LITMIR.BIZ

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to snooze.’

      The house is quieter than it was on Saturday, with the dripping of rain on an outside drain the only sound to be heard, and I hope that it’s only the two of us here. I didn’t notice the little white Fiat with its red-and-green stripe parked outside. Ben told me the other night that the car was his and I recall making a joke about why a tall man would want to drive such a small car.

      I watch as Beatrice busily runs the taps of her deep Belfast sink to fill a vase and then plunges the flowers into it. ‘These are lovely, thanks, Abi,’ she says as she arranges the flowers. I notice some of the daisies have drooped over the side of the vase. ‘That’s kind of you to say you love this house. I think it’s quite special, but maybe that’s because of the people who live in it with me.’ She turns to me and flashes one of her amazing smiles and a lump forms in my throat when I think of my empty flat.

      ‘It’s a huge house,’ I say. How can an artist and someone who works in IT afford a pad as luxurious as this?

      ‘It is. Too big for me and Ben. So it’s nice that we’ve got the others living here too, although Jodie is moving on.’ An emotion I can’t quite read passes fleetingly over her face like a searchlight. I play with the necklace at my throat, waiting for her to elaborate. She looks as if she’s about to say something further then appears to change her mind. ‘Let me put the kettle on,’ she says instead. ‘It’s a pitiful day and it was so sunny at the weekend. Honestly, this weather.’

      ‘Is Ben at work?’ I ask. Her narrow back stiffens slightly at the mention of his name. I watch as she pours boiling water into two cups, pressing the teabags against the side with her spoon, her fair hair falling in her face, and I find myself longing to go over to her, to push her silky hair back behind her ear so that it’s no longer in her eyes.

      ‘Yes. He only works contract.’ Her voice sounds falsely jovial and it occurs to me that perhaps they’ve had a row. ‘I don’t completely understand what he does, but I do know it involves computers.’ She laughs as she hands me the mug of tea and pulls out a chair opposite me and sits down. ‘What about you, Abi? You said on Saturday you were a journalist?’ Even when sitting, Beatrice seems to ooze energy; her legs jiggle under the table, her elegant fingers tap the side of her white bone china mug. She takes an apple from the bowl of fruit in the middle of the table and indicates I do the same. I murmur my thanks and choose a dark-red juicy plum, but when I take a bite it is hard and sour.

      ‘I used to work for the features pages for one of the nationals, in London,’ I say through a mouthful of plum which I manage to swallow with difficulty. ‘That was before I got my dream job on a glossy magazine. But I’ve done my fair share of news too. I used to work at a press agency and spent a lot of time hanging around the houses of famous people or public figures. We call it door-stepping, although some might call it stalking.’ I laugh to show I’m joking but Beatrice smiles seraphically and I wonder what she’s thinking. She takes a bite of her apple and chews it slowly, thoughtfully. ‘But now I freelance and things are a bit slow,’ I add hurriedly, wanting her to forget the stalker comment.

      ‘Is money a problem?’ She looks at me with concern and my cheeks burn. Judging by her lovely expensive-looking clothes and this beautiful house, money isn’t a problem for Beatrice. I don’t want her to think that’s the reason I want to be her friend.

      ‘No,’ I lie. ‘My parents have said they will help out if I need it. And I can always go and live with them if I can’t afford to pay rent any more.’

      ‘I’ve had an excellent idea,’ she almost shouts, her eyes bright and her cheeks pink. ‘Why don’t you move in here?’

      ‘Here?’ I’m so shocked that I can barely form the words and almost choke on a piece of hard plum. Of course, there is nothing I’d want more than to move in with her, to be with her all the time.

      ‘Oh, it’s perfect,’ she says, jumping up and dropping her apple in her exhilaration. I watch as it rolls across the table, falling off the end on to the tiled floor. Beatrice ignores it and stares at me, an intensity that I haven’t seen before in her eyes. ‘I was so upset when Jodie said she wanted to move out. But it’s fate, it’s so you can move in here with us. I should have thought of it before. Durrr!’ She actually slaps her own forehead with her hand and pulls a silly face, making me giggle. Her enthusiasm is infectious and the thought of moving into this stunning house, living with people again rather than rattling around my empty flat makes me want to bounce happily around the kitchen. ‘Why don’t you come and view the room now? I think Jodie’s gone out. Oh, it will be such fun if you move in.’

      ‘But …’ This is all going too fast and my heart begins to race. I’m not sure if I can do this, if I can start living a normal life again rather than my current hermit existence.

      ‘There are no buts, Abi. We got on so well on Saturday. I was so nervous about the showing, but you made it such fun. You’ll come to love the other girls. Pam is larger than life and such a laugh, and Cass is a sweetheart …’ She holds out her hand. ‘Come on.’ She smiles. Her eyes are wide with excitement, making her look even more beautiful. I think of how great it would be, living with Beatrice and not being alone any more; it would be like having a sister again, and I can’t stop the smile spreading across my face.

      ‘You’re right,’ I say as I take her outstretched hand, allowing her to pull me gently to my feet. ‘It will be perfect.’ And I follow her out of the kitchen, leaving the sour plum on the table behind me.

      Beatrice’s bare feet make a slapping sound on the stone steps as we climb the winding staircase and I touch one of the daisy-shaped coloured lights that have been wound around the banister, excitement building at the thought that soon this beautiful house could be my home. The heady scent of Parma violets hits me again and I’m aware it’s coming from Beatrice. It must be her perfume or the washing powder she uses for her laundry. Either way, it’s intoxicating.

      When we reach the first floor I can’t resist poking my head around the door of the huge sitting room that runs the length of the house, remembering from Saturday the velvet squashy sofas, the artefacts that Beatrice has collected from her travels to places such as India, Burma and Vietnam, the French doors leading out to a large terrace overlooking the garden. I remember the frisson of exhilaration I felt, wedged between Ben and Beatrice on one of those sofas, wine glasses in hand, chatting away as though the three of us had known each other for years.

      Beatrice stops halfway up the next flight of stairs and turns in my direction with a questioning rise of her finely arched eyebrow.

      ‘I’m only being nosey,’ I admit as she continues up the stairs. I fall in behind her. ‘And remembering Saturday night.’

      She laughs her endearing tinkly laugh. ‘It was a great night – and there will be many more like it if you move in. Jodie’s room is up here, next to mine. And Ben’s room is opposite, next door to the bathroom. Then, upstairs we have two more bedrooms, the attic rooms, which Cass and Pam use. They have their own bathroom, thankfully, as usually one of them is ensconced in there, dyeing their hair. I expect you remember all this anyway, at the open studio event the other day.’

      I nod, not wanting her to know how accurately I’ve memorized the layout of her house; then she really would think I was a stalker. We reach the landing, pausing outside one of the first doors we come to. It’s painted in a creamy white with a solid brass knob for a door handle. There’s no lock. Beatrice raps her knuckles gently against it. When there is no answer, she pushes the door. It opens with a lingering creak.

      The room is so at odds with the rest of the house that it’s as if I’ve been teleported into a student bedsit. It smells of unwashed bedding and dirty clothes mixed with something acrid, chemical. I give a little start. Jodie is lying on the single bed that’s been pushed up against the wall to make way for two more ugly sculptures. She has huge earphones clamped on either side of her head, her eyes are closed and she’s quietly mouthing the lyrics of the song that she’s listening to. I can’t quite make it out, but it sounds slow and angsty. I survey the large room with its indigo walls blu-tacked

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