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Классическая проза
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On November 10, 1898, a mob of 400 rampages through the streets of Wilmington, North Carolina, killing as many as 60 citizens, burning down the newspaper office, overthrowing the newly elected leaders, and installing a new white supremacist government. The Wilmington Race Riots—also known as the Wilmington Insurrection and the Wilmington Massacre, is the only coup d’etat on American soil. The violence was prompted by the increasing political powers African Americans in the town were gaining during Reconstruction. <i>The Marrow of Tradition</i> is a fictionalized account of this important, under-studied event. Charles W. Chesnutt, an African American writer from North Carolina who lived in Cleveland as an adult and was the first black professional writer in the nation, narrates the story of “Wellington” North Carolina through William Miller, a black doctor, and his wife, Janet, who is both black and the unclaimed daughter of a prominent white businessman. Along with dozens of other characters, including a black domestic servant whose speech is rendered in vernacular dialect, they create a composite of Reconstruction and the violent racial politics created in backlash. The novel is also a masterful work of art that stands on its own: gripping, nuanced, and wholly original.
Информация о книге
Автор произведения Charles W. Chesnutt
Жанр Классическая проза
Серия Belt Revivals
Аннотация
Подъезд – целый мир, в котором происходит множество событий. Она смотрит на этот мир долгие годы, и уверена, что знает о нем всё. Но в жизни всегда есть место неожиданным событиям. И порой они переворачивают нашу действительность с ног на голову.
Аннотация
Meet Kari True. You'll get along fine with her, as long as you obey the law. Because Kari is an officer of the Watch. Along with her colleagues, she's in charge of keeping the mean streets around the Palace in the City free of troublemakers, wrongdoers and crime, and when the bowstrings begin to sing, the arrows start flying, and the swords start swashing, she's usually there, right in the thick of the action. She’s the one you’d want watching your back in a fight. Smart, sassy, and never afraid of a wisecrack, nevertheless Kari has a dark secret which she struggles even to acknowledge to herself sometimes – for Kari is a Demokin – part Demon.
Her colleagues are used to her ways, of course, and long ago learned not to antagonise her – not unless you want to be outside, down in the street, picking up the pieces of your desk, and the pieces of the window she just threw it through. It takes cop banter to a new level and gives a whole new meaning to “Elf” and safety at work!
Kari’s Demon background comes in very useful when she's trying to combat evil, most of the time, but, in this gripping, fast-paced mystery, it also leads her into some very dark corners, some bad places, and some very strange situations, until she's not sure who to trust any more, especially if it's her own, half-demonic self.
Involved in a case in which she discovers layer upon layer of deception, and forced to work with a snooty elvish lord who patronises her every utterance, her investigation takes a dangerous turn into the underworld. Hell is ruled by the dragon Drac-Shemal, and his son Drac-Nazar, and Kari’s attempts to crack this case will take her closer to the edge than she ever wanted to be, questioning the very essence of her existence.
A fast-paced page-turning fantasy thriller that often reads like Law and Order crossed with Game of Thrones crossed with Lord of the Rings, this is Katherine Wood’s first Kari True chronicle, of a planned trilogy.
Her colleagues are used to her ways, of course, and long ago learned not to antagonise her – not unless you want to be outside, down in the street, picking up the pieces of your desk, and the pieces of the window she just threw it through. It takes cop banter to a new level and gives a whole new meaning to “Elf” and safety at work!
Kari’s Demon background comes in very useful when she's trying to combat evil, most of the time, but, in this gripping, fast-paced mystery, it also leads her into some very dark corners, some bad places, and some very strange situations, until she's not sure who to trust any more, especially if it's her own, half-demonic self.
Involved in a case in which she discovers layer upon layer of deception, and forced to work with a snooty elvish lord who patronises her every utterance, her investigation takes a dangerous turn into the underworld. Hell is ruled by the dragon Drac-Shemal, and his son Drac-Nazar, and Kari’s attempts to crack this case will take her closer to the edge than she ever wanted to be, questioning the very essence of her existence.
A fast-paced page-turning fantasy thriller that often reads like Law and Order crossed with Game of Thrones crossed with Lord of the Rings, this is Katherine Wood’s first Kari True chronicle, of a planned trilogy.
