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Lucy Hughes-Hallett
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Аннотация
Not since Angela Carter’s The Bloody Chamber have old stories been made to feel so electrically new.Not since Wim Winders’ Wings of Desire have the numinous and the everyday been so magically combined. It's in the nature of myth to be infinitely adaptable.Each of these startlingly original stories is set in modern Britain. Their characters include a people-trafficking gang-master and a prostitute, a migrant worker and a cocksure estate agent, an elderly musician doubly befuddled by dementia and the death of his wife, a pest-controller suspected of paedophilia and a librarian so well-behaved that her parents wonder anxiously whether she’ll ever find love.They’re ordinary people, preoccupied, as we all are now, by the deficiencies of the health service, by criminal gangs and homelessness, by the pitfalls of dating in the age of #metoo. All of their stories, though, are inspired by ones drawn from Graeco-Roman myth, from the Bible or from folk-lore.The ancients invented myths to express what they didn’t understand. These witty fables, elegantly written and full of sharp-eyed observation of modern life, are also visionary explorations of potent mysteries and strange passions, charged with the hallucinatory beauty and horror of their originals.
Аннотация
From the author of ‘The Pike’ – winner of the 2013 Samuel Johnson prize for non-fiction – a compelling story of heroism told through eight famous lives that span from Achilles to Sir Francis Drake.Beginning beneath the walls of Troy, ending in 1930s Europe, ‘Heroes’ is a compelling evocation of heroism through eight famous lives – Achilles, Odysseus, Alcibiades, Cato, El Cid, Francis Drake, Wallenstein and Garibaldi.Not necessarily all good – sometimes quite the reverse – but all great, they possessed a charisma, a strength of will powerful enough to persuade those around them that they alone could do the incredible and unprecedented.It is a story of morality and dictatorship; money and sorcery; seduction and mass hysteria.
Аннотация
Not since Angela Carter’s The Bloody Chamber have old stories been made to feel so electrically new. Not since Wim Winders’ Wings of Desire have the numinous and the everyday been so magically combined. It's in the nature of myth to be infinitely adaptable. Each of these startlingly original stories is set in modern Britain. Their characters include a people-trafficking gang-master and a prostitute, a migrant worker and a cocksure estate agent, an elderly musician doubly befuddled by dementia and the death of his wife, a pest-controller suspected of paedophilia and a librarian so well-behaved that her parents wonder anxiously whether she’ll ever find love. They’re ordinary people, preoccupied, as we all are now, by the deficiencies of the health service, by criminal gangs and homelessness, by the pitfalls of dating in the age of #metoo. All of their stories, though, are inspired by ones drawn from Graeco-Roman myth, from the Bible or from folk-lore. The ancients invented myths to express what they didn’t understand. These witty fables, elegantly written and full of sharp-eyed observation of modern life, are also visionary explorations of potent mysteries and strange passions, charged with the hallucinatory beauty and horror of their originals.
Аннотация
