LITMIR.BIZ

Includes the plays Fitting for Ladies, A Close Shave and Sauce for the Goose.In Fitting for Ladies, a man on the look-out for a new romantic rendezvous is mistaken for a dressmaker…In A Close Shave, a woman's would-be lover has to assume the identity of her artist husband, who is about to be called up for military service.In Sauce for the Goose, a man discovers that the woman he is pursuing is the wife of an old friend…

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Angele has learned from her first husband that no man can be trusted when it comes to other women. This goes for Ribadier, her current husband, too. He may be a high principled politician, but Ribadier believes it's no less than his right to enjoy a little extra marital fun. When an old school friend turns up Ribadier promises to tutor him in the tricks which will lead to his heart's desire. What he doesn't know is that his friend's heart's desire is Angele, his own wife!

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Feydeau’s major farces are universally admired, but relatively few people are familiar with his early work. When Feydeau left school in 1879 he began writing monologues for leading actors and actresses to perform in salons and at charity concerts But by 1882 he had progressed to the one-act play, which he continued to write through his career. The most successful were the four published in this volume, written between 1908 and 1911, and which he always wished to see published together, as they are here, under the title From Marriage to Divorce . The plays are more or less based upon the breakdown of his own marriage. This volume includes the plays Better Late , One Month Early , Take Your Medicine Like a Man and Don't Walk About With Nothing On . These translations were commissioned by the BBC.

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Georges Feydeau (1862-1921) wrote some 60 comedies, farces, and comic monologues; I Never Cheat on My Husband was one of his last productions (1914). Often considered the greatest French comic genius since Molière, Feydeau wrote frequently about the relations between men and women in modern society. In this play, the professional artist and sexual predator, Saint Franquet, begins his pursuit of Micheline, the hitherto faithful wife of Plantaredi, in the very first act. Their off-and-on «war» between the sexes is both convincing and riotously funny, particularly when both characters begin getting on each other's nerves. Then Micheline discovers that her husband has been having an affair of his own, and she sets out to get her revenge. The humor is frank, edgy, and very modern. This is one of the great French comedies of the past century!

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