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in Rococo Art Breaking with Baroque: Antoine Watteau Fragonard and Boucher: Lush, Lusty, and Lavish Flying High: Giovanni Battista Tiepolo Rococo Lite: The Movement in England

      8  Part 4: The Industrial Revolution Revs Up Art’s Evolution: 1760–1900 Chapter 16: All Roads Lead Back to Rome and Greece: Neoclassical Art When Philosophers and Artists Join Forces Angelica Kauffman: The Queen of Neoclassicism Jacques-Louis David: The King of Neoclassicism Jean Auguste Dominique Ingres: The Prince of Neoclassical Portraiture Élisabeth Vigée Le Brun: Portraitist of the Queen and Fashion Setter Adélaïde Labille-Guiard: From Ideal to Real and Royals to Revolutionaries Canova and Houdon: Greek Grace and Neoclassical Sculpture Chapter 17: Romanticism: Reaching Within and Acting Out Kissing Isn’t Romantic, but Having a Heart Is Far Out with William Blake and Henry Fuseli: Personal Mythologies Inside Out: Caspar David Friedrich The Revolutionary French Romantics: Gericault and Delacroix Francisco Goya and the Grotesque J. M. W. Turner Sets the Skies on Fire Chapter 18: What You See Is What You Get: Realism Rebels with a Cause Courbet and Daumier: Painting Peasants and Urban Blight The Barbizon School and the Great Outdoors Rosa Bonheur: From a Horse Fair to Buffalo Bill Keeping It Real in America The Pre-Raphaelite Brotherhood: Medieval Visions and Painting Literature The Ten: America’s First Art Movement Ashcan Artists: Capturing the Grit of Urban Life Chapter 19: First Impressions: Impressionism M & M: Manet and Monet Pretty Women and Painted Ladies: Renoir and Degas Cassatt, Morisot, and Other Female Impressionists American Impressionism Chapter 20: Making Their Own Impression: The Post-Impressionists You’ve Got a Point: Pointillism, Georges-Pierre Seurat and Paul Signac Red-Light Art: Henri de Toulouse-Lautrec Tracking the “Noble Savage”: Paul Gauguin Painting Energy: Vincent van Gogh Love Cast in Stone: Rodin and Claudel The Mask behind the Face: James Ensor The Hills Are Alive with Geometry: Paul Cézanne Art Nouveau: Curves, Swirls, and Asymmetry Fairy-Tale Fancies and the Sandcastle Cathedral of Barcelona: Antoni Gaudí

      9  Part 5: Twentieth and Twenty-First Century Art Chapter 21: From Fauvism to Expressionism Fauvism: Colors Fighting like Animals German Expressionism: Form Based on Feeling Austrian Expressionism: From Dream to Nightmare Chapter 22: Cubist Puzzles and Finding the Fast Lane with the Futurists Cubism: All Views At Once Futurism: Art That Broke the Speed Limit Precisionism: Geometry as Art The Harlem Renaissance and the Jazz Age Chapter 23: Nonobjective Art: Dada, Surrealism, and Abstract Expressionism Suprematism: Kazimir Malevich’s Reinvention of Space Constructivism: Showing Off Your Skeleton Piet Mondrian and the De Stijl Movement Dada Turns the World on Its Head Surrealism and Disjointed Dreams My House Is a Machine: Modernist Architecture Abstract Expressionism: Fireworks on Canvas Chapter 24: Anything-Goes Art: Fab Fifties and Psychedelic Sixties Artsy Cartoons: Pop Art Fantastic Realism Louise Nevelson: Picking up the Trash and Assemblage Louise Bourgeois: Sexualized sculpture Less-Is-More Art: Rothko,

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