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Moon of Skulls collects Robert E. Howard's fiction and poetry published in Weird Tales Magazine from October 1929 to November 1930, plus one from Oriental Stories. These works represent literary stepping-stones to Howard's infamous Cthulhu mythos stories and his most famous character of all – Conan the Cimmerian – and ably demonstrate that each of Howard's stories improved and added to his formidable skills as a master of fantasy and adventure. Continuing the collection of Howard's fiction and poetry in order of publication, Volume Two of The Weird Works of Robert E. Howard picks up where Volume One left off – at one of the most startling and controversial Howard stories of all: Skull-Face, a potent combination of gothic themes and oriental mystique!<P> Included in this volume are: «The Gothic Orient,» by Mark Finn (introduction), «Skull-Face,» «Dead Man’s Hate,» «The Fearsome Touch of Death,» «A Song out of Midian,» «Shadows on the Road,» «The Moon of Skulls,» «The Hills of the Dead,» «Black Chant Imperial,» and «The Voice of El-Lil.»<P> Edited by Paul Herman. Cover by Stephen Fabian.

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I hear a gang of buffalo hunters got together recently in a saloon in Dodge City to discuss ways and means of keeping their sculps onto their heads whilst collecting pelts, and purty soon one of 'em riz and said, «You mavericks make me sick. For the last hour you been chawin' wind about the soldiers tryin' to keep us north of the Cimarron, and belly-achin' about the Comanches, Kiowas and Apaches which yearns for our hair. You've took up all that time jawin' about sech triflin' hazards, and plannin' steps to take agen 'em, but you ain't makin' no efforts whatsoever to pertect yoreselves agen the biggest menace they is to the entire buffalo-huntin' clan–which is Breckinridge Elkins!»

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Breckenridge heads out to Lonesome Lizard to deal with rustlers the only way Breckenridge knows how. But can this conquerin’ hero of the Humbolts get the girl?

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Breckenridge’s pap sends him in to War Paint to pick up his long lost uncle. Always obliging, Breckenridge does as he’s told—in a way only Breckenridge can.

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Breckenridge goes to Cougar Paw on an errand for his brother, and is unfortunate enough to become embroiled in a riot while he is there. Poor Breckenridge. Why does this always happen to him?

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Breckenridge heads to Haunted Mountain to retrieve his uncle, but there are some surprises in store. Breckenridge is one of them.

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Some day, maybe, when I'm old and gray in the whiskers, I'll have sense enough not to stop when I'm riding by Uncle Shadrach Polk's cabin, and Aunt Tascosa Polk hollers at me. Take the last time, for instance. I ought to of spurred Cap'n Kidd into a high run when she stuck her head out'n the winder and yelled: «Breckinridge! Oh, Breckinridddgggge!»…

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Breckenridge sets out to save a young man from himself. Nobody could be better suited for such a sensitive task than Breckenridge.

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Breckenridge is volunteered to escort a hapless bunch of Kansas immigrants to Arizona. What could possibly go wrong?

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And then some more fellers butted in and everybody started cussing and hollering till it nigh deefened me. Someone else reaches for a gun and I seen that as soon as one feller shoots another there is bound to be trouble so I started to gentle the first feller by hitting him over the head. The next thing I know someone hollers at me, «You big hyener!», and tries to ruint me with a knife. Purty soon there is hitting and shooting all over the town. High Horse is sure on a rampage.