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A Rebel In Love. Cristiano Parafioriti
Читать онлайн.Название A Rebel In Love
Год выпуска 0
isbn 9788835427896
Автор произведения Cristiano Parafioriti
Жанр Исторические любовные романы
Издательство Tektime S.r.l.s.
At half-past four, I went to the records office again.
I had no intention of taking any more mouldy boxes out of the shelves, as they were damp to the point of disintegration. They were stored in a room lit by a dim and flickering lamp. I imagined that the stale air was also damaging the electrical cables, so I helped myself with the torch on my phone.
The was a mess all over: boxes were packed with acts, inheritance records, collections of Bourbon decrees, shredded codes, collections of laws, statutes, concessions, private contracts.
Bastiano brought me a beautiful little book on parchment. He took it from a box of church books, or so he told me. There was indeed a wooden box stored in a dark corner containing contracts, deeds of gift, wills, legacies, in short, a series of random documents, but related to liturgical offices and ecclesiastical matters and not to Municipal correspondence.
There were also missal, prayer books, an eighteenth-century “Importanti discorsi per l’esercizio delle bona morte” by a certain Giuseppe Antonio Bordoni, a Latin text, “Epitome thoelogiae moralis ad confessariorum examen expediendum”, by Michele Manzo published in Naples at the printing house of Pasquale Tizzano (dated 1836), “Ristretto di mistica dottrinale” by Father Giannotti da Perugia (mid 18 century), a great collection of selected sermons by Father Da Loiano published in Naples in 1827.
I was particularly struck by a series of biblical tomes with parchment covers and gilt tooling on the spine, belonging to Sacred Scripture is just the vulgate in Latin and vulgar with the explanations of the literal and spiritual meaning taken by the Holy Fathers and by ecclesiastical authors by Le Maitre de Sacy priest published in Naples in 1786 by Gaetano Castellano. Many volumes were missing, also because this work appeared colossal.
At first glance, the complete collection could have consisted of at least forty volumes. I saw only a dozen, but they were enough to lead me to a leading discovery. At least those texts – but I assumed the other church books as well – were all from the vanished Abbey of Sant'Agata di Galati, which had once housed an order of Poor Clare nuns.
I noticed the same disturbing handwritten note inside each of the remaining tomes:
Sor Clara Rosa Girgentani Custos Veritatis4
What truth could this Poor Clare from Agrigento be the keeper of? I could only hope to learn something from the other tomes. I took them out of the box one by one and placed them on the desk; who knows how long they had been in the dark!
There were twelve of them, some of them incredibly well preserved, such as volume XIII containing the two books of the Parapolimeni, or volume XIV of the prophets Ezra, Nehemiah, and Tobit. However, other volumes were in a poor state, due to the humidity they had been exposed for who knows how many years, and that has increased their deterioration.
After a first reading, I slumped in the chair, tired, because even just reading those pages for ten minutes caused me a certain amount of effort. The letters were mostly small, perhaps to make the book more tiny and pocket-sized, and some of the handwritings were very different from today's style (the letter “s”, for example, was printed in a font more similar to a modern “f”). The sheets, wrinkled and thin, were damp and almost stuck together.
I felt drained but struck by the thickness of one of the tomes; it was two different shades of colour, the first half being more in keeping with the chromaticity of the book and the second half being darker and more worn. I opened the text. It was Tome X of the New Testament containing St. Paul's Epistle II to the Corinthians and the Epistle to the Galatians.
I was stunned.
Unlike the handwritten note on the other texts, this one had a rectangular cut-out that read “Ex Libris u.J.d. a. Raymundi M.Musumeci Paroch. s.J.b. Syracusis”.
Touching it, I realised that it was a paper scroll that had been laid out in a second moment. Exposing the page slightly to the sun, I noticed something written under that piece of paper. But at the time, I could not mess with the text too much to free the hidden writing, nor could I consult it. Employees were hanging around my desk, and I could attract their attention. Besides, detaching the paper without damaging the writing underneath required painstaking work and tools that I did not have with me.
As dusk fell, it became dark, and it was time to leave. And yet, my curiosity was eating me. Under the pretence of putting the tomes back in the wooden box, I returned to that dark room. The other volumes returned to their long rest, while
Tome X “decided” to come with me.
I was unfair, and I am to blame, but after so long, I confess that I would do it again.
εὕρηκα (EUREKA)
To remove the paper without compromising the writing underneath, I thought of a particular technique. I heated some water in a small pan, and, with a brush stolen from my niece, I moistened the surface of the leaflet.
The paper was similar in size to those cards attached to wedding favours. Despite my evident clumsiness in all things that involve good craftsmanship, I carefully managed to re-move the addition.
Once I removed the delicate piece of paper, I immediately proceeded to blow-dry the uncovered surface, still very wet, with a hairdryer so as not to melt the ink and undo all the work done – sometimes YouTube tutorials come in handy. And this is what emerged:
Sicut prediximus et nunc iterum dico: Si quis vobis evangelizaverit praeter id, quod accepistis, anathema sit.5
I did not fall into the trap of believing that it was just the clerical pseudo-dread of a cloistered nun. I strongly felt a connection, a common thread which, first through Calogero Bau and then through Bastiano Montagna, had led me to that tome.
I transcribed the sentence as it was on Google. It may have been a trivial, cheap, and unscholarly method, but in the end, the search engine did its job in full. The Latin inscription was a verse from Letter of Paul to the Galatians, the same epistle held in the second part of that tome. The similarity between the words Galatians and Galàti immediately jumped out at me.
What was that sentence then? A revelation? A warning? A clue?
Today I would merely call it a gateway. The hidden and arcane entrance to a story that, even today, I do not feel like defining “tragic” because that would be trivial, nor “romantic” because that would not be exhaustive.
Following that inscription, I then opened the tome to the Epistle of St. Paul the Apostle to the Galatians. But to my great surprise, the pages of the epistle were missing, completely removed. In place of the Pauline epistle, a manuscript booklet had been carefully and meticulously placed.
In its original form, this booklet was supposed to be slightly big. However, the Poor Clare nun reduced its size by carefully cutting the margins to camouflage it better within Tome X so that they would fit perfectly into the new book, transforming it into a sort of book within a book.
Only by carefully looking at the back of the tome, could you discern the different colours of the first original part and the subsequent addition. But I had no merit in this discovery, since only by luck I drop my eyes on that book which, placed randomly among the others, revealed that small, different detail. That tome of the Bible concealed within it a handwritten diary.
In the following days, the reading and analysis of what I had discovered utterly captivated me. I threw myself wholeheartedly into the events that unfolded before my eyes, and, at the same time, I began to frantically search for evidence, proofs, and writings that would give me further knowledge of the facts reported in that diary.