence when I first knew the place. At that time,” he continued, “the stage passed up every other day. Sometimes there were one or two, but seldom three passengers.”
Proceeding on our way, we now had a fine view of the Giant’s Stairs, which we had already seen from Mount Carrigain, but less boldly outlined than they appear from the valley, where they really look like two enormous steps cut on the very summit of the opposite ridge. No name could be more appropriate, though each of the degrees of this colossal staircase demands a giant not of our days; for they are respectively three hundred and fifty, and four hundred and fifty feet in height. It was over those steps that the Davis path ascended.
A mile or a mile and a half above the Crawford Glen, we emerged from behind a projecting spur of the mountain which hid the upper valley, when, by a common impulse, we stopped, fairly stupefied with admiration and surprise.
Thrust out before us, athwart the pass, a black and castellated pile of precipices shot upward to a dizzy height, and broke off abruptly against the sky. Its bulging sides and regular outlines resembled the clustered towers and frowning battlements of some antique fortress built to command the pass. Gashed, splintered, defaced, it seemed to have withstood for ages the artillery of heaven and the assaults of time. With what solitary grandeur it lifted its mailed front above the forest, and seemed even to regard the mountains with disdain! Silent, gloomy, impregnable, it wanted nothing to recall those dark abodes of the Thousand and One Nights, in which malignant genii are imprisoned for thousands of years.
This was Frankenstein. We at once accord it a place as the most suggestive of cliffs. From the other side of the valley the resemblance to a mediæval castle is still more striking. It has a black gorge for a moat, so deep that the head swims when crossing it; and to-day, as we crept over the cat’s-cradle of a bridge thrown across for the passage of the railway, and listened to the growling of the torrent far down beneath, the whole frail structure seemed trembling under us.
But what a contrast! what a singular freak of nature! At the foot of this grisly precipice, clothing it with almost superhuman beauty, was a plantation of maples and birches, all resplendent in crimson and gold. Never have I seen such masses of color laid on such a background. Below all was light and splendor; above, all darkness and gloom. Here the eye fairly revelled in beauty, there it recoiled in terror. The cliff was like a naked and swarthy Ethiopian up to his knees in roses.
We walked slowly, with our eyes fixed on these cliffs, until another turn of the road – we were now on the railway embankment – opened a vista deserving to be remembered as one of the marvels of this glorious picture-gallery.
The perfection and magnificence of this truly regal picture, the gigantic scale on which it is presented, without the least blemish to mar its harmony or disturb the impression of one grand, unique whole, is a revelation to the least susceptible nature in the world.
Frankenstein was now a little withdrawn, on our left. Upon the right, fluttering its golden foliage as if to attract our attention, a plantation of tall, satin-stemmed birches stretched for some distance along the railway. Between the long buttress of the cliff and this forest lay open the valley of Mount Washington River, which is driven deep into the heart of the great range. There, through this valley, cutting the sapphire sky with their silver silhouette, were the giant mountains, surmounted by the splendid dome of Washington himself.
Passing beyond, we had a fine retrospect of Crawford, with his curved horn; and upon the dizzy iron bridge thrown across the gorge beneath Frankenstein, striking views are obtained of the mountains below. They seemed loftier and grander, and more imposing than ever.
VIII.
THROUGH THE NOTCH
Around his waist are forests braced,
The avalanche in his hand. – Byron.
THE valley, which had continually contracted since leaving Bartlett, now appeared fast shut between these two mountains; but on turning the tremendous support which Mount Willey flings down, we were in presence of the amazing defile cloven through the midst, and giving entrance to the heart of the White Hills.
These gigantic mountains divided to the right and left, like the Red Sea before the Israelites. Through the immense trough, over which their crests hung suspended in mid-air, the highway creeps and the river steals away. The road is only seen at intervals through the forest; a low murmur, like the hum of bees, announces the river.
I have no conception of the man who can approach this stupendous chasm without a sensation of fear. The idea of imminent annihilation is everywhere overwhelming. The mind refuses to reason, or rather to fix itself, except on a single point. What if the same power that commanded these awful mountains to remove should hurl them back to ever-during fixedness? Should, do I say? The gulf seemed contracting under our very eyes – the great mountains toppling to their fall. With an eagerness excited by high expectation, we had pressed forward; but now we hesitated.
This emotion, which many of my readers have doubtless partaken, was our tribute to the dumb but eloquent expression of power too vast for our feeble intellects to measure. It was the triumph of matter over mind; of the finite over the infinite.
Below, it was all admiration and surprise; here, all amazement and fear. The more the mountains exalted themselves, the more we were abased. Trusting, nevertheless, in our insignificance, we moved on, looking with all our eyes, absorbed, silent, and almost worshipping.
The wide split of the Notch, which we had now entered, had on one side Mount Willey, drawn up to his full height; and on the other Mount Webster, striped with dull red on clingy yellow, like an old tiger’s skin. Willey is the highest; Webster the most remarkable. Willey has a conical spire; Webster a long, irregular battlement. Willey is a mountain; Webster