Аннотация
Coming to PBS Masterpiece Classic soon! Gorgeous, profound, delightful, useful, original, this fully illustrated, informative volume combines Jane Austen's Sanditon novel and Janet Todd's ground-breaking essay. </p> <p> «I so enjoyed Janet Todd's beautifully produced book.»Andrew Davies, screenwriter. </p> <p> Sanditon is Jane Austen’s last novel, left unfinished when she died. A comedy, it continues the strain of burlesque and caricature she wrote as a teenager and in private throughout her life. This beautifully illustrated volume combines the full novel and Todd’s ground-breaking essay, where she contextualizes Austen’s life and work, Sanditon’s connection with Northanger Abbey (1818) and the Austen family’s speculation in England and the West Indies. She examines the moral and social problems of capitalism, entrepreneurship, and whether wealth trickles down to benefit the place it is made. In explaining the early nineteenth-century culture of self: the exploitation of hypochondria, health fads, seaside resorts, cures, she contends that Sanditon is an innovative, ebullient study of human beings’ vagaries – rather than using common sense, Sanditon’s characters follow intuition and bodily signs believing that desire can be translated into physical facts and speech can transform fantasy into reality. Todd shows Austen’s themes to be akin to contemporary concerns: the mistakes of the self-deluded reveal the inevitable, ridiculous gap between how we think of ourselves and how we appear and sound to others.
Аннотация
From the author of the bestselling Jalna series. Switched at birth: two boys exchange lives for a year. This novel from Jalna author Mazo de la Roche tells the story of two families, English and American, on whom circumstances have played a strange prank which might have had unhappy consequences. As an experiment, they send off their sons to see the other's country, but then war intervenes, and the story of the Wyldes and the Rendels shows the problems and the promise of Anglo-American relationships now and for the future.
Аннотация
From the author of the bestselling Jalna series comes a story of a grouchy South-Pole explorer befriends a singing lamb. Lambert, a little lamb with an angelic singing voice, is carried off to the South Pole by rich, grouchy Mr. Van Grunt, who plans to eat him one day. Instead, the two become best friends and enjoy the adventure of a lifetime.
Аннотация
From the author of the bestselling Jalna series. This is essentially a novel of contrast – a story of light and shade, a contrast of Sicilian exuberance with the restraints of life in a Massachusetts fishing village. It finds beloved author Mazo de la Roche in a new vein. Here is a narrative lighter in quality than those which have to do with the turbulent Jalna scene, but no less sure in its characterization; no less picturesque in its detail.
Аннотация
From the author of the bestselling Jalna series. Shaw Manifold is a born forester, of hardy stock. A fatherless boy of nine, he was brought up in the rugged environment of his grandfather’s farm, a lonely youngster in the midst of callous elders. His only ally was his mother, Cristabel, whose work removed her to a distant city. Mother and son lived for their reunions: their private world was a tortured and nostalgic place, but its love braced Shaw against the exhaustion of overwork and the interminable feud with his grandparents from which he escaped to his school of forestry and the Canadian woods. Then at the outset of a brilliant career he found he had overreached his strength. In sickbed and sanatoriums he began to fight the greatest battle of his life. With his courage and endurance, Shaw tells of his relationship with his mother, of his defiance of the Gowers, of his love for Elspeth Blair, and of the expeditions that led to his greatest challenge yet.
Аннотация
From the author of the bestselling Jalna series! Writing in isolation was never trickier than in this full house. In this short but poignant tale, Mazo de la Roche tells the story of a small boy from an orphan home who has come to work for two sisters – Mrs Morton and Lydia Dove – who are, in old age, suffering greatly reduced circumstances. They have rented out half of their house to a writer, Lindley, who has sought out this isolated spot for the writing of a novel. However, the seclusion promised him is broken by strange and frightening events. The sisters’ struggle over the boy, Lindley’s love for the boy, his efforts to keep himself aloof for the writing of his book, are related by Mazo de la Roche with that complete belief in her characters which makes them live for the reader.
Аннотация
From the author of the bestselling Jalna series, a story of one small thing that creates a lot of beauty. Bill and Coo were two pigeons who built their nest in the shelter of the gable of the Dullards’ house. Mr. and Mrs. Dullard hated all birds, especially pigeons. Mr. Dullard even tries to hit Bill with a rock, but the rock bounced back from the roof and hit Mr. Dullard instead. After that they let the pigeons alone, but they grumbled about them continually. When the beautiful new egg Coo laid was hatched, something emerged which changed the lives of the envious, bad-tempered humans living beneath and had a surprising effect on the jealous members of the bird world. In language of great simplicity and with a storyteller’s art, Mazo de la Roche tells of the little baby bird whose coming spreads beauty where harshness and envy had been before.