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“Some of Shanley’s sharpest comic writing in years… His intense engagement with questions of religion and ethics remains distinctive and invigorating.” — Charles Isherwood, New York Times“There’s a deeper philosophical vein that the author mines, allowing his language to acquire the heft and timbre of a serious moral debate…We taste bitterness, but also much that is sweet.” — David Cote, TimeOut New York“A postmodern morality play that’s as funny as it is bracing.” — Karen D’Souza, San Jose Mercury NewsConcluding the “Church and State” trilogy of plays that began with Doubt and Defiance, Storefront Church tells the story of a Bronx Borough President who is forced by the mortgage crisis into a confrontation with a local minister. Blending earthy humor and philosophical reflection, this compassionate morality tale is an exploration of the often thorny relationship between spiritual experience and social action.John Patrick Shanley is the author of Doubt: A Parable (Pulitzer Prize for Drama, Tony Award for Best Play), Outside Mullingar (Tony nomination for Best Play), Defiance, Danny and the Deep Blue Sea and Dirty Story, among many other plays. He wrote the teleplay for Live from Baghdad (Emmy nomination for Outstanding Writing of a Miniseries, Movie or Dramatic Special) and the screenplays for Congo, Alive, Five Corners, Joe Versus the Volcano, Doubt (Academy Award nomination for Best Adapted Screenplay) and Moonstruck (Academy Award for Best Original Screenplay).

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Includes: Found a Peanut, The Loman Family Picnic, The Model Apartment, What's Wrong with This Picture?, and Sight Unseen.. With a palpable affection for the traditions of the stage and a taste for surreal comedy, Margulies «manages to transform what might have been kitchen-sink drama into theatre that is unsettling, imaginative and quite hilarious»–Howard Kissel, New York Daily News

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“A terrific production . . . American playwright Donald Margulies’ self-reflective, dream reverie comedy drama Brooklyn Boy is tough, insightful, bittersweet, funny and ultimately wise.”— The Hollywood Reporter “Those who know Margulies’ plays will find his familiar themes here: the inevitable transformations wrought by aging, the complex hands linking parents and children, the uneasy dance between commercial and artistic success. The story unfolds with an uncanny resonance that distinguishes all great theatre.”— Orange County Register This new play by the Pulitzer Prize-winning author of Dinner with Friends is slated for a Broadway run in January 2005. Brooklyn Boy follows the career of Eric Weiss, a writer whose novel hits the bestseller list the same time his life begins to unravel. His wife is out the door, his father is in the hospital and his childhood friend thinks he has sold himself to the devil. A funny and emotionally rich look at family, friends and fame. Donald Margulies received the 2000 Pulitzer Prize for Drama for Dinner with Friends . The play received numerous awards, including the American Theatre Critics Association New Play Award, the Dramatists Guild/Hull-Warriner Award, the Lucille Lortel Award, the Outer Critics Circle Award and a Drama Desk nomination, and has been produced all over the United States and around the world. In addition to his adaptation of God of Vengeance , his many plays include Collected Stories , Sight Unseen , The Model Apartment , The Loman Family Picnic , What’s Wrong with This Picture? and Two Days . Mr. Margulies currently lives with his wife and their son in New Haven, Connecticut, where he teaches playwriting at Yale University.

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•Audience includes those who buy The Daramatists Sourcebook. •May be revised every 2-3 years. (Possibly an on-going project.

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Foremost stage directors describe their working process: JoAnne Akalaitis, Arvin Brown, René Buch, Martha Clarke, Gordon Davidson, Robert Falls, Zelda Fichandler, Richard Foreman, Adrian Hall, John Hirsch, Mark Lamos, Marshall W. Mason, Des McAnuff, Gregory Mosher, Harold S. Prince, Lloyd Richards, Peter Sellars, Andrei Serban, Douglas Turner Ward, Robert Woodruff, and Garland Wright.

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Presented workshops or space at following venues: Arts and Business Council; Professional Women’s Exchange of NY; League of American Theatres and Producers; National Guild of Community Schools for the Arts; National Endowment for the Arts; Walker Arts Center; Boys and Girls Club of America; Yale School of Drama; Columbia Graduate School of Journalism; and American Express National Arts Marketing Steering Committee.

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"The cumulative power of these shared stories is nothing short of astonishing. Ping Chong creates a tremendous tapestry of lives."—Twin Cities Reader This three-piece volume of Undesirable Elements, the community-specific theater works series, examines the lives of those born into one culture but living in another. Each production grows out of an extended residency, during which Ping Chong and his collaborators conduct interviews of community members and then create a script that explores both historical and personal narratives. Ping Chong is a theater director, playwright, choreographer, and video and installation artist. The recipient of two OBIE awards, two Bessie awards, and a Guggenheim Fellowship, he has created more than fifty works for the stage, including twenty-five in his Undesirable Elements series.

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–Good chance of Oscar nomination for acting and screenplay

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The deities of the ancient world — from the famous denizens of Olympus to anonymous river nymphs and sea monsters — come to life in the pages of this classic guide. Richly readable, informative, and colorful, it is drawn mostly from the great epics of Homer and the works of Apollodoros, an Athenian scholar of the second century B.C. Not only does it define the myths in terms of their influence on Western literature, it also depicts the role of the deities in everyday life, from the earliest tribal rites to the grand festivals at the height of Graeco-Roman civilization.Each of the primary and minor gods receives an individual chapter that recounts both the Greek origins and the later Roman adaptation. Profiles of less-familiar figures from the ancient pantheon include the Dioscuri, better known as Castor and Pollux, the patrons of athletes and sailors; Aesculapius, the god of health and healing; Rhea, the mother of the gods; and Pan, the frolicsome woodlands god. No finer survey of classical mythology exists than this instructive and entertaining guide to the gods.

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In this 1912 classic, a founder of modern sociology seeks the enduring source of human social identity. Émile Durkheim presents a remarkably accessible examination of animism, naturism, totemism, myth, and ritual. His intriguing views and ultimate conclusion—that the source of religion and morality lies in collective consciousness, rather than in individual minds—remains a topic of debate among sociologists, anthropologists, ethnographers, philosophers, and theologians.Durkheim edited L'Année Sociologique, the first journal of sociology, and was instrumental in establishing the field as a social science. With The Elementary Forms of the Religious Life, he explores totemism among Australia's Aborigines, offering the opportunity «to yield an understanding of the religious nature of man, by showing us an essential and permanent aspect of humanity.» Durkheim's study focuses on the need and capacity of humans to relate to one another socially, with religion as the core of the moral universe. An excellent introduction to the influential sociologist's ideas, this book continues to speak to new generations about the intriguing origin and nature of religion and society.

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