1000 Drawings of Genius - Victoria Charles The Book

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Charles, Klaus H. Carl

      1000 Drawings of Genius

      With the collaboration of Rubén Cervantes Garrido

      Quoted texts by:

      Leon Battista Alberti, Charles Baudelaire, Vincenzo Carducci, Cennino Cennini, Paul Klee, John Ruskin, Giorgio Vasari, and Claude-Henri Watelet

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      © Antonin Artaud, Artists Rights Society (ARS), New York, USA / ADAGP, Paris

      © Giacomo Balla Estate, Artists Rights Society (ARS), New York, USA / SIAE, Rome

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      © Hans Bellmer, Artists Rights Society, New York (ARS), USA / ADAGP, Paris

      © Pierre Bonnard Estate, Artists Rights Society (ARS), New York, USA / ADAGP, Paris

      © Georges Braque Estate, Artists Rights Society (ARS), New York, USA / ADAGP, Paris

      © Alexander Calder, Calder Foundation New-York / ADAGP, Paris

      © Marc Chagall Estate, Artists Rights Society (ARS), New York, USA / ADAGP, Paris

      © Giorgio de Chirico Estate, Artists Rights Society (ARS), New York, USA / SIAE, Rome

      © Francesco Clemente (All rights reserved)

      © Salvador Dalí, Gala-Salvador Dalí Foundation / Artists Rights Society (ARS), New York / VEGAP, Madrid

      © André Derain, Estate, Artists Rights Society (ARS), New York, USA / ADAGP, Paris

      © Raoul Dufy Estate, Artists Rights Society (ARS), New York, USA / ADAGP, Paris

      © Jacob Epstein (All rights reserved)

      © Max Ernst Estate, Artists Rights Society (ARS), New York, USA / ADAGP, Paris

      © Lyonel Feininger Estate, Artists Rights Society (ARS), New York, USA / VG Bild-Kunst, Bonn

      © Othon Friesz, Artists Rights Society (ARS), New York / ADAGP, Paris

      © Alberto Giacometti Estate, Artists Rights Society (ARS), New York, USA / ADAGP, Paris

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      © George Grosz Estate, Artists Rights Society (ARS), New York, USA / VG Bild-Kunst, Bonn

      © Raoul Hausmann, Artists Rights Society (ARS), New York, USA / ADAGP, Paris

      © David Hockney (All rights reserved)

      © Edward Hopper, Heirs of Josephine N. Hopper, licensed by the Whitney Museum of American Art

      © Jasper Johns / Licensed by VAGA-DACS, New York, USA / ADAGP, Paris

      © David Jones, Artists Rights Society (ARS), New York, USA

      © Frida Kalho, Banco de México Diego Rivera & Frida Kalho Museums Trust. AV. Cinco de Mayo n°2, Col. Centro, Del. Cuauhtémoc 06059, México, D. F.

      © Vassily Kandinsky Estate, Artists Rights Society (ARS), New York, USA / ADAGP, Paris

      © Ellsworth Kelly (All rights reserved)

      © Oskar Kokoschka Estate, Artists Rights Society (ARS), New York, USA / Pro Litteris, Zurich

      © Käthe Kollwitz, Artists Rights Society (ARS), New York, USA / VG Bild-Kunst, Bonn

      © Wifredo Lam Estate, Artists Rights Society (ARS), New York, USA/ADAGP, Paris

      © Mikhail Larionov Estate, Artists Rights Society (ARS), New York, USA / ADAGP, Paris

      © Henri Laurens, Artists Rights Society (ARS), New York, USA / ADAGP, Paris

      © Fernand Léger Estate, Artists Rights Society (ARS), New York, USA / ADAGP, Paris

      © Wyndham Lewis (All rights reserved)

      © René Magritte Estate, Artists Rights Society (ARS), New York, USA / ADAGP, Paris

      © André Masson Estate, Artists Rights Society (ARS), New York, USA / ADAGP, Paris

      © Henri Matisse, Les Héritiers Matisse, Artists Rights Society (ARS), New York, USA / ADAGP, Paris

      © Joan Miró, Succession Joan Miró, Artists Rights Society (ARS), New York, USA / ADAGP, Paris

      © Edvard Munch Estate, Artists Rights Society (ARS), New York, USA / BONO, Oslo

      © The Henri Moore Foundation, Artists Right Society (ARS), New York, USA / ADAGP, Paris

      © Georgia O’Keeffe Museum, Artists Rights Society (ARS), New York, USA

      © George Passmore (All rights reserved)

      © Francis Picabia Estate, Artists Rights Society (ARS), New York, USA / ADAGP, Paris

      © Pablo Picasso Estate, Artists Rights Society (ARS), New York, USA / ADAGP, Paris

      © Adrian Piper (All rights reserved)

      © Jackson Pollock, The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York, USA

      © Gilbert Proesch (All rights reserved)

      © Man Ray Trust / Artists Rights Society (ARS), New York / ADAGP, Paris

      © Diego Rivera, Banco de México Diego Rivera & Frida Kalho Museums Trust. AV. Cinco de Mayo n°2, Col. Centro, Del. Cuauhtémoc 06059, México, D. F.

      © Georges Rouault Estate, Artists Rights Society (ARS), New York, USA / ADAGP, Paris

      © Gino Severini Estate, Artists Rights Society (ARS), New York, USA / ADAGP, Paris

      © Nicolas de Staël, Artists Rights Society (ARS), New York, USA / ADAGP, Paris

      © Antoni Tàpies Estate, Artists Rights Society (ARS), New York, USA / VEGAP, Madrid

      © Maria Vieira da Silva, Artists Rights Society (ARS), New York, USA / ADAGP, Paris

      © Louis Vuitton (All rights reserved)

      © Andy Warhol Estate, Artists Rights Society (ARS), New York, USA

      Introduction

      This book aims to take the reader on a journey through the history of the art of drawing. As the pages advance, one can appreciate the evolution of Western art from the Late Middle Ages to the present day, as each chapter gives a visual account of the different artistic tendencies that coexisted in every century, with a generous selection of the great masters of each period. Every chapter is accompanied by a text written by a contemporary theorist or artist, in order to give the reader a better understanding of each period’s concerns and approaches to art in general, and to drawing in particular.

      An extract from John Ruskin’s The Elements of Drawing, first published in 1857, has been chosen as the general introduction to this history of Western drawing. The focus, however, has not been placed on his detailed descriptions of how to practise the art of the line with the pen or pencil, or how to apply shade and colour. It may be of more interest to the reader to know the author’s recommendations and warnings for those who desire to become artists. What is interesting about Ruskin is that he acts as a kind of link between the traditional and modern approaches to art. It is very possible that Ruskin may not, today, sound very modern; his sometimes strict recommendations seem to contradict the contemporary notion of absolute creative freedom. But while he retains many values of traditional art, Ruskin was also a champion of modern figures such as Turner and the Pre-Raphaelites at a time when it was not fashionable to be so, especially of the latter.

      Of course, these are the recommendations of only one particular art theorist, but Ruskin was a very important one. It is very interesting to know which artists he considers best (and worst) for a young person to admire, as well as the literature he should read. Ruskin’s is a great

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